Abstract: This article explores the creation of the image of a Soviet woman within the Soviet cinematography. The subject of this research is the female image formed by the Russian cinematography at certain stages and its dynamics. The author suggest understanding of the image of woman as a combination of sensible images, which include representations on the place, role, functions, traits that are potentially common to her, but are yet to be formed and realized. Detailed analysis of the films of the early XX century allows examining creation of the female image, the expectations, moods, perceptions of the future presented in the films, as well as tracing the correlation between semantic content and its visualization. Due to the fact that the image was designed gradually, the author considered the key social and political factors that affected its creation and found reflection within it. Special contribution of the author into the research of this topic consists in demonstration of a relatively holistic image of a Soviet woman in cinematography, which was comprise bit by bit and transformed, meeting the challenges, demands and needs of society and the state.