|
MAIN PAGE
> Back to contents
Culture and Art
Reference:
Medova, A. A.
Analytical Thinking as Time Relations:
Based on the Example of Oliver Messiaen’s
‘Mode de Valeurs d’Intensites’
// Culture and Art.
2013. № 5.
P. 579-588.
URL: https://en.nbpublish.com/library_read_article.php?id=63373
Medova, A. A. Analytical Thinking as Time Relations:
Based on the Example of Oliver Messiaen’s
‘Mode de Valeurs d’Intensites’
Abstract:
The article is devoted to the discovery of the temporary modus of analytical thinking that means
description of logical relations in the sphere of time relations. Time means one’s internal perception and subjective
experience of time. Serial music was chosen as the empirical material that is equally based on time relations
and analytical thinking. The research methods included phenomenological analysis of perception of time
as well as the structural and harmonious and rhythmic analysis of the musical text.
The article also describes time aspects of preconditions of analytical operations: division, distinction and
concreteness (tematization); the role of perception of time in formation of categories of quality and quantity
is also shown. The differentiating potential of time relations is well shown during the analysis of the etude No.
2 of the cycle «Four Rhythmic Etudes for a Piano» composed by Olivier Messiaen (1908–1992). The musical
text is analyzed from the point of view of axiological and differentiating role of time. The etude is submitted as
art integrity where time is a source and condition of distinctions, differentiations, creation of logical system,
recognition and definiteness of tones, tematization of sounds of series.
Keywords:
cultural research, analytical thinking, internal perception of time, distinction, differentiation, thematisation, quality and quantity, length and intensity, serialism, Oliver Messiaen.
This article can be downloaded freely in PDF format for reading. Download article
This article written in Russian. You can find original text of the article here
.
References
1. Messiaen Olivier. Mode de valeurs et d’intensités. № 2 des “Quarte Études de rythme” pour piano. Édition avec analyse du compositeur. Durand Editions Musicales.
2. Alyushin, A.L. Kontseptsiya kognitivnykh kadrov // Filosofskie nauki, 2010. № 11. S. 104-115.
3. Bergson, A. Vospriyatie izmenchivosti. Per. V. Flerovoy // A. Bergson. Tvorcheskaya evolyutsiya. Materiya i pamyat'. Minsk: Kharvest, 1999. S. 926-959.
4. Bergson, A. Sobranie sochineniy v 4-kh tomakh. Tom 1. Opyt o neposredstvennykh dannykh soznaniya. Materiya i pamyat'. M.: Moskovskiy klub, 1992. 336 s.
5. Gusserl', E. Ideya fenomenologii. Pyat' lektsiy. Per. N.A. Artemenko. SPb.: Gumanitarnaya akademiya, 2006. 224 s.
6. Delez, Zh. Razlichie i povtorenie. Per. s fr. N.B. Man'kovskoy i E.P. Yurovskoy. SPb.: TOO TK Petropolis, 1998. 384 s.
7. Ekimovskiy V. Oliv'e Messian: Zhizn' i tvorchestvo. M.: Sov. kompozitor, 1987. 304 s.
8. Langleben, M.M. O nekotorykh muzykal'nykh sistemakh i muzykal'nykh notatsiyakh drevnosti // Rannie formy iskusstva. M., 1972. S. 428-443.
9. Molchanov, V.I. Paradigmy soznaniya i struktury opyta // Logos. № 3. 1992. S. 7-36.
10. Molchanov, V.I. Predposylka tozhdestva i analitika razlichiy // Logos, 1999. №11-12. S. 183-208.
11. Ovcharova, T.V. Artikulyatsiono-dinamicheskie problemy interpretatsii proizvedeniy O. Messiana // Filologiya, iskusstvovedenie i kul'turologiya: tendentsii razvitiya. Materialy mezhdunarodnoy zaochnoy nauchno-prakticheskoy konferentsii. Novosibirsk: Izd. «SibAK», 2013. S. 121-129.
12. Porus, V.N. Ratsional'nost' // Internet-versiya izdaniya: Novaya filosofskaya entsiklopediya: v 4 t. / In-t filosofii RAN; Nats. obshchestv.-nauch. fond; Preds. nauchno-red. soveta V.S. Stepin. 2-e izd., ispr. i dopol. M.: Mysl', 2010. Elektronnyy resurs. URL: http://iph.ras.ru/elib/2555.html
13. Sartr, Zh.-P. Bytie i Nichto: Opyt fenomenologicheskoy ontologii. Per. s fr., predisl. i primech. V.I. Kolyadko. M.: Terra-Knizhnyy klub; Respublika, 2002. 640 s
Link to this article
You can simply select and copy link from below text field.
|
|