|
MAIN PAGE
> Back to contents
Philosophy and Culture
Reference:
Medova A.A.
On the Definition of Modus in Logical, Linguistic and Music Culture
// Philosophy and Culture.
2015. № 2.
P. 220-229.
DOI: 10.7256/2454-0757.2015.2.10664 URL: https://en.nbpublish.com/library_read_article.php?id=10664
О значении понятия modus в логической, лингвистической и музыкальной культуре
Medova Anastasiya Anatol'evna
PhD in Philosophy
assistant professor of the Philosophical Department at Siberian State Technological University
660049, Russia, Krasnoyarsk Region, Krasnoyarsk, str. Mira, 82, room No. 321
|
amedova@list.ru
|
|
|
Other publications by this author |
|
|
DOI: 10.7256/2454-0757.2015.2.10664
Received:
21-03-2015
Published:
31-03-2015
Abstract:
The term 'modus' has a long history and is widely used in different sciences and cultural practices. The modal approach is actively applied in psychology, social studies, logic, art history, philology and other humanitarian sciences. Modus is used in philosophy, too. However, each science has a particular meaning of modus. For example, harmonic modus in music is totally different from perception modalities or voices in grammar. The term 'modus' means absolutely different phenomena in particular branches of science. Thus, the meaning of the term 'modus' is quite difficult to be defined and involves diferent concepts and phenomena. The research subject of the present article is the general meaning of the term 'modus' in different spheres of science and culture. The definition of modus is given based on the comparison of different definitions of modus in Russian-English and Russian-German practice of translation and interpretation as well as on the analysis of this term in logic, music theory of rhythm and tonality and grammar. As a result, the general meaning of the term 'modus' is defined as a form of existence, image, manifestation and discovery. The researcher also finds the essential feature of modus. Describing manifestation of a phenomenon, modus also describes what is being manifested, and therefore modus refers to a phenomenon as the essence. The term 'modus' does not define an accidental or temporary condition or transformation of the essence. On the contrary, modus means a principal form of existence and openness for the being as it is. Modes are usually created as a result of comparison of phenomena or plans and therefore modus can be defined as a structural-sense relation that independently exists in a particular image or form.
Keywords:
modus, modality, musical modus, modal harmony, logical modality, modus of syllogism, inclination, modus-dictum relations, modal verb, trope
References
1. Chambers Concise Dictionary. Edited by G.W. Davidson, M.A. Seaton, J. Simpson. Chambers-Cambridge, 1988.
2. Hartmann, N. Kleinere Schriften. Bd. III. Vom Neukantianismus zur Ontologie. De Gruyter, Verlin, 1958.
3. The Cambridge Dictionary of Philosophy, general editor Robert Audi. 2-nd edition. Cambridge University Press, 1999.
4. The Oxford Companion of Philosophy, ed. by Ted Hondench. Oxford, New York: Ox-ford University Press, 1995.
5. Wahrig, Gerhard. Deutscher Wörterbuch mit einem Lexikon der deutscher Sprahclehre. – Bentelsmann Lexikon Verlag, Gütersloh-München, 1991.
6. Webster's Encyclopedic Unabridged Dictionary of the English Language. Portland House, New York, 1989.
7. Webster's Third New International Dictionary of the English Language Unabridged. Vol. 2. Chicago et al.: Encyclopedia Britanica, Inc., 1986.
8. Balli, Sh. Obshchaya lingvistika i voprosy frantsuzskogo yazyka / Per. E.V. i T.V. Venttsel', redaktsiya, vstup. st. i prim. R.A. Budagova. – M.: Izdatel'stvo inostran-noi literatury, 1955. 416 s.
9. Bol'shaya sovetskaya entsiklopediya. V 51 t. / Gl. red. B.A. Vvedenskii. 2-e izdanie. T. 28. M.: Gosud. nauchn. izd-vo «Bol'shaya sovetskaya entsiklopediya», 1954. 664 s., il.
10. Dvoretskii, I.Kh. Latinsko-russkii slovar'. 4-e izd., ster. M.: Russkii yazyk, 1996. 646 s.
11. Zaitseva, Z.N. Nemetsko-russkii i russko-nemetskii filosofskii slovar'. M.: Izd-vo MGU, 1998. 320 s.
12. Ivin, A.A. Sovremennaya filosofiya nauki. M.: Vysshaya shkola, 2005. 592 s.
13. Kvintilian, Mark Fabii. Dvenadtsat' knig ritoricheskikh nastavlenii. Kniga vos'maya. / Perevod s latinskogo Aleksandra Nikol'skogo. SPb.: Imperatorskaya rossiiskaya akademiya, 1834 g. 122 s.
14. Koptev, S. O yavleniyakh poliladovosti, politonikal'nosti i politonal'nosti v narodnom tvorchestve // Problemy lada. Sbornik statei. Sost. K.I. Yuzhak. M.: Mu-zyka, 1972. S. 191-207.
15. Latinsko-russkii i russko-latinskii slovar' / Sost. A.V. Podosinov, G.G. Kozlo-va, A.A. Glukhov, A.M. Belov, pod obshch. red. A.V. Podosinova. 3-e izd. M.: Flinta; Nauka, 2007. 744 s.
16. Malinin, A.M. Latinsko-russkii slovar'. M.: Gosudarstv. izd-vo. inostrannykh i natsional'nykh slovarei, 1961. 764 s.
17. Meshchaninov, I.I. Glagol. AN SSSR. Otdelenie literatury i yazyka. L.: Nauka, 1982. 272 s.
18. Nazaikinskii, E.V. Logika muzykal'noi kompozitsii. M.: Muzyka, 1982. 319 s., not.
19. Nechaev, A.V. Modal'nost' odinochestva // Vestnik Samarskogo gosudarstvennogo universiteta. 2006, № 5/1. C. 14-21.
20. Petruchenko, O. Latinsko-russkii slovar'. Izd. 9-e, ispr. M.: V.V. Dumnov'', na-sledniki brat'ev Salaevykh'', 1914 / Reprintnoe izdanie. M.: Greko-latinskii ka-binet im. Yu.A. Shichalina, 1994. 810 s.
21. Toporov, V.N. Tropy // Lingvisticheskii entsiklopedicheskii slovar' / Gl. red. V. N. Yartseva. Moskva: Sovetskaya entsiklopediya, 1990. Elektronnyi resurs. URL: http://tapemark.narod.ru/les/520c.html
22. Kharlap, M.G. Ritm i metr v muzyke ustnoi traditsii. M.: Muzyka, 1986. 194 s., not
Link to this article
You can simply select and copy link from below text field.
|
|