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Man and Culture
Reference:
Bezenkova M.V. —
The establishment of canonic elements in Russian cinematography of the first decade of the XXI century
// Man and Culture.
– 2019. – № 4.
– P. 26 - 37.
DOI: 10.25136/2409-8744.2019.4.30506 URL: https://en.nbpublish.com/library_read_article.php?id=30506
The establishment of canonic elements in Russian cinematography of the first decade of the XXI century
Bezenkova Mariya Viktorovna
PhD in Art History
Docent, the department of Film Studies, All-Russian State University of Cinematography named after S. A. Gerasimov (VGIK)
129226, Russia, g. Moscow, ul. Vil'gel'ma Pika, 3
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bezenkova@gmail.com
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Другие публикации этого автора |
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DOI: 10.25136/2409-8744.2019.4.30506
Review date:
06-08-2019
Publish date:
13-08-2019
Abstract. The subject of this research is the transformation of the screen canon in Russian films of the first decade of the XXI century. The article meticulously analyzes the three new trends characteristic to the films of this period, which in the author’s opinion, reflect the new canonic features of Russian cinematography. The first trend – emergence of a hero able to take action. The second trend pertains to formation of a new mythological structure of the past, visualized in modern national war films. The third trend is associated with delineation of space and functioning of film characters, which forms a new look of a screen worldview. The main conclusion lies in the idea of formation of a new image of full-fledged hero, establishment of a new canon of capturing the spatial elements of screen environment along with the new ideologemes aimed at structural moral-ethical principles of the audience. The concept of canon is justified by the development of figurative language of the films of the first decade of the XXI century.
Keywords:
film entertainment, film genre, cinema of 00s, russian cinema, native cinema, screen reality, screen canon, canon, art expression, film editing
This article written in Russian. You can find full text of article in Russian
here
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