Статья 'Трансформация ремарки в драме и киносценарии (на материале произведений Евгения Шварца) ' - журнал 'Litera' - NotaBene.ru
по
Journal Menu
> Issues > Rubrics > About journal > Authors > About the Journal > Requirements for publication > Editorial collegium > Editorial board > Peer-review process > Peer-review in 24 hours: How do we do it? > Policy of publication. Aims & Scope. > Article retraction > Ethics > Copyright & Licensing Policy > Publication in 72 hours: How do we do it? > Digital archiving policy > Open Access Policy > Open access publishing costs > Article Identification Policy > Plagiarism check policy
Journals in science databases
About the Journal

Публикация за 72 часа - теперь это реальность!
При необходимости издательство предоставляет авторам услугу сверхсрочной полноценной публикации. Уже через 72 часа статья появляется в числе опубликованных на сайте издательства с DOI и номерами страниц.
По первому требованию предоставляем все подтверждающие публикацию документы!
MAIN PAGE > Back to contents
Litera
Reference:

Remark Transformation in Drama and Screenplay (the Case Study of Evgeny Schwartz' Works)

Markasova Ol'ga Alexandrovna

PhD in Philology

Associate Professor of the Department of Marketing, Advertising and Public Relations at Novosibirsk State University of Economics and Management

630099, Russia, Novosibirskaya oblast', g. Novosibirsk, ul. Kamenskaya, 52/2, of. 208

markasova85.@gmail.com
Другие публикации этого автора
 

 

DOI:

10.25136/2409-8698.2019.1.29277

Review date:

24-03-2019


Publish date:

26-03-2019


Abstract.

The object of this research is Evgeny Schwartz' plays 'The Novel About Young Mates' and 'The Ordinary Miracle' and his screenplay 'Don Quixote'. The subject of the research is the main structural and semantic means used to create remarks in drama and screenplay. The author of the article examines such aspects of the topic as the quantitative correlation of remarks, functions of inter-replica remarks and pacelled constructs, peculiarities of the composition structure and semantic organisation of remarks in Schwartz' works. The author of the article focuses on the analysis of the remark tranformation mechanisms in different types of texts. The research has involved such methods as the analysis of the material considering the communicative, semantic and functional orientations of syntax. The research covers the areas of philological and art historical intrepretation of texts. The novelty of the research is caused by the fact that the author defines the frequency of the use of remark lexical contents in drama and screenplay. The main conclusions of the research are the following: in drama and screenplay remark and replica have relations based on conplementarity, interdependence and counteraction and semantic contents of remarks are concentrated within the limits of the transfer of what is seen or heard. 

Keywords: commentary, syntax, semantics, transformation, replica, drama, remark, screenplay, vocabulary, frequency
This article written in Russian. You can find full text of article in Russian here .

References
1.
Zorin A. N. Poetika remarki v russkoi dramaturgii XVIII-XIX vekov : avtoreferat dis. ... doktora filologicheskikh nauk-Saratov, 2010.-36 s.
2.
Safuanova A. I. Russkaya dramaticheskaya skazka 1930-50-kh gg. : tipologiya geroev i konfliktov : avtoreferat dis. ... kandidata filologicheskikh nauk-Moskva, 2016.-26 s.
3.
Kho Khe En. Rannyaya dramaturgiya E. Shvartsa (1920-1930). Problemy poetiki i evolyutsii : avtoreferat dis. ... kandidata filologicheskikh nauk-Sankt-Peterburg, 2007.-19 s.
4.
Golovchiner V. E. Epicheskaya drama v russkoi literature KhKh veka: Monografiya.-2-e izd., dop. i ispr.-Tomsk: Izdatel'stvo Tomskogo gosudarstvennogo pedagogicheskogo universiteta, 2007.-320 s.
5.
Mart'yanova I. A. Tekstoobrazuyushchaya rol' kinostsenariya v retranslyatsii russkoi kul'tury.-Sankt-Peterburg: Izd-vo RGPU im. A. I. Gertsena, 2014. – 318 s.
6.
Nedugov E. Avtorskaya rech' v stsenarii i fil'me : Avtoreferat dis. na soiskanie uchenoi stepeni kandidata iskusstvovedeniya / Vsesoyuz. gos. in-t kinematografii.-Moskva, 1963.-18 s.
7.
Freilikh S. I. Teoriya kino: Ot Eizenshteina do Tarkovskogo: Uchebnik dlya vuzov.-8-e izd.-M.: Akademicheskii proekt, 2015.-512 s.
8.
Amashkevich E. G. Stsenarii-osobyi zhanr khudozhestvennoi literatury: (Ot zamysla k fil'mu): Avtoreferat dis. na soiskanie uchenoi stepeni kandidata filologicheskikh nauk.-Tashkent, 1972.-18 s.
9.
Beloshapkova V. A. Sovremennyi russkii yazyk.-M.: Vysshaya shkola, 1989.-800 s.
10.
Vinogradskaya K. Remarka // Ot zamysla k fil'mu: sbornik statei o kinodramaturgii. / red. kollegiya: A. Ya. Kapler i dr.. ; Vsesoyuz. gos. in-t kinematografii. Kafedra kinodramaturgii.-M. : Byuro propagandy sovetskogo kinoiskusstva., 1963.-375 s.
11.
Gorbulina E. V. Literaturnoe svoeobrazie kinostsenariya : ucheb. posobie-Rostov-na-Donu, 1989.-85 s.
12.
Vaisfel'd I. V. U istokov teorii stsenariya: (Ucheb. posobie) / Vsesoyuz. gos. in-t kinematografii. Nauch.-issled. kabinet. Kafedra dramaturgii kino. – Moskva, 1965.-21 s.
13.
Rozental' D. E. Prakticheskaya stilistika russkogo yazyka. Uchebnik dlya vuzov.-M.: Vysshaya shkola, 1987.-399 s.
14.
Vladimirov S.V. Deistvie v drame : Iskusstvo. Leningr. otd-nie, 1972.-159 s.
15.
Khalizev V. E. Drama kak rod literatury: (Poetika, genezis, funktsionirovanie)-M. : Izd-vo MGU, 1986. – 259 s.
16.
Shvarts E. A. Sobranie sochinenii. V 5 t. – M., 2010.
Link to this article

You can simply select and copy link from below text field.


Other our sites:
Official Website of NOTA BENE / Aurora Group s.r.o.
"History Illustrated" Website