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Culture and Art
Reference:
M.D. Chertok
On the issue of using authentic military
music in movies dedicated to the Fatherland
war of 1812
// Culture and Art.
2013. № 3.
P. 344-348.
URL: https://en.nbpublish.com/library_read_article.php?id=62835
M.D. Chertok On the issue of using authentic military
music in movies dedicated to the Fatherland
war of 1812
Abstract:
the article attempts to determine the
degree of authenticity of the battlefield music in
movies dedicated to the Fatherland War of 1812.
The author analyzes the feature films by Russian
and foreign cinematographers and concludes
that the true Napoleon-era battlefield music is almost
never used by both Russian and foreign cinematographers. The exception is the 1965 motion
picture “War and Peace” by S. Bondarchuk, which
uses authentic recordings of the French Republic
Guard orchestra conducted by A.A. Skrya bin,
an immigrant nephew of the famous Russian
composer. The explanation for this is not only
ignorance of modern composers and sound engineers,
but also the lack of the sources of music
itself (sheets, or descriptions in academic sources
or memoires). The article is addressed towards
moviemakers to assist them in achieving more
authentic correspondence of historic facts and
cinematography based on them.
Keywords:
history of art, music culture, army, Napoleonika, Borodino, march, signal, Bagration, Napoleon I, 1812.
This article can be downloaded freely in PDF format for reading. Download article
This article written in Russian. You can find original text of the article here
.
References
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3. Bogdanovich M. Otechestvennaya voyna 1812 goda. T. 1. SPb.: Tipografiya torgovogo doma S. Strugovits-kogo, G. Pokhitonova, I. Vodova i Ko, 1859.
4. Rubinshteyn A. Pesni Frantsuzskoy revolyutsii // Literaturnyy kritik. № 8–9. 1939.
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6. Chertok M. Russkiy voennyy marsh. K 100-letiyu marsha «Proshchanie slavyanki». M.: Kanon+, 2012
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