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Publications of Griber Yulia Alexandrovna
Sociodynamics, 2020-5
Griber Y.A., Suchova E.E. - Color in visual representations of COVID-19 pandemic: content analysis of publications in the Russian-language digital mass media pp. 79-93


Abstract: The goal of this article consists in presenting the results on analysis of visual representations of COVID-19 pandemic in the Russian-language digital mass media from the perspective of the functions of color, its correlation with the theme, frequency of dominant shade of images and its dynamics. Publications in the digital mass media for the period from February to May 2020 related to topic of Coronavirus became the material for this research. The time framework captured the period of 100 days, since January 31, when the first case of coronavirus was confirmed in Russia. The author applied multi-stage cluster strategy; the material was sorted into clusters using the search function by the dominant color of Google. The search was conducted by 12 key colors: 9 chromatic (red, orange, yellow, green, blue, dark blue, purple, pink, and brown), and 3 achromatic (white, grey, and black). For each main color, the research database included first 100 articles. The study was carried out using the method of content analysis. Statistical analysis demonstrated that color of the image correlates with the theme of information text, given overall assessment of the situation and its development prospects. The dominant form of visual representation of COVID-19 pandemic in the Russian-language mass media is depiction of the source of coronavirus infection, which presented in the online publications in all main colors, except two achromatic – white and grey. The dynamics of color representation of coronavirus is associated with the important events for development of the situation. Coincidence and changeability of the color image of coronavirus reflects high level of social anxiety, which is supported and aggravated by publication on the uncertain nature of the virus and course of the disease caused by it. The author sees solution of the problem in reserving the grey color common to the visual image of coronavirus. In this case, the color would correspond with the scientific reality (since there is no color without the light), and the image of coronavirus, purified from the aggressive color, would become less threatening and virulent.
Litera, 2019-1
Griber Y.A., Jonauskaite D., Mohr C. - The Colors of Emotions: Experimental Research of Associative Relations in Modern Russian pp. 69-86


Abstract: The subject of the research is the analysis of associative relations between twenty emotional concepts (interest, amusement, pride, joy, pleasure, satisfaction, admiration, love, relief, compassion, sadness, guilt, sorrow, shame, disappointment, fear, disdain, disgust, hatred and anger) and twelve basic names of colurs in the Russian language (red, orange, yellow, green, light blue, blue, violet, brown, pink, grey, black and white). The research is aimed at 1) discovering chromatic and achromatic meanings of emotions; 2)discovering syntagmatic and paradigmatic relations between color associations; 3) conduction of a linguocultural expertise of national specifics of discovered associative relations. The research is based on the on-line experiment that involved 103 Russian speakers (63 females and 40 males, the average age of resondents is 36.5, min age is 19 and max age is 78, sd=16.7). To analyze emotions, the researcher has applied the Geneva Emotion Wheel Inventory (GEW version 3.0) as a tool for self-evaluation of emotions and attitudes to a particular event. The results of the experiment have proved that Russian culture correlates the lightness of color to the valency of emotions. Positive emotions are associated with light colors and negative emotions are associated with darker colors. The closest emotional relations were demonstrated by yellow and orange, light blue and green, red and pink, black and grey. These pairs are often found as components of color images, too. 
Man and Culture, 2018-5
Griber Y.A., Jung I.L. - Health and sickness: color associations in modern Russian culture pp. 32-43


Abstract: The object of this research is the basic, anthropologically significant concepts of “health” and “sickness”. The subject of this research is the color associations in the modern Russian culture related to these concepts. The author carefully examines the intensity of color associations (this factor was assessed based on the number of color matches for each concept among various respondents), analyzes the correlation of associations with the color hue and diverse groups of shades (light, clear, dark), and determines the link between the concepts with achromatic colors – white, gray, and black. Special attention is given to the culturological expertise of the established associative connections. The research was conducted through the method of experiment, involving 100 Russian-speaking respondents (M=36, F=64, average age 23.73). The pallet consisted of 27 color samples from the Natural Color System (NCS). The participants were offered to select the most appropriate color samples for each concept. The conducted research allowed revealing the tolerant associations of the concept of “sickness” with dark green-yellow and yellow shades, which in the Russian culture indicate the decay, decomposition, deterioration. The structure of the chromatic image of the concept of “health” highlights two cores: in the red-yellow and green parts of the pallet. The core in the red-yellow part correlates with the image of a healthy person that in the Russian linguocultue semantically relates to healthy color of the face and natural blush. Prevalence of the green shades is explained by steady interaction in the Russian national sphere of concepts of the notions “health” and “sickness”. The scientific novelty of this work lies in quantitative characteristics of chromatic structure of the concepts of “health” and “sickness”; identification of the hue, lightness, saturation of the shades that form color associations and visualization of the acquired associative connections.  
Urban Studies, 2018-4
Griber Y.A., Samoylova T.A., Dvoinev V.V. - Color preferences of senior citizens in various stages of house design pp. 36-49


Abstract: The object of this research is the color preferences – subjective and collective, expressed in a certain arrangement of basic colors and their shades. The goal of this study lies in the empirical determination of quantitative and qualitative structure of color images that are most popular in the house interior (hallway, dining room, kitchen, bedroom, bathroom) among senior citizens, as well as in the analysis of the acquired data with regards color perception that changes over time. The research method is an experiment, involving 50 senior citizens, in the age between 60 and 82 (average age of 67.54; 8 males and 42 females). The scientific novelty consists in description of the specificity of color coding attained by various functional zones in house design of the senior citizens. The most distinct color margin is between the intimate and personal spaces and those that carry out a representative functions. The noted opposition of the internal and external, shielded and open in color preferences of the senior people is realized through the parameters of lightness: in arrangement of bedroom and bathroom prevail the light shades; for hallway and dining room most often are selected the saturated and dark tones. All types of living spaces mark natural colors and shades. The determined color preferences are specific for designing certain types of house interiors. They significantly differ from the preferences associated with other types of objects (for example, the façade color) and do not match with the abstract favorite colors.  
Urban Studies, 2018-3
Griber Y.A., Samoylova T.A. - Gerontological specificity of color preferences associated with selecting color of the facade of residential building pp. 99-113


Abstract: The object of this research is the color preferences – subjective and collective color affinities that are expressed in certain arrangement of the basic colors and their hues. The goal of this work lies in examining the mechanisms of the matching color preferences of the senior citizens in situation when the color is viewed as part of the facade of residential building; determining the degree of impact of coloristics of the existing buildings upon their solutions; comparing the abstract and matching color choices of senior citizens with the color preferences of younger people. The experiment involved 20 senior citizens in the age between 61 and 72 (average age 64.95; 6 males and 14 females). The main conclusion of the conducted research lies in the statement that the mechanism of color choice among senior citizens differs drastically from the preferences of younger participants of the experiment. The abstract color preferences in various age groups significantly vary in tone. In the matching choices of senior respondents prevail the soft and light shades. Cold colors are selected more often than warm. Unlike younger participants of the experiment, color solutions of senior citizens do not accord with the shade groups of stimuli.
Urban Studies, 2018-2
Weber R., Griber Y.A. - Intensive weeks of color in professional training of the architects pp. 23-34


Abstract: The object of this research is the architectural color didactics – the theory of systems and methods of professional coloristic training in the architecture universities. The goal of the article consists in presentation of the unique course of coloristic training of the architects, developed in the Technical University of Dresden (Germany). The authors meticulously reviews the stages of approbation and improvement of the proposed didactical model. Particular attention is given to analysis of content of the course, as well as determination of the key technological conditions, regarding the formation of a set of competences and skills in working with the color in terms of designing the environmental objects by architects. Methodological foundation for the conclusions and generalizations consists in the system-structural consideration of the conceptual and technological peculiarities of implementation of the intensive weeks of color into the professional training of architects. The scientific novelty consists in expansion of the framework of scientific-methodological substantiation of the comprehensive system of exercises in development of perception of the color alongside its application in the design of environment. The results of analysis carry practical and theoretical value, and will contribute to the further comprehension of architectural education in the world.
Modern Education, 2018-2
Weber R., Griber Y.A. - Set of exercises for teaching semiotic translation of color realities to architects pp. 73-85


Abstract:  The object of this research is a special professional competence of the modern architects that ensures the necessary experience for constant translation of the color realities from one semiotic system into another. The subject of this research is the set of exercise for teaching the students of architectural faculty to switch from one language into another for recoding the color information. The task of the article lies in generalization of practical experience of teaching the semiotic translation, accumulated in the course of implementation of a unique authorial project of coloristic training of architects in the Technical University of Dresden (Germany). The authors apply the method of typologization aimed at structured description and explanation of the various types of development and tested assignments. Special contribution into the research of this topic consists in systematization of exercises focused on the development of translation competence of the architects. The scientific novelty resides in the determination and characteristic of the three key types of assignments: developing receptive skills; forming skills of “recoding” of the subjective and collective psychological responses; developing reproductive skills. 
Urban Studies, 2017-2
Griber Y.A. - Monochromatic model of urban coloristics pp. 58-64


Abstract: The object of this research is the architectural coloristics as a historical and cultural phenomenon. The subject of this research is the monochromatic color pallet of the building facades common for certain urban areas of the world. The goal of this article consists in identification of the mechanism of formation of the monochromatic model of urban coloristics and systematization of its sociocultural specificities. The author thoroughly examines the key principle of the model that defines the correlation between the color and shape in urban space, as well as analyzes the strategies of spreading the monochromatic coloristics and mechanism of inheriting the color tradition by the culture. Special attention is given to the expert evaluation of the areas with monochromatic color pallet of the building facades. For resolution of the research problem, the author uses the method of classification aimed at the well-ordered description and explanation of the diverse variants of monochromatic model of the urban coloristics. Author’s special contribution lies in formulation of the historical and cultural grounds for structuring the typology of monochrome within the architectural coloristics. The scientific novelty consists in determination and description of the three major versions of monochromatic model: evolutionary, artificial, and mixed, which noticeably differ from the perspective of mechanisms of formation and sociocultural properties. Evolutionary versions represents a product of natural development of coloristics of the area; artificial is the result of target color design; and the mixed combines the artificial mechanism of introducing the new coloristics with natural way of future development of the new color traditions in urban fabrics.
Urban Studies, 2016-4
Griber Y.A. - Space in the Japanese urban coloristics pp. 81-85


Abstract: The goal of this article consists in the demonstration of the distinctness of the principles of distribution of color in space that are contained in the Japanese norms of urban design. The author thoroughly examines the mechanism of formation and perception of the urban coloristics. Special attention is given to the analysis of the link between the norms of urban coloristics and characteristic to the Japanese art culture principles of spatial composition, to which pertains the absence of linearity and symmetry, special attitude to the integral regardless the independent existences of the separate, the idea of cyclic movement, emphasized attention to the opposition between the top and bottom. For solution of the set task, the author uses the method of informal analysis of the documents aimed at interpretation of the actual content, purposes of creation, and context of the Japanese laws that regulate the urban coloristics. The scientific novelty lies in reconstruction of the key principles of mental model, which comprises the foundation of the Japanese urban coloristics. The author’s special contribution is the explanation of the establishment of Japanese norms of urban coloristics towards “closeness” of the space, its “framed” perception, two-dimensionality, as well as temporalization of the color images.
Urban Studies, 2016-4
Griber Y.A. - Decrees that regulate coloristics of the cities of the Russian Empire pp. 57-72


Abstract: The object of this research is the complex of documents that set and formulate the principles of urban coloristics. The goal of the article consists in expansion of the established boundaries of traditional analysis of the documentation of urban coloristics, as well as present the history of development of the documents, which defined the color norms in the cities of the Russian Empire. The author thoroughly examines the associated with color terminology of the Imperial decrees, the content of the colors and their optical properties. Special attention is given to the analysis of sociocultural situation in the other European cities of this period. The author carried out the content analysis of the chronological index to the full compilation of laws of the Russian Empire, which allowed determining the complex of Imperial decrees regulating the urban coloristics. The applied during the course of this research traditional analysis of the documents lied in compilation of the dictionary of color terms and clarification of the chromatic features of the used pigments. The author’s main contribution consists in determination and systematization of the decrees that set and formulate the principles of urban coloristics in the Russian Empire. The scientific novelty lies in the analysis of the color dictionary of the documents containing the color naming, as well as characteristics of the color combinations and their chromatic properties.
Urban Studies, 2016-1
Griber Y.A. - Japanese model of urban coloristics pp. 1-8


Abstract: The subject of this research is the rules that regulate the urban coloristics in Japan. The author’s task and its solution consist in imagining the Japanese norms of color projection in the context of Japanese culture, and thus preserve them from the destructing reflective symmetry ion perception and assessment. The author thoroughly examines the legislative norms of urban coloristics of Japan, and gives special attention to the analysis of connection of the suggested principles of regulation of the urban coloristics with the Japanese aesthetics, as well as with the established in Japanese culture ideas about beauty and color harmony. The main methodological principle which defines the perspective for examining the Japanese model of urban coloristics consists in shifting of the accent from the form of normative documents to the content of the cultural norms that lie in their foundation, which they are the product of. Scientific novelty lies in determination of specificity of the Japanese model of urban coloristics: main idea of the introduced color restrictions, structure and content of the palette, principles and rules of color schemes. The author underlines that the Japanese urban coloristics carries a “nature-imitating” and “self-developing” character, in which the norms of color design as a rule do not specify a strict color scheme, but give to each city resident a choice to choose it.
Sociodynamics, 2015-9
Griber Y.A., Egorov A.G. - Tactical Urbanism as a Form of Modernization of Everyday Life pp. 1-79


Abstract: The subject of the research is tactical urbanism as a sociocultural practice of a modern society. Despite the growing popularity of tactical urbanism among new layers of society, it happens to be an object of academic interest quite rarely. In their research the authors examines the substantive and structural features of tactical urbanism as an independent phenomenon, analyze the mechanisms and strategies of modern urban planning. Special attention is paid to the description of the features of participants and actors of tactical urbanism and their ideas and values in terms of heterogeneous morphology of urban culture. The main theoretical principle for viewing tactical urbanism as a special sociocultural practice is the concept of the fractal inclusion of culture. The main research method is based on the directions for the analysis of the structure of knowledge space offered by Michel Foucault. The main contribution of the authors to the topic is the sociocultural expertise of tactical urbanism in terms of urban development as it is described in this article. The scientific novelty of the research is caused by the fact that the authors analyze the structure and factors of the tensity of anthropological dispositif of contemporary urbanism and describe sociocultural grounds and possibilities for using tactical urbanism as one of the forms of modernization of urban everyday life. 
Man and Culture, 2015-6
Griber Y.A., Mylonas D. - Colour Mapping: Empirical Analysis of Colour Names in the Russian Language pp. 64-94


Abstract: The subject of the research is the usage of denotative samples in empirical researchesh of colour terms. The authors of the article view the history and prospects of the empirical research of colour names using colour tables and fixed colour samples in the Russian language. The authors aldo privide the results of their own research. Special attention is paid to the description of the analysis procedure.  The authors analyze the quantity and structure of obtained colour names, distribution of the main colour names in the Russian language, structure of psychologically defined colour names, the most common models of the names of shades, the degree of standardization of fixed colour names. The research method is the experiment allowign to compare colour names used in the Russian language with the Munsell and RGB colour systems. The main results of the research prove that there is a number of non-derivative minor words of the Russian language have been commonly used in the Russian language and therefore should be taken into account when creating all kinds of classifications. 
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