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Reference:

Three manners in works of László Moholy-Nagy

Aleksandrov Nikolai Nikolaevich

Doctor of Philosophy

Professor, the department of Fashion Industry and Creative Technologies, “Institute of Food Technologies and Design” – branch of Nizhny Novgorod State University of Engineering and Economics

603041, Russia, Nizhny Novgorod, Sputnika Street 24, office #A

alex235532@mail.ru

 

 

DOI:

10.7256/2409-8744.2016.5.19177

Review date:

15-05-2016


Publish date:

02-11-2016


Abstract: The subject of this research is the creative path of the prominent representative of modernism of the early XX century – international constructivist László Moholy-Nagy. The article is based on the materials of the prepared by the author monograph with the full review about the creative work of László Moholy-Nagy. Classification of the periods of master’s creative work associated with the general status of the cycles of culture and stylistic nuances of the era is presented in this article. The author examines the specificity of his works in 1920’s and 1930’s; and the period of the early 1940’s has been terminated due to the death of the Moholy-Nagy. Multiple illustrations of his works that characterize the three mentioned periods are presented in the article. This work is written from the perspective of systemic and genetic methods in art studies. The structural-cyclical model that allows describing his creative paths is applied. Scientific novelty consists in the fact that this is the first generalizing publication of such type about László Moholy-Nagy in Russian language. But, taking into account the foreign sources, we can state that other researchers of his creative work did not formulate a similar periodization, as well as never considered his works as inscribed into the context of mental evolution in the XX century.


Keywords: László Moholy-Nagy, art deco, Constructivism, Bauhaus, XX century, mentality, culture, design, style, history of design
This article written in Russian. You can find full text of article in Russian here .

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