Создание художественных произведений: особенности процесса производства

Жуковский Владимир Ильич

doi:10.7256/2454-0757.2015.7.14692


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Philosophy and Culture

Reference:

Zhukovskii V.I. Creation of Artwork: Features of the Process // Philosophy and Culture. 2015. № 7. P. 1086-1095. DOI: 10.7256/2454-0757.2015.7.14692 URL: https://en.nbpublish.com/library_read_article.php?id=14692

Создание художественных произведений: особенности процесса производства

Zhukovskii Vladimir Il'ich

Doctor of Philosophy

Doctor of Philosophy, Professor of the Department of Cultural Studies at Siberian Federal University

660041, Russia, Krasnoyarsk Region, Krasnoyarsk, Svobodny proezd, 82, room No. A 460

jln@kraslib.ru

Other publications by this author

Article was published in rubric "Philosophy and art"

DOI:

10.7256/2454-0757.2015.7.14692

Received:

11-03-2015

Published:

05-09-2015

Abstract: The process of creating an artwork as a playing interaction between an artist and art material is the subject of the current research. Appealing to this problem is an attempt to find effective methods of investigation of artistic ideas objectified in the work of fine arts. The author investigates the concepts of “interaction” and “playing”, defines the ontological status of playing and interaction as nonmaterial existence, and analyses the “artificiality”, “finesse” and “ordeal” of an artist and art material in the course of playing interaction. Animism as a ritual "attribution" of supernatural spiritual features to inanimate objects is claimed to reside in the creative dialogue (playing interaction) between an artist and a material of art. The chosen theme required the philosophical analysis of the range of connected problems which include: the problem of the ideal, language nature, visual thinking, and life meaning phases of an individual attitude to the world. The scientific novelty of the research is caused by the fact that the creative dialogue (playing interaction) is studied through the language communication process and the scheme of acting that is an operation determined by both the peculiarities of the material and the “finesse” of the artist being the master of the language of the subject. The author concludes that objectified work of art as a result of interaction between the artist and the material to be an integral of features of finite and infinite poles of interaction. Thus, the artist engaged in the process of creating of the ideal interaction with the material of art creates new world of feelings. He is able to bring a work of art out of nowhere.

Keywords:

language, creative dialogue, interaction, play, art material, material of art, artist, artwork, work of art, operation, animism, the problem of the ideal

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