Визуальная антропология как базовая часть партитуры роли в киноработах Федора Никитина 1920-ых гг.

Степанова Полина Михайловна

doi:10.25136/2409-8744.2019.4.30347


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Man and Culture

Reference:

Stepanova P.M. — Visual anthropology as a basic part of the script of the role in screen performances of Fyodor Nikitin in the 1920’s // Man and Culture. – 2019. – № 4. – P. 12 - 19. DOI: 10.25136/2409-8744.2019.4.30347 URL: https://en.nbpublish.com/library_read_article.php?id=30347

Visual anthropology as a basic part of the script of the role in screen performances of Fyodor Nikitin in the 1920’s

Stepanova Polina Mikhailovna

PhD in Art History

Docent, the department of Dramaturgy and Film Studies, Saint Petersburg State University of Film and Television

191002, Russia, g. Saint Petersburg, ul. Pravdy, 13

st-more@yandex.ru

Другие публикации этого автора

DOI:

10.25136/2409-8744.2019.4.30347

Review date:

18-07-2019

Publish date:

25-07-2019

Abstract.

Visual anthropology is viewed from the perspective of usage of the dominants of corporeal apparatus of the actor within a film frame, as a script of archetypical images structured by the filmmaker, as well as individual corporeality of the actor. The article analyzes the roles of Fyodor Nikitin in F. Ermler’s films of the late 1920’s : Katka's Reinette Apples (1926 with E. Ioganson), The House in the Snow-Drifts (1927), The Parisian Cobbler (1927), Fragment of an Empire (1929). The author applies the method of cultural anthropology, leaning on the works of M. Bakhtin, M. Eliade, and C. Jung. The article is firs to touch upon the problem of creating a screen image based on the two independent from each other scripts: visual is created using the corporeal nature of the actor and film editing approach of the director, and has powerful influence on the emotions of the audience; the inner is based on the unique actorly nature and can be autonomous from the created by an actor image, reaches the level of personal sensible experience of an actor. Similar principles of the work of actor and film director were also used in the theatre of Jerzy Grotowski in the 1960’s, The author concludes that the key principles for creating the unique screen images that can become the basics for a modern film actor have already been formulated and developed.
Keywords: godlike child, quadrangular man, spectator's appreciation, grotesque body, ecstatic man, archetypal image, visual anthropology, body-in-life, extended body, stage presence
This article written in Russian. You can find full text of article in Russian here .

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