Genesis: Historical research
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MAIN PAGE > Journal "Genesis: Historical research" > Rubric "Cultural heritage"
Cultural heritage
Shpakovskii V.O. - The Poem pp. 70-87

DOI:
10.7256/2306-420X.2013.4.203

Abstract: The article concerns the study of the poem "Shah-Nameh" as a source of knighthood weapons studied by English-speaking historians. English-speaking historians unanimously agreed that horse armour had Byzantine and Iran, and the Arab, and Chinese riders, and at the time when Europeans  did not even dream of it. At the same time, the design of social institutions of chivalry is associated with huge costs of weapons and armour, and hence the relevant system of land holding.  This is reflected in the European and Eastern heraldry.
Choi Ch. - Sculpture as a reflection of the symbol of city: on the example of Vladivostok pp. 152-160

DOI:
10.7256/2409-868X.2017.4.22336

Abstract: The subject of the study is urban sculptures in context of the history of Vladivostok. This paper researched the sculptures according to the three aspects of the city: Vladivostok as a marine city, military and revolutionary city, and a city with figures of the tiger. The first view is related to the appearance of the city and its geographical location. For this reason in the pre-Soviet Russia Vladivostok was the main port in the Far East. In the first half of 20-th century this city served as a military-revolutionary city. As the main military base and the Russian eastern gate it protected the Far Eastern frontiers. After the collapse of the Soviet Unions, the main symbol of the city was changed to the Amur tiger, and the image of the tiger is appeared up in the visual arts as well. The research was carried out within the framework of diachronic approach, which reveals the transition of urban sculptures and functional method, which finds out the characteristics of the sculpture. The main conclusion of this paper is that in pre-Soviet era the symbol of the city is from historical fact, and in the Soviet era it is connected with political implication. In the post-Soviet period it is appeared that not a politicized, but a neutral, natural symbol, an Amur tiger. Such symbols are represented in the form of sculptures and show evolutionary trends.
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