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Culture and Art
Reference:
Limanskaya, L. Yu.
Historical Memory of Place and Time:
Odessa School of Fine Arts between Classical
Avant-Garde, Non-Conformism and Trans
Avant-Garde
// Culture and Art.
2012. № 6.
P. 84-93.
URL: https://en.nbpublish.com/library_read_article.php?id=61661
Limanskaya, L. Yu. Historical Memory of Place and Time:
Odessa School of Fine Arts between Classical
Avant-Garde, Non-Conformism and Trans
Avant-Garde
Abstract:
After the revolution Odeassa avantgarde
was supported by Mikhail Boychuk, Ukranian
follower of Diego Rivera and David Siqueiros. In
1923 the Polytechnic University of Fine Arts of the
Odessa Art School was created where he and his
students G. Komar, I. Gurvin and M. Gronets created
the Faculty of Monumental Decorative Fine Arts.
The main purpose of the new movement in arts was
to go beyond the borders of salons and workshops
and create monumental pieces of art addressed to
common people. These ideas were supported by the
Literary Fair almanac which editors, publicist N.
Khvylevsky and writer K. Bureviy were attracted
to Pablo Picasso’s works. After the war followers of
classical avant-garde T. Fraerman, M. Zhuk and N.
Shelutto continued to work in the South Ukranian
school of arts despite the idealogical pressure. Early
avant-garde traditions were later reviewed by their
followers – leaders of nonconformism during 1950–
1960, O. Sokolov and Yu. Egorov, who created new
fine art systems and anticipated nonconformistic
findings in 1970th.
Keywords:
art history, monumentalism, fine arts, nonconformism, trans avant-garde, boychukism, Mikhail Boychuk, Ruvim Fraerman, O. Sokolov, Yu.Egorov, L. Yastreb.
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