|
MAIN PAGE
> Back to contents
Culture and Art
Reference:
Ezernitskaya A.
Compagnie Della Calza In Terms of the Venetian Myth
// Culture and Art.
2016. № 6.
P. 842-853.
DOI: 10.7256/2454-0625.2016.6.21448 URL: https://en.nbpublish.com/library_read_article.php?id=21448
Compagnie Della Calza (Общества Чулка) в контексте венецианского мифа.
Ezernitskaya Anna
post-graduate student of the Department of the Theory and History of Art at Russian State University for the Humanities
125993, Russia, Moscow, str. Miusskaya Square, 6
|
annae2202@mail.ru
|
|
 |
Other publications by this author
|
|
|
DOI: 10.7256/2454-0625.2016.6.21448
Received:
16-12-2016
Published:
19-01-2017
Abstract:
The subject of the present research is the society Compagnie della Calza and their role in the life of the Venetian Republic of the XVth - XVIth centuries. Very little is mentioned about Compagnie della Calza in Russian academic literature while descriptions of the unions of young noblemen may considerably complete the picture of the cultural life of Venice during Renaissance. The logic of existence of such unions in Venice of the XVth - XVIth centuries is explained by the fact that they were completely congruent with internal and external policy of the Republic's government aimed at supporting the so called Venetian myth. As a result of rare researches devoted to Compagnie Della Calza, the author has used the interdisciplinary approach to her studies. Ezernitskaya has conducted an analysis of the historiography on the phenomenon of Compagnie Della Calza. For the first time in the Russian academic literature the author views the reasons of appearance and the nature of activities of the representatives of those 'gilded youth' membership clubs'. Based on the analysis of archive materials related to Compagnie Della Calza's activities, the author defines new trends for further researches of plots and themes depicted in the artwork of such Venetian artists as Gentile Bellini, Vittore Carpaccio, Giorgione, Titian and others.
Keywords:
Compagnie della Calza, Venezia, Renaissance, venetian art, sumptuary laws, Gentile Bellini, Vittore Carpaccio, Titian, Giorgione, la Tempesta
References
1. Bokkachcho Dzh. Dekameron. Kn. 2. M.: Izdatel'skii Dom Meshcheryakova, 2009. 312 s.
2. Bragina L.M. Ital'yanskii gumanizm epokhi Vozrozhdeniya. M.: Izdatel'stvo Moskovskogo Universiteta, 2002. S. 172-184.
3. Burkkhardt Ya. Kul'tura Vozrozhdeniya v Italii: opyt issledovaniya. M.: Yurist'', 1996. 591 s.
4. Vazari Dzh. «Zhizneopisaniya naibolee znamenitykh zhivopistsev, vayatelei i zodchikh», M.: Al'fa-kniga, 2008. 1278 s.
5. Dekruazett F. Povsednevnaya zhizn' v Venetsii vo vremena Gol'doni. M., 2004. [Elektronnyi resurs] e-reading.club URL: http:// www.e-reading.club/chapter.php/1006234/18/Dekruazett_Fransuaza_-_Povsednevnaya_zhizn_v_Venecii_vo_vremena_Goldoni.html (data obrashcheniya 11.04.2015).
6. Dzhivelegov A.K. Boyadzhiev G.N. Istoriya zapadnoevropeiskogo teatra ot vozniknoveniya do 1789 goda: uchebnik dlya studentov teatral'nykh vuzov. M.: Rossiiskii universitet teatral'nogo iskusstva. 2013. 528 s.
7. Brown P.F. Le Scuole // Storia di Venezia. Dalle origini ala caduta Serenissima, v.5: Il Rinaschimento. Societa ed economia. Roma: Istituto della Enciclopedia Italiana, 1986, pp. 307-354.
8. Casini M. I gesti del principe a Firenze e Venezia in eta rinascimentale. Venezia, Marsilio, 1996. 448 p.
9. Chojnacky S. La formazione della nobilita dopo la Serrata//Storia di Venezia, v. III: La formazione dello stato patrizio. Venezia, 1997. P.641-725.
10. Eisenbichler K. Crossing the Boundaries: Christian Piety and the Arts in Italian Medieval and Renaissance Confraternities. Michigan, 1991. 317 p.
11. Fioravanti L. Dello specchio di scientia universale, Libri 3. Venezia, 1527.
12. Giomo G. Il lusso: leggi moderartrici: pietre e perle false, Venezia, 1908. 14 p.
13. Giustiniani B. Historie cronologiche dell’origine degli ordini militari e di tutte le religioni cavaleresche infino ad hora instituite nel mondo. Venezia: Combi e La Nou Giovanni, 1692.
14. Muraro M.T. Scena e misenscena: scritti teatrali, 1960-1998. Venezia: Marsilio, 2004. 253 p.
15. Newett M.M. The sumptuary laws of Venice in the Forteenth and Fifteenth centuries//Historical Essays by Members of the Owens College, Manchester. London, Longmans, Green and Co. 1907, pp. 245-277.
16. Pilot A. Di alcune leggi suntuarie della republica veneta. Venezia: Pellizzato, 1903. 22 p.
17. Trexler R.C. Public Life in Renaissance Florence. New York: Ithaca, 1991. 591 p.
18. Todarello N.L. Le arti della scena. Lo spettacolo in occidente da Eschilo al trionfo dell’opera. Novi Ligure: latore editore teatro e unversita, 2006. 460.
19. Urban L. Processioni e feste dogali. Vicenza: Editore Neri Pozza, 1998. 267 p.
20. Vazari G. Le vite de piu eccellenti pittoru, scultori e architettori. [Elektronnyi resurs]//it.m.wikisource.org. URL: https://it.wikisource.org/wiki/Le_vite_de'_pi%C3%B9_eccellenti_pittori,_scultori_e_architettori_(1568)/Taddeo_Zucchero (data obrashcheniya 16.12.2016).
21. Venturelli P. Qualche osservazione su “mito” di Venezia e governo misto tra Basso medioevo e Rinascimento. [Elektronnyi resurs]//Bibliomanie. Riserca filologica, stroria delle idee e orientamento bibliografico. URL: http://www.bibliomanie.it/mito_venezia_governo_misto_venturelli.htm (data obrashcheniya: 09.04.2015).
22. Venturi L. Le Compagnie della Calza. Venezia, Filippo Editore Venezia, 1983. p. 157.
Link to this article
You can simply select and copy link from below text field.
|
|
