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Genesis: Historical research
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MAIN PAGE > Journal "Genesis: Historical research" > Rubric "Cultural heritage"
Cultural heritage
Shpakovskii V.O. - The Poem pp. 70-87

DOI:
10.7256/2306-420X.2013.4.203

Abstract: The article concerns the study of the poem "Shah-Nameh" as a source of knighthood weapons studied by English-speaking historians. English-speaking historians unanimously agreed that horse armour had Byzantine and Iran, and the Arab, and Chinese riders, and at the time when Europeans  did not even dream of it. At the same time, the design of social institutions of chivalry is associated with huge costs of weapons and armour, and hence the relevant system of land holding.  This is reflected in the European and Eastern heraldry.
Kimeeva T.I., Yudin M.O. - Development of restoration technique of the object of architectural heritage: historical aspect pp. 72-79

DOI:
10.25136/2409-868X.2019.3.29308

Abstract: The object of this research is the restoration of architectural heritage since the XIX century until the present day. The subject of this research is the development of restoration technique of architectural landmarks throughout the indicated timeframe, the records on which are described fragmentarily in scientific publications and require systematization. The application of historical-typological method in studying the evolution of restoration techniques and principles allowed determining the attributes inherent to each chronological period and substantiate the future development trends. This defines the scientific novelty of the article. The main conclusions consists in the logically structured scale of restoration techniques of the architectural landmarks, which is built on the basis of historical-chronological characteristic and considering the positions reflected in scientific publications. The authors also trace the correlation between the various restoration techniques, as well as formulate the concept of restoration of the objects of architectural heritage.
Babich I.L. - Church of Our Lady of Life-Giving Spring in Tsaritsyno: the beginning of path (XVII-XVIII centuries) pp. 99-109

DOI:
10.25136/2409-868X.2018.12.28276

Abstract: The object of this research is the Church of Our Lady of Life-Giving Spring in Tsaritsyno, while the subject is the beginning of its establishment in the XVII-XVIII centuries. The goal of this work lies in the analysis of the key aspects in formation of the new religious institution and Orthodox congregation (status, funding, characteristic of the clergy and perish, etc.). The three archives are involved in the research Moscow Central State Archive, Russian State Archive of Ancient Documents, and Kazantsevs’ Family Archive (the priests who ministered in this church during the late XIX – early XX century). The newly introduced into the scientific discourse archival materials are analyzed trough the method of historical reconstruction and presented in chronological order – from XVII to XVIII century. The history of the church under consideration only once was the object of research within the academic community. The article of the workers of Tsaritsyno Museum – A. A. Baranova and A. A. Glashevich – was published 15 years ago. It was based only on the archival materials from the Russian State Archive of Ancient Documents. Leaning on this valuable article, the author continued studying the fate of the church using primarily the two other aforementioned archives.
Choi J. - Sculpture as a reflection of the symbol of city: on the example of Vladivostok pp. 152-160

DOI:
10.7256/2409-868X.2017.4.22336

Abstract: The subject of the study is urban sculptures in context of the history of Vladivostok. This paper researched the sculptures according to the three aspects of the city: Vladivostok as a marine city, military and revolutionary city, and a city with figures of the tiger. The first view is related to the appearance of the city and its geographical location. For this reason in the pre-Soviet Russia Vladivostok was the main port in the Far East. In the first half of 20-th century this city served as a military-revolutionary city. As the main military base and the Russian eastern gate it protected the Far Eastern frontiers. After the collapse of the Soviet Unions, the main symbol of the city was changed to the Amur tiger, and the image of the tiger is appeared up in the visual arts as well. The research was carried out within the framework of diachronic approach, which reveals the transition of urban sculptures and functional method, which finds out the characteristics of the sculpture. The main conclusion of this paper is that in pre-Soviet era the symbol of the city is from historical fact, and in the Soviet era it is connected with political implication. In the post-Soviet period it is appeared that not a politicized, but a neutral, natural symbol, an Amur tiger. Such symbols are represented in the form of sculptures and show evolutionary trends.
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