Статья 'Становление канонических элементов в российском кинематографе первого десятилетия XXI века ' - журнал 'Человек и культура' - NotaBene.ru
Journal Menu
> Issues > Rubrics > About journal > Authors > About the Journal > Requirements for publication > Editorial collegium > Editorial board > Peer-review process > Peer-review in 24 hours: How do we do it? > Policy of publication. Aims & Scope. > Article retraction > Ethics > Copyright & Licensing Policy > Publication in 72 hours: How do we do it? > Digital archiving policy > Open Access Policy > Open access publishing costs > Article Identification Policy > Plagiarism check policy
Journals in science databases
About the Journal

Публикация за 72 часа - теперь это реальность!
При необходимости издательство предоставляет авторам услугу сверхсрочной полноценной публикации. Уже через 72 часа статья появляется в числе опубликованных на сайте издательства с DOI и номерами страниц.
По первому требованию предоставляем все подтверждающие публикацию документы!
MAIN PAGE > Back to contents
Man and Culture

The establishment of canonic elements in Russian cinematography of the first decade of the XXI century

Bezenkova Mariya Viktorovna

PhD in Art History

Docent, the department of Film Studies, All-Russian State University of Cinematography named after S. A. Gerasimov (VGIK)

129226, Russia, g. Moscow, ul. Vil'gel'ma Pika, 3

Другие публикации этого автора




Review date:


Publish date:



The subject of this research is the transformation of the screen canon in Russian films of the first decade of the XXI century. The article meticulously analyzes the three new trends characteristic to the films of this period, which in the author’s opinion, reflect the new canonic features of Russian cinematography. The first trend – emergence of a hero able to take action. The second trend pertains to formation of a new mythological structure of the past, visualized in modern national war films. The third trend is associated with delineation of space and functioning of film characters, which forms a new look of a screen worldview. The main conclusion lies in the idea of formation of a new image of full-fledged hero, establishment of a new canon of capturing the spatial elements of screen environment along with the new ideologemes aimed at structural moral-ethical principles of the audience. The concept of canon is justified by the development of figurative language of the films of the first decade of the XXI century.

Keywords: film entertainment, film genre, cinema of 00s, russian cinema, native cinema, screen reality, screen canon, canon, art expression, film editing
This article written in Russian. You can find full text of article in Russian here .

Pervyi Vsesoyuznyi s''ezd sovetskikh pisatelei. Stenograficheskii otchet. – M. "Khudozhestvennaya literatura", 1934, 718s.
Lotman Yu. Semiotika kino i problemy kinoestetiki. Tallinn: EESTI i RAAMAT, 1973, 92 s.
Maklyuen M. Galaktika Gutenberga. Kiev: Nika-Tsentr, 2004. 432 s.
Mikhalkovich V. Izobrazitel'nyi yazyk sredstv massovoi kommunikatsii. M.: Nauka, 1986, 224 s.
Tsit. po zh. «Iskusstvo kino», № 5, 2002,138s.
Zhanry kino. (Seriya «Aktual'nye problemy teorii kino.) / otv. red. V. I. Fomin. M.: Iskusstvo, 1979. 319 s.
Borev V., Kovalenko A. Kul'tura i massovaya kommunikatsiya. M.: 1986. 304s.
G. Prozhiko. Zhanry v sovetskom dokumental'nom kino 60-70-kh gg, M., 1980. 60 s.
Link to this article

You can simply select and copy link from below text field.

Other our sites:
Official Website of NOTA BENE / Aurora Group s.r.o.
"History Illustrated" Website