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MAIN PAGE > Journal "Philosophical Thought" > Rubric "Spiritual and moral search"
Spiritual and moral search
Bykova N.I. - Detail as an artistic device in F. Kaufman's film "The Unbearable Lightness of Being" and the eponymous novel by M. Kundera pp. 1-12

DOI:
10.7256/2409-8728.2017.4.22443

Abstract: The subject of this research is the detail as an artistic device. The object the novel of the modern prose writer Milan Kundera "The Unbearable Lightness of Being" and the eponymous film by F. Kaufman. The author thoroughly examines the two art components used in the book and the film – black bowler hat and mirror. The author studies the question of creation of images of the main characters through the language of fiction and language of film, as well as the means the on-screen imagery. Special attention is given to the analysis of two characters, Tomas and Sabina, whose fates are the driving force of the plot. The main methods of this study are the comparative historical and analytical.  The author analyzes the conceptual aspects of artistic detail as an essential sense-making component. The scientific novelty of the article lies in examination of the artistic expression in M. Kundera’s novel "The Unbearable Lightness of Being" and F. Kaufman’s film. The article considers the spiritual-moral pursuits of the characters, as well as presents a comparative analysis of the artistic techniques that illustrate the features of the language of fiction and language of film.
Koren' R.V. - The Tradedy and Starring Role of Philosophy pp. 102-170

DOI:
10.7256/2306-0174.2013.11.8859

Abstract: The purpose of the article is to introduce the author's writings in the spheres of philosophy, science and religion. Developing Sergey Bulgakov's idea about the tragedy of philosophy, the author uses methodological basis and functional tools of his theory of truine systems and information concept of borders and reveals the beneficial part of philosophy, i.e. its ontological starring role in spiritual, political and other fields. The author also shows the role of Russian philosophy in the system of global philosophy. The author describes the three forms of understanding the world from the point of view of their relation with the Unified Theory of the World, Initial Cycles of Interaction with the World and functional role of philosophy. The author also describes the failure of Marxist-Leninist dialectics and their relation to Hegel's Triad (thesis-antithesis-synthesis). It is shown that by reforming Hegel's Triad it is possible to go from Hegel's dialectics to Vernadsky's trialectics.   
Popov E.A. - Culture, Society and Human in the Object and Subject Field of Modern Social Cultural Sudies and Sociology of Culture pp. 170-204

DOI:
10.7256/2306-0174.2013.3.415

Abstract: Recently the contiguity of different spheres in social and humanitarian sciences, for instance, sociology of culure and social cultural studies,  has been the hypostasis in creating unified polyparadigmal principles of studying socio-cultural environment. The article reveals some opportunities of the most appreciated (from the point of science) contiguity of modern sociology of culture and social cultural studies in their search for the 'methodological ideal' and actualization of the object field where special attention is paid at the relations between culture, society and human. The author of the article makes an emphasis on discovering the  main approaches to the subject-specific peculiarities of sociology of culture. It is concluded that it is not enough to include only cultural phenomena as the object and subject of sociology of culture. On the other hand, it is admitted that it is very important to study the relations between society, human and culture from the point of view of modern sociology of culture. The author also discusses peculiarities of social cultural studies aimed at studying cultural phenomena from the point of view of social studies. 
Pchelina O. - The Forthcoming Who? pp. 226-247

DOI:
10.7256/2409-8728.2015.4.14947

Abstract: Object of research is the subject of culture and revolution – communication, a ratio, interactions and interconditionalities of cultural and revolutionary processes in society became one of the most disputable, large-scale and resonant subjects of the period of the Russian religious Renaissance. Personal presence of cultural figures at revolutionary historical coordinates revealed discrepancy of estimates, ideological and art installations of contemporaries of events, various understanding of influence of revolutionary events on domestic culture. In article is shown that D. S. Merezhkovsky's work "The Forthcoming Ham" sounded not only as art, but also as socio-political demonstration. I acted as a keynote of "The Forthcoming Ham" not only a subject contra of revolution from a position of accusation of revolutionary "evil", but a culture value subject, justification of a role of culture as regulator of the public relations, need of its preservation in crisis time. Defending a position pro revolution, D. S. Merezhkovsky explained it from the point of view of the person of the believer dreaming about is religious – revolutionary change of the world in its broad understanding. Application of the komparativny analysis allowed to reveal the general and unique in concepts of D. S. Merezhkovsky and his contemporaries, to compare their ideas taking into account a sociocultural context of a turn of the XIX-XX centuries. The textual analysis of works allowed to define logic of development of thought and feature of a world outlook of the Russian religious philosopher. Having shown author's ideological installations, "The Forthcoming Ham" became the indicator of cultural, moral and social well-being and political moods of society in general. D. S. Merezhkovsky's participation in cultural and political life, his ability of refraction of socio-historical experience of the Russian reality in philosophical journalism allows to comprehend in a new way history of development of social and cultural processes in domestic philosophical thought. It is represented that reconsideration of works of domestic thinkers of the end of XIX – the beginning of the XX centuries can promote a producing ideas which will allow to specify understanding of a modern public situation, will be significant for interpretation of the present of Russia, for search of moral guidelines and world outlook installations.
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