Искусство китайских садов: теория и практика периода династии Мин

Белозерова Вера Георгиевна

doi:10.7256/2454-0625.2016.6.20702


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Culture and Art

Reference:

Belozerova V. The Art of Chinese Gardens: Theory and Practice of the Myng Dinasty // Culture and Art. 2016. № 6. P. 826-836. DOI: 10.7256/2454-0625.2016.6.20702 URL: https://en.nbpublish.com/library_read_article.php?id=20702

Искусство китайских садов: теория и практика периода династии Мин

Belozerova Vera

Doctor of Art History

professor of the Department of State Administration in the Sphere of Culture and Sport, Faculty of the Higher School for Cultural Policy and Management in the Humanities at Lomonosov Moscow State University

119192, Russia, Moscow, str. Lomonosovsky's Prospect, 27 bld. 4, room No. 207

vera@belozerov.com

Other publications by this author

Article was published in rubric "Art and Art History"

DOI:

10.7256/2454-0625.2016.6.20702

Received:

11-10-2016

Published:

19-01-2017

Abstract: The subject of the research is the theory and practice of the gardening art of China during the period of the Myng Dynasty (1368-1644) when the gardening tradition reached the height of its development. The object of the research is the treatise 'Yuan e' ('Gardening') written by a famous practical and theoretical expert in gardening Ji Cheng (1582-1642?) as well as an essay 'Jan u Ji' ('About Things that Delight our Eye') written by a well-known writer Wen Zhensheng (1585-1645). The purpose of the research is to systematize artistic devices and analyze artistic principles which have predetermined the national singularity of the phenomenon of Chinese gardens. The art studies methodology was completed with the methods of semiotics, hermeneutics and cultural analysis. The author gives extracts from the aforesaid treatises in her own translation and offers new interpretations of the key terms there. Her analysis of the gardening tradition once again proves the unity of theory and practice that is so typical for Chinese art in general. The novelty of the results is caused by the fact that the author clarifies the content of theoretical postulates about Human having the right to actively transform Nature through the art of landscape design which creates prospects for better understanding of the status and role of Human in the traditional Chinese culture in general.

Keywords:

jingmian qiang, jin you, dengfen ping, penjing, binglei, yang sheng, jing dian, jie jing, danzi wo, fengshui

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