Образ города Красноярска в ксилографии и проблема региональной идентичности

Сертакова Екатерина Анатольевна; Герасимова Анна Александровна

doi:10.7256/2310-8673.2015.2.16355


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Urban Studies

Reference:

Sertakova E.A., Gerasimova A.A. — The image of the city of Krasnoyarsk in xylography, and the regional identity problem // Urban Studies. – 2015. – № 2. – P. 89 - 99. DOI: 10.7256/2310-8673.2015.2.16355 URL: https://en.nbpublish.com/library_read_article.php?id=16355

The image of the city of Krasnoyarsk in xylography, and the regional identity problem

Sertakova Ekaterina Anatol'evna

senior lecturer, cultural studies department, Siberia Federal University

660041, Russia, Krasnoyarsk, Prospekt Svobodniy St., 79, office 4-52

sertakova_e@mail.ru

Другие публикации этого автора

Gerasimova Anna Aleksandrovna

Student, Federal Siberian University, Cultural Studies department

660049, Russia, Krasnoyarsk region, Krasnoyarsk, Prospekt Svobodniy St., 79, office 452

sertakova_e@mail.ru

DOI:

10.7256/2310-8673.2015.2.16355

Review date:

10-09-2015

Publish date:

17-09-2015

Abstract.

This article devotes attention to the relevant issue of loss of identity by Russian citizens, and Krasnoyarsk region citizens, in particular. The unique Siberian character, the local environment and the Siberian way of life is perceived in a different way in modern times. The influence of foreign cultural influence of Western countries alter the perceptions of tradition, norms and values among the society. Like never before, the regional culture of Krasnoyarsk region needs cultural models which are capable of demonstrating Siberian identity, of awakening people's self-consciousness as Siberians, of invoking the feeling of pride for their smaller Motherland. Such models may come i the form of art that translates deep ideas and meanings through its presence and senses.
The methodology of this study includes theoretical concepts of the modern theory of visual arts, as well as the theory of art criticism.
The author provides an example that proves this hypotheses - a visual art of graphic, and xylography as its subtype. Of the graphic pieces that help form Siberian identity, the author chose the works of the Artisans of the German Pashtov Siberian Xylography school. The goal of the analysis is to discover the mental characteristics of Siberia, Krasnoyarsk, and Siberians who may be considered the audience of the art. As a result, the author discovered that in the works of the Artisans of the German Pashtov Siberian Xylography school the images of Siberia in its various manifestations (the city, nature, people, relations, etc.) truly demonstrate ideas that contribute towards the formation of Siberian identity.

Keywords: urban studies, city, image, visual thinking, symbol, woodcutting, identity, Siberia, methodology, art
This article written in Russian. You can find full text of article in Russian here .

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