Влияние звука на репрезентацию художественного времени экранного произведения. Опыт японского кинематографа

Обручников Игорь Михайлович

doi:10.7256/2454-0625.2016.2.18332


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Culture and Art

Reference:

Obruchnikov I.M. Influence of Sound on the Representation of Artistic Time Continuum in Screen Arts. Experience of Japanese Cinematograph // Culture and Art. 2016. № 2. P. 205-212. DOI: 10.7256/2454-0625.2016.2.18332 URL: https://en.nbpublish.com/library_read_article.php?id=18332

Влияние звука на репрезентацию художественного времени экранного произведения. Опыт японского кинематографа

Obruchnikov Igor' Mikhailovich

Post-graduate student, the department of Scenic Mastery and History of Arts, the Academy of Media Industry (Institute of Advanced Training for TV and Radio Broadcasting Staff)

127521, Russia, Moscow, Oktyabrskaya Street 105, building #2

insincer@gmail.com

Other publications by this author

Article was published in rubric "Audiovisual culture and art"

DOI:

10.7256/2454-0625.2016.2.18332

Received:

13-03-2016

Published:

20-04-2016

Abstract: The subject of the research is the screen sound as a component of audiovisal image in Japanese cinematograph. The author of the article discovers some capabilities and other features of audio information that influence the process of formation of artistic time continuum of a screen piece. The fact that the sound has a temporal characteristic in cinematograph and appears in the real-time environment of a recipient makes it possible to search for global dependencies between screen sound as a phenomenon and aspect of time in a sound image. Being part of Japanese aesthetic system, modern Japanese cinematograph has its peculiarities which allows to examine these factors thoroughly. The present research is based on the phenomenological approach to sound as the phenomenon of cinematograph reality as well as concepts of traditional Japanese aesthetics. The novelty of the research is caused by the fact that the author develops the system of dependencies between properties of a comprehensive sound solution of a piece of screen in terms of its connection with the chronotope. The given system of dependencies 'sound - artistic time continuum' has a universal nature and reveals new opportunities for audio expressivity in cinematograph.

Keywords:

phonography, cinematograph, screen, sound, artistic, time, chronotope, contemporary, Japanese, aesthetics

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