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Philosophical Thought
Reference:

Guy Debord’s “Society of the Spectacle” and the modernity

Napso Marianna Davletovna

Professor, the department of Philosophy and Humanitarian Disciplines, North Caucasian State Humanitarian Technological Academy

369000 Russia, Cherkessk, Pereulok Odessky 5, unit #88

napso.marianna@mail.ru
Другие публикации этого автора
 

 

DOI:

10.7256/2409-8728.2016.7.19442

Review date:

07-08-2020


Publish date:

17-07-2016


Abstract.

The object of this research is the peculiarities of the “Society of the Spectacle”, while the subject is the theatricality of the consumer society. The author analyzes the nature and inclusiveness of the simulacrums and simulations, the phenomenon of commodification, and the correlation of the real and symbolic. The work examines the phenomena of commodification and excessive consumption as the orientations of post-modernistic and consumerist outlook, as well as the link between consumption and system of ethical orientations. The author reviews the contrariety of the value dimensions of the consumer society; the processes of substitution of the authentic with the fictitious, real with virtual; and the role of social illusions in formation of the ideologemes. The scientific novelty consists in substantiation of the position about the modern society as the “society of the spectacle”. The analyzing problematics allows making the following conclusions: 1) theatricality is the attribute of the consumer society; 2) special relevance for the scientific research consists in the questions of formation of the social illusions and their impact upon the mass consciousness.

Keywords: visibility, illusion, hyperreality, theatricality, commodification, consumerism, postmodernism, Society of the Spectacle, simulacrum, myth
This article written in Russian. You can find full text of article in Russian here .

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