DOI: 10.7256/2454-0749.2021.6.35863

Abstract: The relevance of the article is due to the lack of research in the field of genre analysis of the text in the context of structure and composition in the Crimean Tatar literature in general and on the example of the work of Sh. Selim "Shamil Alyadin, about charyks and a penknife" in particular. The subject of the study is a genre analysis of the text in the context of structure and composition on the example of the work under study. The purpose of this article is not an attempt to define any particular genre or its features in a work, which in this case is practically impossible, but an analysis of the relations of various literary and journalistic genres in the context of the structure and composition of the text under study. The main conclusions of the study are that in the work under study there is an "ambivalent" hybrid genre form of a deeply emotional diary of memories (essay) with a pronounced expression and literary-critical essay (article), with a clear logical methodology. Hidden genre forms of monologue, correspondence dialogue or discussion also manifest themselves in the text. The author enters, if not into a direct, then into a reflexive dialogue with his characters and the reader. The synthesis and interaction of different genre forms forms the originality of the work, focusing the reader's attention on the ethics of literary craft. If we talk about the general unifying genre of the work, then this is spiritual and intellectual prose. Thus, the analysis of the structural and compositional features of the work allowed us to identify important, although not absolute criteria for determining and interconnecting adjacent genres, which in turn made it possible to identify the main and auxiliary genre forms of the text under study.

DOI: 10.7256/2454-0749.2021.5.35501

Abstract: This article attempts to determine the peculiarities of compositional and semantic arrangement of text of the literary-criticism article by Shakir Selim “About Shamil Alyadin, Charyks and the Pocket Knife” in the context of its genre uniqueness. The article employs the approach of methodological pluralism using the key hermeneutical and a range of auxiliary methods. In analyzing the text, the author reviews the criteria of literary work, such as fabula, plotline, chronotope, author’s modality, etc., which allow revealing the peculiarities compositional and semantic arrangement Shakir Selim’s work. The relevance of this article is defined by the lack systematic research dedicated to compositional and semantic arrangement and genre diversity of the literary-criticism texts in the Crimean Tatar literature. The subject of this research is the compositional and semantic arrangement of text on the example of the literary work “About Shamil Alyadin, Charyks and the Pocket Knife”. The author describes the genre diversity alongside the elements of time and space presented in the article, as well as explores the author’s representations  and modality. This article is first to carry out a comprehensive analysis of the peculiarities of compositional and semantic arrangement and genre diversity of the S. Selim’s work “About Shamil Alyadin, Charyks and the Pocket Knife” by means of methodological pluralism in the aspect of various structural components of the composition and content of the text.