Статья 'Феноменология воображения Э. Гуссерля и Ж. - П. Сартра в перспективе онтологии и эстетики. ' - журнал 'Философская мысль' - NotaBene.ru
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Philosophical Thought

Husserl's and Sartre's Phenomenology of Imagination in Terms of Ontology and Aesthetics

Dubovitskii Viacheslav

PhD in Philosophy

Dubovitskii Viacheslav Vladimirovich — candidate of philosophy, senior lecturer at the Russian state social University (RSSU), Moscow.

129226, Russia, g. Moscow, ul. Vil'gel'ma Pika, 4, stroenie 1

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Abstract: On the basis of a detailed analysis of a number of key provisions of the phenomenology of imagination of Edmund Husserl and Jean-Paul Sartre this article identifies ways to apply these concepts to phenomenological ontology and aesthetics. In particular, on the basis of these concepts and by the example of the theme of the geometric structure as an aesthetic phenomenon (the case study of the minimalist sculpture) one possible direction of phenomenological investigation of the essence of the aesthetic imagination is planned. In connection with the theme of imagination the article focuses on the Husserl's ideation concept. Husserl believed that it was the imagination which opened up many horizons of essential knowledge. This Husserl's concept is illustrated by the author by the example of the essential terms of the discretion of the phenomenon. In his research Dubovitsky uses the methods of phenomenological description, eidetic intuition and a number of other aspects of the phenomenological method. In Sartre's imagination theory the relationship between an image and the world is viewed as that the image is not having any place in the world and therefoe is reduced to the situation of being - in - the world, and this situation is the place "from" which imagination develops. Based on this key point of Sartre's theory Dubovitsky makes an assumption about the possibility to emphasize a phenomenological imagination study from the phenomenology of "pure" consciousness of Husserl as well as phenomenological ontology in the version of Sartre to the phenomenological ontology of Dasein (represented in the analyst of human existence by M. Heidegger) and to think an image and imagination in the phenomenological ontology in terms of space, vastness, place and the world. This reemphasis (its premise, as mentioned above, is contained in Sartre's theory of the imagination) must overcome rigid opposition and confrontation of the world and consciousness within the confines of the phenomenological study of the imagination which is the determining factor in Sartre's concept.

Keywords: phenomenological ontology of imagination, tautologous object, real, space of image, world, irreal, ideation, imagination, pure pleasure, aesthetic imagination.
This article written in Russian. You can find full text of article in Russian here .

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