Litera - rubric Literary criticism
ïî
Litera
12+
Journal Menu
> Issues > Rubrics > About journal > Authors > About the Journal > Requirements for publication > Editorial collegium > Editorial board > Peer-review process > Policy of publication. Aims & Scope. > Article retraction > Ethics > Online First Pre-Publication > Copyright & Licensing Policy > Digital archiving policy > Open Access Policy > Open access publishing costs > Article Identification Policy > Plagiarism check policy
Journals in science databases
About the Journal

MAIN PAGE > Journal "Litera" > Rubric "Literary criticism"
Literary criticism
Tsendrovskiy O. - Philosophy of Antoine de Saint-Exupery: Experience in Reconstruction pp. 1-33

DOI:
10.7256/2306-1596.2013.4.10651

Abstract: The article is devoted to the philosophy expressed by Antoine de Saint-Exupery in his books. This topic is often underestimated and very scarcely described in research literature. By analyzing Exupery's book 'Citadelle' (titled in English as The Wisdom of the Sands) and more famous Exupery's works, the author of the present article shows the wholeness of Exupery's teaching and the acuteness of the humanistic, existential and moral issues in Exupery's philosophy. The author also underlines that Exupery's philosophy can be classified as the West European philosophy of late Art Nouveau because Exupery discusses such typical late Art Nouveau topics as the transvaluation of values, understanding of the place of human after the death of God and fight against nihilism. In the course of a detailed analysis and from the point of view of systematic interpretation, the author of the article describes Exupery's views on a number of fundamental philosophical issues such as the existence of God and the meaning of life, measure of value and the essence of the truth. The main emphasis is made on the so called 'ethical pathos' of Exupery's creative work. The author of the article in detail analyzes the 'heroic ideal' offered by Exupery as well as the system of values and basic ethical principles that are now deduced from the essence of a mortal man but not the divine reality. The result of the author's research is the creation of an integrated concept of Exupery's philosophy which is new in both Russian and Western scientific literature. The author shows that Exupery's views were very close to Nietzsche's teaching and gravitated towards the radical politics. The author also provides quite an interesting description of Exupery's psychological and cultural views. 
Naumenko G. - The Wanderer pp. 1-49

DOI:
10.7256/2306-1596.2014.1.12170

Abstract: The object of the research is a poem “The Wanderer” by A.S.Pushkin The subject of the research is Mickiewicz’s implication as a key to the poem’s understanding. The purpose of the research is to prove the hypothesis that the poem was written in the dialogue with the Polish poet Adam Mickiewicz, to find Mickiewicz’s implication and to perform the literary analysis of Pushkin’s poem by comparing it with the sixth poem “The Passage” from the poem “The Dziady” III and with an extract from “The Pilgrim's Progress from This World to That Which Is to Come” by Bunyan to which Pushkin referred to. (The poem “Oleszkiewicz” and Mickiewicz’s implication are the sources and impulses for Pushkin’s word and the first part of Bunyan’s poem is a canvas, the language of the generally accepted religious schemes). The research is based on the method of “careful reading” of “The Wanderer” in the context of Pushkin’s work in 1833-1836 as well as an intertextual analysis of the texts by Pushkin, Mickiewicz and Bunyan. The research includes references to well-known interpretations and analysis of Pushkin’s poem.  The dialogue between Pushkin and Mickiewicz, and wider – a talk to the West, resulted in the fact the the theme of Christianity in Pushkin’s work of the last years became key in the conflict between the East (Russia) and the West. That conflict was shown by Mickiewicz in his “Passage” from the Christian punitive point of view. The poem “The Wanderer” (1835) became is a poetic reply on the theme of “reading the Book” (the Holy Scripture) that we can find in Mickiewicz’s work and also the first part of Pyshkin’s “Reading the Book” about the way from slavery to the Liberty. Pushkin showed a wrong way to the Liberty which contradicts his understanding of the New Testament. It is proved by the constructive division of the poem into five parts (the Pentateuch model). He showed “the right way” in his “evangelic” Kamennoostrovskij cycle (1836) which was created in the tight connection with “The Wanderer”. In “The Wanderer” the poet was not ready for “the Court”, but in the poem number VI “From Pindemonte” he appears at the Court with his speech.
Rostovtseva Y.A. - Reception of Ekaterina the Second's Laws in V. Levshin's Utopia 'Newest Travel or Written in the City of Belev' pp. 1-21

DOI:
10.7256/2409-8698.2014.2.13631

Abstract: Article is devoted to V. A. Levshin's utopia "The latest travel composed in the city of Belev" (1784). Work was published in the XIII-XVI parts of the "Interlocutor of Fans of the Russian Word" magazine. Researchers, as a rule, focused interest on its first part representing the ideal city on the Moon. The city-state has a primitive political system, in it there are no written laws. Life of lunatist is compared with legendary "a golden eyelid". Levshin's composition was considered in scientific literature, first of all, in the context of a subject of a freemasonry, motives of air travel. In the first key researches N. K. Piksanova, V. I. Sakharova, L. V. Omelko, in J. Breyllar's researches are written, T.V. Artemyeva consecrated an aeronautics subject. Laws of the utopian state were described in S. L. Baer's works and some other scientists, however a subject of separate research didn't become. Meanwhile, the end of "The latest travel" represents a panegyric of Ekaterina's Russia in which the paramount place is allocated for the wise laws "Monarchess's velikiya". It should be noted that not only reception of laws of Catherine II, but also an image of Ekaterina's Russia in Levshin's utopia I didn't become a subject of studying earlier. The author of article considers a literary utopia in an unusual context of legislative reforms of Ekaterina the Second. The basis of a scientific method is made by textual comparisons and motivny communications between Levshin's composition and group of texts of the Ekaterina's legislation.On the basis of "A big order of the empress" (1767), "The charter of deanery, or the police officer" (1782) and a number of manifestos, charters and maxims of different years attempt to reveal becomes, the laws of the ideal state which are how described on "The latest travel" correspond modern to it reality.
Simush P.I. - Geniuses and Russia: mutual cognition pp. 1-44

DOI:
10.7256/2409-8698.2014.4.14832

Abstract: The author of the article examines Gogol’s works through the prism of the phenomenon of genius. He shows that Orthodoxy had a great influence on the writer’s personality. In many respects it changed his internal world, influenced literary works. The writer believed that Orthodoxy could reform Russian reality. In particular, he was aware of an enormous resource of freedom. But Gogol realized that freedom could not only enrich an individual but also «enchant» him with a possibility of enrichment, clinging to a particular religion and loosing faith in free creativity. The author also points to the comprehensive influence of Orthodoxy on reforms in Russian life. At the same time he turns to present-day reality, showing the prophetic gift of the writer.The author employs traditional methods of literary criticism. He uses the comparativist method to show the influence of tradition on Gogol’s works. He also leans on philosophical methods of analysis of literary texts. The article presents the works of Gogol as a founder of ironic narration in Russian literature. The writer constantly employs laughter and irony as ways to uncover the absurdism of social projects. The writer views Russia as a country of unseen paradoxes. Gogol has raised a question that turns us to philosophical reflection about human nature. He tries to oppose the fascination with riches. His special attention is paid to philistinism. Later, this theme in Russian literature will be taken up by many authors. A. Herzen will give an interpretation of «philistinism»; K. Leontiev will establish a relation between «pettiness» and «philistinism»; D. Merezhkovsky will identify pettiness with ignorance, banality, mediocrity; M. Gorky will furiously attack complacent petty bourgeosie. Meaning the opposition between good and evil, between love and hatred, A.P. Chekhov, as the author shows, has chosen ethical wisdom capable of counteracting evil by force of love.
Faritov V.T. - Philosophical aspects of time and space in the work of A.S. Pushkin pp. 1-30

DOI:
10.7256/2409-8698.2015.1.15098

Abstract: This article discusses the philosophical aspects of space and time in the poetry of A.S. Pushkin. On a material analysis of poems of the poet author explicates the direction of the dynamics of lyrical chronotop Pushkin. Reveals connection between artistic representation of space and time in Pushkin's poetry with the fundamental problems of metaphysics. Carried out a comparative analysis of the lyrical chronotop Pushkin with chronotope F.I. Tyutchev and M. Voloshin. Reveals the closeness of the poetic world of Pushkin and philosophical ideas of Friedrich Nietzsche. We use the methods of comparative literature and methodological orientations of metaphysics Russian literature. Partially used the principles of hermeneutics and deconstruction. The main result of the study is to identify two types of rhythmic organization of space and time in the poetry of Pushkin and explication of their philosophical aspects. It is shown that the lyrical chronotop Pushkin tends to surpass the limits of the classical metaphysical oppositions towards anticipating the conceptual development of non-classical philosophy.
Perevalov V.P. - History illustrated in the images of the A. S. Pushkin’s “The Stationmaster” pp. 1-61

DOI:
10.7256/2409-8698.2015.3.17259

Abstract: This article researches the issues of history manifested in creative images. The subject of the analysis is the novel by Alexander Pushkin “The Stationmaster”, which represents a great example in this case. With thin the ever-increasing number of various interpretations of Pushkin’s work on the story of the life of Samson Vyrin, the phenomenon of time is strangely under-studied. The strange fact is that within the existing interpretations there is a predominant factor of abstract time (past-present-future) that calls for transition towards perception of specific time. This is the starting task of the observations and reasoning presented in the article. The article reconstructs precise time of events and the timespan of the story.  The “calendar-overlay” timeline correlates with the biographical data of Pushkin and his (close) acquaintances, and plays the role of a reliable compass in establishing the complicated relation between the image fabric of Pushkin’s novel and the reality that served as the source of the story. In fact, the biographical image of “The Stationmaster” is the relations between Pushkin, Karamzin, and the “young Jacobins” (Decembrists) during 1816-1826/27. The main result of the analysis of this creative work in the mirror of precise time is the discovery of paradoxical impression in the image of the main character of the hero of the story and the persona of N. M. Karamzin, who loved paradoxes. The discovery of an unknown Karamzin in the renowned novel of Pushkin enriches the possibility of a deeper understanding of the historical continuity between them within the development of Russian spiritual culture.
Nilogov A.S., Varava V.V. - Russian Literature Versus Russian Philosophy (Conversation of A. Nilogov with V. Varava) pp. 1-10

DOI:
10.7256/2409-8698.2016.2.18943

Abstract: The phenomenon of the Russian classical literature is considered to be internationally recognized. However recently even in Russia it was repeatedly called into question including taking into account constantly falling interest in reading as such. Alternative views on the Russian classical literature gradually get into Russian literary criticism, thus restricting the developed representations. Modern Russian literature can hardly already apply for "the ruler of thoughts" as in the good old days. Numerous spiritual and intellectual traditions restrict it on all fronts, offering in exchange at least substantial practices. The actual Russian philosophy acts as one of them and two representatives of Russian philosophy have decided to discuss the literary topic. The following methods have been used in their conversation: analytical, hermeneutic, interview, critical, literary, synthetic, comparative, philosophical, and heuristic. According to V. Varava, modern Russian literature needs a new existential breakthrough to show efficient alternative ways out of the spiritual crisis which has covered the country. However, according to A. Nilogov, today literature as a written form of literature is technologically replaced with an electronic form that exist only on the Internet. 
Tetik K. - Valery Bryusov and Urban "Texts" in Russian Literature ("Moscow" and "Petersburg" Texts) pp. 1-11

DOI:
10.25136/2409-8698.2017.4.24326

Abstract: The article deals with urban ("Moscow" and "St. Petersburg") texts in the poetry of Valery Bryusov. A lot of researches of literary critics are dedicated to this issue. In this article the image of the city is associated with two capitals Moscow and St Petersburg. The object of the research is the corpus of texts that fully represent the image of the two capitals. The poet describes these cities from the point of view of their historical and metaphysical reality. When appealing to the image of St. Petersburg, the symbolist Bryusov pays much attention to the architecture of the city. This fact raises a question about the method of ecphrasis in poetics. The methodology of this research involves the comparative analysis of Moscow and Petersburg poems by Bryusov as well as historical-functional and historical-genetic analysis methods. According to the author of the article, urban poems by Bryusov present Moscow and Petersburg texts quite fully. However, there are several very important differences between representations of these cities. For example, the image of Moscow is included in the metahistorical context but the poet keeps addressing to his contemporary epoch. Tehre are also old Moscow, the city of riot and Napoleon's war, and Soviet Moscow that is still to be understood poetically by the symbolist. The image of Petersburg (sometimes called Petrograd) is given in a very exclusive perspective and closely related to Peter the Great, an important figure for the poet. Poems that present the image of Petersburg are full of references to the city's architecture and monuments which allows to talk about the use of the ecphrasis method. However, both cities are highly spoken of by the poet both from the historical and metaphysical point of view which proves the ontological nature of Bryusov's works. 
Shchepalina V. - Sources of Alejandro Casona's Individual Author's Style pp. 1-10

DOI:
10.25136/2409-8698.2018.3.26371

Abstract: The object of the resaerch is an individual author's style of a Spanish playwright Alejandro Casona. The subject of the research is the process of Alejandro Casona developing his author's style. The author of the article analyzes the factors that influenced the process such as facts of Casona's biography (his childhood in Asturias, work as a country teacher, participation in Teachers' missions, career as a screenwriter) as well as global literary process that were ongoing back in those times (reformation of the style of the representatives of the 98s, movement of Spanish modernism and new drama, influence of impressionism on literature). In her research Schepalina applied biographical, psychological, comparative methods, stylistic analysis as well as observation, generalisation and description. The scientific novelty of the research is caused by the fact that there are no major researches devoted to Casona in Russin academic literature. The present research gives an insight into sources of the playwright's artistic style and thus makes a contribution to understanding the literary process in Spain of the 20th century. The illustrations provided by the author allow to prove theoretical concepts offered by the researcher. 
Khe F. - Rhythmic-Melodic Functions of Rhyme in Mikhail Lermontov's Lyrics (the Case Study of Parallelism in Melodic Verses) pp. 1-10

DOI:
10.25136/2409-8698.2019.3.30116

Abstract: The subject of the research is rhythmic-melodic functions of parallelism in Mikhail Lermontov's lyrics. The object of the research is parallelism in Mikhail Lermontov's lyrics. The author of the article examines such aspects of the topic as the melody and music of poetry, melodic verses, 'music school' in the history of Russian poetry and the influence of the latter on Mikhail Lermontov, the use of parallelism in Russian poetry and Mikhail Lermontov's lyrics and rhythmic-melodic functions of rhyme in Lermontov's creative writing. The researcher has applied cultural historical, comparative historical methods as well as the method of compositional analysis using the creative writing of Lermontov and other Russian poets. The main conclusion of the research is the proof of rhythmic-melodic functions performed by rhyme in Lermontov's poetry as well as the role of syntactic parallelism performed by rhyme in creation of rhythmic-melodic nature and expression of the author's message. In his use of parallelism for giving special melody and intonation to his poems, Lermontov follows the poetical tradition of 'music school', however, the poet, extends opportunities and means of melodic verse writing. This research is the first one to analyze Lermontov's poetry from the point of view of rhythmic-melodic functions of rhyme, in particular, the parallelism technique and its role in Lermontov's poetry. This is what causes the novelty of the research. 
Shvets A.V. - The establishment of media reflection in the poetics of Russian avant-garde: objectification of the word pp. 1-10

DOI:
10.25136/2409-8698.2020.4.30749

Abstract: This paper examines the reflection of the representatives of Cubo-futurism and related art community (N. Kulbin, A. Kruchenykh, N. Burliuk) on the artistic expression and poetics of literature. The object of this research is the articles by N. Kulbin (“Liberal Arts as the Basis of Life”, “Meaning of the Theory of Art” in compilation “The Studio of Impressionists”, 1910), pamphlet “Declaration of the Word as Such” (written in 1913 by N. Kulbin, A. Kruchenykh), manifest of N. Kulbin “What the Word Is” (1914), articles by N. Burliuk (“Cubism”, “Texture” in compilation “Slap to a Public Taste”, 1913, “Poetic Beginnings” and “Supplementum to a Poetic Counterpoint” from the “First Journal of Russian Futurists”, 1914. The subject of this research is the evident in these articles orientation towards putting medium to the forefront, which is understood as a material basis of the text. The texts of all articles highlight the core metaphors that set a new understanding of a word as material and media whole. The scientific novelty of this study consists in referring to the process of metaphorical comprehension of a word as a material phenomenon, which has not been previously subjected to detailed analysis in Russian or foreign research tradition. The conclusion is made that due to sequential usage of metaphors (from the area of natural sciences or everyday experience) a word becomes a material object, manipulation with the physical image of which transform the connoted meaning.
Chuvanova O.I. - Kashmir as the center of conflict in the novel “Midnight's Children” by Salman Rushdie pp. 1-11

DOI:
10.25136/2409-8698.2020.11.34154

Abstract: The subject of this research is the conflicts generated by mythological and historical space in Kashmir Valley, which is one of the central artistic images in the novel “Midnight's Children” by the British writer of Indo-Pakistani descent Salman Rushdie. Conflict situation within the framework of Kashmir’s topos is sense-making, as it is associated with the problem of choice and acquisition of cultural wholeness by the character of the novel. The historically substantiated propensity towards conflict of the actual geographical region, which became the cause for interethnic hostility between Pakistan and India, is complicated by the conflict of Western and Eastern cultures. The "East – West" opposition implies the conflict between the conservatory intentions of the Eastern autochthonous culture and the attempts of it suppression by pro-Western migrants. The author applies historical and literary, hermeneutical and mythopoetic methods. It is determined that involvement of Kashmir’s topos in the artistic world of the novel is substantiated by the historical and interethnic conflicts in the region related to acquisition of independence by India. On the mythological level, Kashmir manifests as a space that synthesizes the ambivalent forces of destruction and creation, which reveals the latent propensity towards conflict that underlies the world. The clash of cultures and worldviews is described in the novel through the symbolic pair of characters – Indian Westerner Adam Aziz and the local boatman Tai. Relations between the characters actualize the stratified systemic conflict (interpersonal, internal, religious-mythological, problem of choice). Subsequently, this conflict propels to the ontological level, reflecting the problem of heroes of finding their place in postcolonial world
Lamzina A.V., Kikhnei L.G. - The “echo” of Edgar Poe in Anna Akhmatova’s “Poem without a Hero” and poems later period pp. 1-14

DOI:
10.25136/2409-8698.2021.1.34645

Abstract: The subject of this research is the hidden allusions to the novels of Edgar Poe in Anna Akhmatova’s “Poem without a Hero” and poems later period. The research material contains the framework text of the “Poem without a Hero” – the set of epigraphs to different parts of the poem, authorial commentaries, history of used and discarded epigraphs at various stages of revision of the poem, text of the “Poem without a Hero”, as well as the author's “Prose about the Poem” and a number of poems created during the work on the “Poem without a Hero” and afterwards. A. Akhmatova was interested in the works of Edgar Poe, and researched the references to Edgar Poe in the works of N. S. Gumilyov. The article employs comprehensive methodology, such as comparative-historical and biographical approaches, as well as intertextual and hermeneutic methods for determination of literary allusions and interpretation of meanings hidden by the author. The main conclusion lies in revelation of the profoundly concealed connection of the “Poem without a Hero” with the range of narratives of Edgar Poe, united by the cross-cutting motif of being buried alive and coming back from the dead: “The Black Cat”, “The Fall of the House of Usher”, “Morella”, “Ligeia”, “Berenice”, “The Oval Portrait”. This gives a new perspective on the literary characters that one after another appeared to the lyrical heroine in plot of the poem; and explains the fragment of one of the most mysterious works in Russian literature of the XX century, and some other poems of Anna Akhmatova.
Mekhtiev V.G. - The semantics of Lermontov's poetic myth of the Demon N. S. Leskov’s “The Islanders” pp. 1-9

DOI:
10.25136/2409-8698.2021.3.35024

Abstract: The subject of this research is the negative-axiological, satirical layers of the novel “The Islanders”, associated with the image of the demonic character, which M. Y. Lermontov turned into the archetype and poetic myth in the Russian literature. The object of this research is the stylistic techniques and ideological motifs of N. S. Leskov underlying “desacralization” of the romantic myth. The author meticulously examines the following aspects: 1) role of Lermontov's poem “The Demon” and romantic poetry of the 1840s in creation of the myth of the demonic character; 2) semantic deformations that led Leskov to wander from the conventional meanings of the myth ; 3) satirical modus used as the key technique in creation of the the image of Istomin. Particular attention is given to Leskov’s satire in its function of “recoding” of the myth. The conclusion is made that the image of the painter Istomin is appointed with the task to dispel the romantic myth. Therefore, the axiological-emotional lexis, as well as elements of satire that reflect the point of view of the “subjective” narrative are arrayed around him. All of that imparts semantic transparency to the character, which contradicts the “mysterious code” of the myth of romanticism. The author’s special contribution consists in the establishment of correlation between the myth of about the demon and the myth of Prometheus, which is important for assessing the complexity and multifacetedness of the semantic core of the phenomenon under review. The novelty of this research lies in revelation of underlying motif of the satirical style of N. S. Leskov. Its point is not to create a “myth about the myth” or an “anti-myth”; the novel forms the “non-myth” to achieve complete elimination of the literary myth of the demonic character. The writer uses satire for typification, rather than individualization of the character.
Kharlamova S. - Rock Musician as the Author of Prose: Methodological Notes, Relation of Sound and Text Based on Michael Gira's Creative Writing pp. 6-14

DOI:
10.25136/2409-8698.2019.2.29412

Abstract: The article is devoted to the interaction between a text and music in the creative writing of a rock musician who is the author of prose and composer of songs at the same time. The subject of the research is the intermedial links between text and music and relation between text and musical composition as well as specific features of the representation of sound inside a text and its meaning in poetics of a literary piece. The research material is the collections of short stories written by an American rock musican and independent performing musician Michael Gira, studio albums and performances of the Swans rock band. The research is based on intermedial and comparative research methods. Kharlamova also makes general remarks regarding the definitino of the term 'fictional prose of rock musicians' and analysis of the verbal component of rock compositions. The novelty of the research is caused by the fact that intermedial connections are traced by the author from the point of view of their relation to fiction and popular music (independent experimental music in this case) as well as their opposition to the academic music. The research singularity is that the researcher analyzes the creative system of one author who writes music, texts of his songs and fictional prose. Kharlamova discovers aesthetical links between fictional prose and musical composition as well as representatino of audio and musical images in short stories and their role in the poetics of collections. The researcher also describes the general tendencies in prose and music of one author. As a conclusion, the author emphasizes the importance of sound and music in the literary world of short stories and close aesthetical connection between finctional text and musical compositions. Addressing to the interaction between a literary text and experimental music allows to significantly expand the concept of intermedial links of literature and music in particular and the concept of musicality in literature in general. 
Podkovyrin Y.V. - Visual aspects of unlocking the meaning in a literary work (based on Alexander Grin’s novella “Legless” pp. 9-15

DOI:
10.25136/2409-8698.2021.6.35762

Abstract: The object of this research is the semantic structure of a literary work. The subject of this research is the nature of interrelation between visual and semantic aspects of the work. The “visual” implies not a characteristic of the text of the novella, but rather one of the “properties of artistic imagery” (S. P. Lavlinsky, N. M. Gurovich). On the one hand, the article interprets the semantics of visual images in A. S. Grin’s novella "Legless"; while on the other hand, reveals and describes the visual aspects of the very meaning of the novella. The author examines the dependence of understanding of the meaning of text on a certain “setting” of readers’ view. The scientific novelty consists in identification of the semantic aspects of visual images along with the visual aspects of unlocking the meaning based on Alexander Grin’s novella “Legless”. The impossibility of actualizing the meaning in the literary work without its visualization is explained the peculiar – incarnated – nature of the artistic meaning. The fact that in the literary work the meaning is translated into the actual existence of the heroes (is being  incarnated) determines the integrity of the process of understanding from scrutinization into objective forms of this existence. Missing one or another feature of the artistic world by the reader would mean shifting away from adequate understanding. If for the hero of the novella “Legless”, the understanding of Self and his true position in the world is generally associated with the rejection of vision, then for the reader of “Legless” (or other literary text) vision (that corresponds to what is depicted in the text) is the key to understanding.
Nizhnik A. - Literary rhythm of the cycle by Isaac Babel “Red Cavalry” pp. 10-17

DOI:
10.25136/2409-8698.2020.12.34407

Abstract: This article examines the cycle by Isaac Babel “Red Cavalry in the context of literary trends of the 1920s. I. Babel avoided various literary organizations and loud manifestos; therefore, his role within the post-revolutionary literary system remains somewhat isolated: he had a reputation of a realist writer (although with some reservations) mostly due to specifically historical backstory of his military cycle. In this regard, his literary style is rarely viewed as a phenomenon of modernist literature – metareflective, intertextual, centered on the experiments with literary form. However, the works of I. Babel can be viewed as a characteristic to modernism phenomenon of “synthesis of arts” – not only painting and cinematography, but music as well. His musicality is traced both on the semantic level and particular recurring images, an on the level of rhythmic structure of the text. The article demonstrates “pretexts” (genre and stylistic models) that underlie the cycle “Red Cavalry”: folk songs, revolutionary marches, poetry of French symbolism (namely A. Rimbaud), which targeted to substitute versification with a rhythmic prose. Thus, some elements of I. Babel's prose are interpreted as variations of a free verse, which corresponds to the draft genre definitions given by the author to his stories, as well as to his writing style testified by some of his contemporaries.
Ustinovskaya A.A. - Translation of the poem “Le parfum impérissable” by Leconte de Lisle as an intra-Acmeist dialogue pp. 10-18

DOI:
10.25136/2409-8698.2021.3.35092

Abstract: The subject of this research is the translations of the Russian poets conducted within the framework of various literary and translation paradigms. Translations of the poem by Leconte de Lisle "Le parfum impérissable" made by I. F. Annensky, N. S. Gumilyov and M. L. Lozinsky (the latter two feature cross corrections). The three translators admired the work of de Lisle; Annensky and Gumilyov borrowed the key images from the poetry of the French author in their original works. Research methodology employs comparative analysis of the original texts and translations, with the elements of hermeneutical and component analysis of the text. The main conclusions consists in determination of the conceptual difference between the creative translation paradigms of the early XX century and such in the context of the publisher “The World Literature”. The translation by I. F. Annensky conducted in 1904 presents liberal and symbolic interpretation of the original: the poet places emphasis on the symbol of the never-dying flavor of eternal love, enclosed in the heart as in a vessel. Translations by N. S. Gumilyov and M. L. Lozinsky are notable by adhering to the original form of the sonnet and conveyance of a broad cultural context: the oriental flavor and image of the aroma-genie-spirit of love enclosed in the heart-vessel described by de Lisle. Most accurate translation of the cultural context was carried out by M. L. Lozinsky, whose version is recognized as final in the manuscript revisions of Leconte de Lisle’s texts.
Kravinskaya Y.Y., Khlybova N.A. - Deconstruction of metanarrative in postcolonial text: interpretation of Christian code in Keri Hulme’s novel “The Bone People” pp. 11-19

DOI:
10.25136/2409-8698.2020.4.31022

Abstract: This article examines the projection of the European metanarrative in postcolonial text on the example of deconstruction of the Christian metanarrative in Keri Hulme’s novel “The Bone People” (1985). The concept of “metanarrative” is described through the prism of literary studies as a criterion for analyzing the evolution of literary process in the era of postmodernism. In postcolonial research, metanarrative has vast theoretical potential and manifests as a dominant code dictated by the European culture as a dominant one, culture of colonized nations, which makes the authors of postcolonial period refer to the method of deconstruction of metanarratives of the former colonialists. Practical analysis is conducted on the postcolonial novel that interpreted such components and the storyline, imagery of the heroes, and paratextual level. The scientific novelty of this study consists in the fact that the literary process in New Zeland as a whole, and works of the representatives of Maori Renaissance in particular, are insufficiently studied by the contemporary scholars. The analysis of deconstruction of the Christian metanarrative in postcolonial text allows making the following conclusions: uniqueness of deconstruction of metanarrative in a postcolonial text is based on application of the counter-discursive strategies, which include reference to the elements of metanarrative, presentation as a part of colonial discursive field, and authorial transformation for inscribing them into postcolonial space.
Asadov I. - Symbolics of the novel “The Woman of Rome” by Alberto Moravia pp. 11-17

DOI:
10.25136/2409-8698.2020.6.32999

Abstract: This article analyzes the novel “The Woman of Rome” (1947) by the Italian author of the XX century Alberto Moravia. As in his other novels, Moravia features a one reflexing character, creating an authorial intention in the oeuvre. The article examines special symbolics in the novel. The events take place in the 1940’s, during the Fascism era in Italy: the heroine is a victim of indifference and cruelty of the society and her own weakness, inability to refuse material gains, defend her values and dreams. Emphasis is also made on interaction between the social classes. Unlike the heroes of other novels of Alberto Moravia, Adriana loses her place in the society, changing her behavioral patterns and undergoing reassessment of values. Each character interacting with her can be interpreted as a symbol, representative of a certain class they belong to. And each of them exploit and impact her in their own way. The text in question can be considered as neo-realistic or existential. The author also underlines common traits of the protagonists of Moravia’s novels. For example, Cesira the heroine of the novel “Two Women” (“La Ciociara”, 1957) belongs to petite bourgeoisie, she also experience the transformation of life attitudes, having become a witness of dehumanization of people and overall indifference towards the fate of the country; but unlike Adriana, who is a victim, she manifests in role of a witness. The scientific novelty consists in analysis of symbolics of the novel and correlation between fate of the heroine and fate of the country. The heroines in the works of Alberto Moravia symbolize Fascist era in Italy differently; only in case with Adriana she personifies the changes, reaching the moral decline and perverting her inner self under the influence of fascism. Analysis is conducted on peculiarities of narration in the novel: her story can be perceived as a confession, or as a conversation with an understanding friend. This softens the perception of tragic events in the novel, since in increases the level of trust of the audience to the heroine. Symbolics of the novel includes the images of Madonna and Danaë (Titian’s painting).
Starostina K.V. - Mythological motifs in the storybook by M. Moskvina “My Dog Loves Jazz” pp. 11-18

DOI:
10.25136/2409-8698.2021.2.34988

Abstract: This article demonstrates the realization of mythological motifs in the Russian children’s literature of the late XX century, namely the story “My Dog Loves Jazz" by M. Moskvina. It is established that mythological motifs are used not only as artistic elements, but also as semantic constructs. The specificity of the story incorporates the motifs of justice, irony and game. The plot and existential component are reconstructed through the prism of mythology, which includes the elements of social experience and irrealistic course of the narrated events. The peculiarities of motif structure primarily manifest in the discussion of everyday life situations and prospects (career choice, parenting problems, purchasing clothes, ways to broaden outlook, vacation on the beach). The method of narration should be viewed as mythotypical symbolism, which manifests in the ambiguous and unpredictable of the finale of separate scenes, and allows intervening into the reader’s imagination. Colorfully delivering the interesting plotlines, the author allows the reader to reflect on themselves. The article indicates the positive energy of narration, which creates prerequisites for inspiration, new life pursuits, and desire to look at the world with eyes wide open. It is noted that this literary work contributes to the formation of morals in young generation.
Khayrulina O.I. - “King Hunger” and “Anathema” by Leonid Andreyev and “The Burghers of Calais” by Georg Kaiser: comparative analysis pp. 12-17

DOI:
10.25136/2409-8698.2019.6.31157

Abstract: Typological proximity of Leonid Andreyev’s and Georg Kaiser’s dramaturgy has repeatedly become a subject for discussion among researchers back in the early XX century, however, the comparative analysis of separate plays of the two dramaturgists has not been previously conducted. Using the example of the conditionally-allegorical plays of L. Andreyev “King Hunger” and “Anathema” and historical drama of G. Kaiser “The Burghers of Calais”, the author finds these points of intersection at the level of the system of characters, language, partially problematics, as well as authorial remarks. The author applies the comparative literary analysis that allows revealing the typological correlation between dramaturgical works of L. Andreyev and dramaturgy of the representative of German expressionism G. Kaiser. The main conclusions consist in determination of similarity between the expressionistic dramaturgy of Georg Kaiser and conditionally-allegorical plays of Leonid Andreyev, which underlines a spontaneous succession of expressive means, as well as the common aesthetic orientation of the dramaturgists.
Kiling T.V. - G. R. Derzhavin at the brink of dialogism: on the material of earlier lyrics pp. 14-26

DOI:
10.25136/2409-8698.2020.3.32643

Abstract: On the background of growing interest towards the problem of dialogism of lyrics of the XIX – XX centuries, the author highlights a small number of works dedicated to research of the phenomenon of dialogism in the lyrics of the XVIII century, including the works of G. R. Derzhavin. The forms of manifestation of dialogism in the earlier lyrics of G. R. Derzhavin served as the subject of this research. The goal of this research is to determine the paths of formation of dialogical intentions in the process of establishment of authorial mentality of Derzhavin as a lyricist. The materials for this research contain triumphal odes created by Derzhavin during the 1760’s – 1770’s. The methodology is based on the problem of the author S. N. Broytman, who leans on the concept of dialogism. The structural-semantic method allows determining the dialogical structures and forms within the lyrical text. The results yielded paths of dialogization manifested in the earlier odes of Derzhavin: from mastering the communicative function of address, formed in the preceding odic tradition, to emergence of intuitively or consciously news to the genre canon odes of this period of dialogism – change in the distance between addressor and addressee, individualization of lyrical subject, emergence of speech subjects, etc., which serve as the scientific novelty of this research.
Snigireva S.D. - Historiosophical views of F. M. Dostoevsky and democratic concept of schism of A. P. Shchapov pp. 14-26

DOI:
10.25136/2409-8698.2020.5.32888

Abstract: The subject of this research is the concept of schism of A. P. Shchapov, as well historiosophical constructs of F. M. Dostoevsky that revolve around comprehension of the problem of schism and its role in the historical process. The goal of this article lies in determination of the impact of democratic concept of schism presented in the works of A. P. Shchapov “Russian Schism of Old Believers”, “The Land and the Schism”, “Land and Schism. The Runners” upon the formation of historiosophical views of Dostoyevsky and peculiarities of his understanding of the phenomenon of schism. The use of systemic approach allows examining the phenomenon of schism as a central element of historiosophy of Dostoevsky in relation to socioeconomic concept of Shchapov, which laid the foundation for the populist trend in historiography of the schism and associated with the history of development of democratic thought in Russia. The scientific novelty is defined by comprehensive approach towards description of the topic of schism as a core element of Dostoevsky’s historiosophy that considers its dependence on the historical and sociopolitical factors. It is underlined that writer’s perception of schism as a protest movement and people’s discontent as a driving force of the history was formed under the influence of Shchapov’s concept on the political nature of schism, which sparked public outcry. Leaning on the democratic concept of history and overcoming the limitation of building a liberal camp, Dostoevsky creates an original model of Russia’s development based on reunification of high society with the people. In the center of this concept is the understanding of schism as a progressive phenomenon that reflects the awakening of public consciousness and cognitive activity, which retained communal structure that according to Dostoevsky is capable of becoming a foundation for a new form of public order.
Pinaev S.M., Dmitrieva Y.Y. - “May the gates to paradise open for us…”: medial semantics in N. S. Gumilyov's poetry pp. 15-24

DOI:
10.25136/2409-8698.2021.5.35509

Abstract: The subject of this research is the medial semantics in the poetry of Nikolay Stepanovich Gumilyov, which is inseparably associated with the pivotal for the poet motif of path, journey, and road. The corpus of N. S. Gumilyov's poems written from 1905 to 1921 serves as the material for this research. A certain constant can be traced in interpretation of medial semantics: even if the author speaks of the gates as a physical object (the gates of a castle or house), the image has a transcendental connotation. The gates are a path to another world, often to paradise; they are not open of everyone and can be seen only by the dedicated. Similar understanding of the gates Gumilyov reflects in his theoretical articles, such as a program manifesto of a new literary trend “The Heritage of Symbolism and Acmeism”. As testified by A. Akhmatova, he sought for the mystical “golden gates”, and intended to discover it while travelling to Africa. Failure in finding it led to the emergence of macabrely interpretation of medial semantics: it can be not only the gates paradise, but also to otherworldliness, behind which are awaiting the terrible torments. As a result, the author determines the constant and variable characteristics of this figurative complex, which is inextricably entwined with the core concept of the path, road, and journey in Gumilyov’s poetry. Medial semantics interacts with a range of thanatological and gnoseological motifs: gates lead to knowledge and reveal to the dedicated and worthful. Entering another world is not the goal of the path; the portal opens in unexpected places, and not everyone can see it.
Guseva N.V. - The figurative system of the story by Lev Yatmanov “A Drop of Hope” in the axiological projection pp. 16-21

DOI:
10.25136/2409-8698.2019.5.30867

Abstract: In this article, the author conducts a comprehensive study of the value paradigm of the Mari national literature, examining the story of a Mari writer Lev Yatmanov “A Drop of Hope”. The story is written in the Russian language, and published in 1986 in the “Friendship” almanac, dedicated to the topic of the Great Patriotic War. Great potion of attention in the story is devoted to the figurative system, which is being examined in axiological projection, as well as the characterology and symbolism, aimed at actualization of the axiological content of the story. It is proven that in the story of Lev Yatmanov “A Drop of Hope”, which is being positioned as the object of scientific inquiry for the first time in this article, the axiological connotations in characteristics of the characters and in the image-symbols define author’s conception of the story. This article outlines and describes the creative concepts of such notions as human life, love, faith and hope, which comprise the value foundation of all subjects of consciousness and speech (the narrator, his father, mother, Faith).
Paramonova M.K. - The Genre of the Funeral Sermon in Russian Oratorical Prose of the Second Half of the XVIIIth Century pp. 17-23

DOI:
10.7256/2409-8698.2016.4.20020

Abstract: The object of the research is the genre of the funeral sermon as one of the most ancient rhetoric genres that was popular in Russian oratorica prose of the 18th century. The funeral sermon was actively developed during Peter's time and back in those times the aforesaid genre performed not only religious but also political functions. In the second half of the century the funeral sermon acquired the moral and didactic nature. The style of the word was changed, too. Long periods and numerous quotations from the Holy Bible were replaced by a shorter text and simple understandable vocabulary. The main research method used by the author of the present article is the comparative historical method: the genre is viewed in terms of the literary, cultural and historical environment of those times. As an example of the funeral sermon the author carries out a philological analysis of the text from Ekaterina's times 'The Speech for the Funeral of the Grand Duchess Natalia Alekseevna' written by the metropolitan Platon (Levshin). Never before in the academic literature funeral sermons of the second half of the 18th century was chosen as an object of an independent research since researchers usually pay attention to funeral sermons of Peter's time. However, the second half of the 18th century was the most beneficial for the development of the genre because it was the time when funeral sermons were actively written and published, the circle of people those funeral sermons were devoted to expanded and the genre was firmly established as the genre of religious oratorical prose. 
Kotova A.V. - Concerning the Sources of Comparison: V. Fl. 6. 609–612 pp. 17-22

DOI:
10.25136/2409-8698.2018.1.25317

Abstract: Comparisons play an important role in the system of expressive means used in a poetic text. The author of the article focuses on the analysis of lexical-stylistic features of ancient epic poems written by Roman writers who based their plots on mythology. The purpose of this article is to analyze comparison as a stylistic device of the Roman epic poetry in I century of Christian era. The subject of the research is individual artistic features of comparing the main hero Yason to the Caucasus Mountain in Valerius Flaccus' poem 'Argonautica' (6. 609–612). In her research Kotova applies both general research methods and special philological methods of interpretation of ancient texts. As a result of the research, the author makes the following conclusions: comparison of man to mountain in ancient epos ascends to Hom. I1.13.754–755. In Latin epos the brightest comparison of man to mountain can be found in the passage from Aeneis (12. 697–703) that is based on verses from the Iliad and serves as a source for comparison in 'Argonautica' (6. 609–612). Using the description of Apennines, Valerius Flaccus adopted the lexical content and tertium comparationis. At the same time, the poet added the epithet 'hibernus' and reference to the previous comparison (6. 604–608) of the peak of Yason's helmet to maleficent Sirius. By doing so, the poet emphasized the fatality of Yason for Medea. Thus, Kotova analyzes how Valerius Flaccus reviewed the work of his predecessors and used comparison in his own writings. The results of the research extend our knowledge about Valerius Flaccus' writings and can be used in following researches of stylistic features of 'Argonautica'.   
Volkhovskaia A. - The Pushkinian Theme in Montserrat Roig's Writings pp. 17-25

DOI:
10.25136/2409-8698.2018.4.27011

Abstract: In her article Volkhovskaya analyzes the book 'Golden Spire' written by the Catalonian writer Montserrat Roig and devoted to the biography and creative writing of Alexander Pushkin. The book was published in Barcelona in 1985 and included the main materials collected by Montserrat Roig about the Russian poet. The author of the article tries to trace back the process of Montserrat Roig's developing her interest in Alexander Pushkin as well as to view new aspects of the Spanish writer's perception of Pushkin's creative writing which she added to those that already existed at the moment. In the course of writing her book, Montserrat Roig has used Henri Troyat's research 'Pushkin' as well as translations of Pushkin's works into the Spanish language. All quotations from Montserrat Roig's book are given by the author of the article in Spanish. The article is based on the analysis of two works written by Montserrat Roig, Golden Spire and 'My Travel to Blockade' in which she studied and described Pushkin's biography and creative life. Volkhovskaya also considers the cultural and historical background of these works, the moments the writer focused on, and the choice of literary and other sources that she used to write her work. According to the author, the following aspects of Montserrat Roig's writings should be noted: - Montserrat Roig makes the reader to create an association link between the image of Pushkin and the image of St. Petersburg; - for the first time in the history of Spanish studies of Pushkin, Alexander Pushkin's creative works are perceived from the point of view of realism; - Montserrat Roig analyzes the poet's relations with his wife from the point of view of feminist ideology.
Anisimova O.V. - Allusions in the Chronicles of Amber by Roger Zelazny (Corwin Cycle) pp. 18-30

DOI:
10.7256/2409-8698.2017.1.22216

Abstract: The object of the study is the intertextuality of Corwin cycle. The subject of the research is made up by allusions of first five parts of the Chronicles of Amber by Roger Zelazny. In particular, the article touches upon numerous allusions to different fiction texts and myths, among which are the works by English classics as well as Celtic and Bible legends. The study material is constituted by such parts of the cycle as Nine Princes in Amber, The Guns of Avalon, Sign of the Unicorn, The Hand of Oberon, and The Courts of Chaos. The methods used in the study are: the method of intertextual analysis, textual method, and the method of comparative analysis. Scientific novelty of the given research is in the first ever attepmt to track the regularities of Zelazny's use of allusions and reminiscences in his works, and in his most famous novel the Chronicles of Amber in particular; to understand the way the intertext functions in the text corpus by the American fantasy writer. The main findings of the research undertaken are as follows: each part of Corwin cycle can be referred to a particular piece of world literature, or regarded in the context of this or that mythology system; allusions to mythology used by Zelazny play the plotforming function thus helping the writer to create the fantasy basis of the cycle's secondary world; distinctive literature allusions aim at revealing the main character's inner world, showing his psychological evolution, and also at making fictional characters comprehensible to modern readers; allusions to the Book of Revelation, in their turn, are used by the writer to create the key image of the whole cycle - the image of Apocalypse.
Guan' L. - Tragic motifs of the Great Patriotic War. Interpretation of Vasil Bykov pp. 18-25

DOI:
10.25136/2409-8698.2020.2.32558

Abstract: This article analyzes the reconstruction of tragic moments of the Great Patriotic War in two novellas by Vasil Bykov “The Ordeals” and “In the Fog”. The author notes that vigilant attention to the tragic in science and depiction of tragic heroes and situations in art did not always align with the time describe in the texts. Emphasis is made on the fact that the tragic perception of the world or tragic tonality are inherent to Russian literature in different periods of its existence, and thus, the comprehension of essence of the tragic and its theory require further examination by the philologists, sociologists and philosophers. The relevance and novelty are substantiated by the following aspects: need for further comprehension of the essence of the importance for literary studies phenomenon and concept of “tragic”; selection of the indicative for the literature of 1920’s, and 1960’s – 1970’a works and representative from the perspective of interpretation of tragic moments of the Russian life of 1940’s therein; as well as need to thoughtfully and analytically explain the essence of the tragic characters and situation, and how they were perceived in real life and Russian literature of the XX century.
Pervushin M.V. - Two views on Olga of Kiev in the Ancient Rus’ hymnography pp. 18-27

DOI:
10.25136/2409-8698.2020.10.33861

Abstract: This article is dedicated to analysis of the preserved liturgical written artifacts dedicated to the Saint Equiapostolic Grand Princess Olga. These hymnographic ancient manuscripts, in modern sense poetic art of composing ceremonial, laudatory and pious (liturgical) chants, allow tracing the perception of the act of holiness by several generations of Russian scribes who lived centuries after her, and how it is perceived by the contemporaries. These representations are revealed through analyzing the images of Saint Olga, her deeds, which were praised in one or another hymnographic work by the composer. The scientific novelty is reflected in the thesis that since the late XVI century the hymnographic and hagiographic monuments more often demonstrate a regularity – the authors (especially of monuments dedicated to princedoms) increasingly attempt to portray not a realistic person who achieved sainthood, rather a saint that descended to reality, thus already representing that which deserves praise and requires endless repetition thereof. The pinnacle of such reverence of not only the sainthood, but also living rulers, was the XVIII century, when living emperors were shamelessly place into the same bracket with God, and often replacing latter with the former, and the empresses, for whom “Christ” was an awkward name, were placed above God.
Moskvin G.V. - Essay “The Caucasian” as a phenomenon of existential paradigm in the prose of M. Y. Lermontov pp. 19-28

DOI:
10.25136/2409-8698.2021.3.35041

Abstract: This article is dedicated to the question that has not been previously raised within the framework of Lermontov studies, namely analysis of the essay of Lermontov’s late period “The Caucasian” from the perspective of reflection of existential problematic of literature of the early XIX century therein. The research is conducted on the ideological and artistic arrangement of the text, which represents the socio-psychological aspects of human adaptation to life. The author underlines that Lermontov chose the Caucasian discourse for expressing the personal biographical experiences and creative ideas of his novel “A Hero of Our Time”, which coincide with the period the writer’s military service in the Caucasus and vacation in St. Petersburg in 1841. This essay generalizes the threads of personal life and fate, featuring all possible characters representing the theme: natural. Georgian, state Caucasians, among them are the unnamed heroes of the entire textual space of Lermontov’s mature prose (Maxim Maksimych, Grushnitsky, wandering literary artist, Grigory Alexandrovich Pechorin, as well as female images Bela, Undine, Cossack woman, Nastya). The essay finale is an emotional outcome of futile existence of a human. The author follows the life path of the composite character – the Russian Caucasian from the initial novella “Bela” to finale of the essay “The Caucasian”, which appears to be emotional outcome of vain existence of a human having no real substance.
Ren X. - Turgenev’s traditions and motifs in the collection “Dragons, Tigers and Dogs” by Ba Jin pp. 19-29

DOI:
10.25136/2409-8698.2021.2.35042

Abstract: The subject of this research is the adoption and development of the motifs of I. S. Turgenev’s “Poems in Prose” in the lyrical collection “Dragons, Tigers and Dogs” by Ba Jin, who was dubbed “China’s Turgenev”. Attention is focused on the analysis of literary techniques adopted by Ba Jin from Turgenev, such as: narrative methods, motifs of the dreams, latent psychologism and profound psychologism of the landscape, symbolism, and fundamental musicality of the text. The research material contains the lyrical cycles of both writers, author's commentaries, journal articles published in Russia and China dedicated to examination of Turgenev's impact upon the Chinese writers. The article employs the historical-functional and comparative methods of analysis. The author is first to explore the influence of Turgenev's “Poems in Prose” on the works of Ba Jin, which defines the scientific novelty of this research. Ba Jin's scrutiny of Turgenev's “Poems in Prose”, during his work on translations, is reflected in his collection on the level of symbolism and the choice of motifs, command of language and literary style overall. The musicality of Turgenev's “Poems in Prose” encouraged Ba Jin to pursue the new artistic expressiveness of the language. The aesthetic peculiarities of Turgenev's “Poems in Prose” are consonant with the traditions and aesthetic requests of the Ancient Chinese literature, which justifies the enduring popularity of Turgenev’s works in China.
Li A. - Lu Xun and N. V. Gogol: the unexplored field of poetry pp. 19-28

DOI:
10.25136/2409-8698.2021.11.36666

Abstract: Russian literature has had a massive impact upon the creative path of Lu Xun. The researchers of his prose (including sinologist and translator L. Z. Ėĭdlin, literary scholar L. D. Pozdneeva, writer and literary scholar Feng Xue Feng, and others.) oftentimes compared his texts with the works of Russian writers. Despite the fact that Lu Xun wrote poetry throughout his life, his poetic legacy is poorly studied. Comparative analysis is conducted on the poetry of Lu Xun and N. V. Gogol. It is noted that the poetry of both authors reflects their philosophical and cultural views. The similarity of the authors lies in the fact that each used the versification that is traditional for their culture. The content and shape of Gogol’s poetry is based on the Slavic folklore and Orthodox faith, while Lu Xun is one of the initiators of the “New Culture Movement” and is considered an innovator in the Chinese literature. He wrote prose and poetry not in Wenyan (classical Chinese), which was understood by the elite of Chinese society alone, but in Baihua (written vernacular Chinese), the new Chinese literary language. Therefore, Lu Xun made a considerable contribution to the creation of new poetry, and many Chinese literary scholars (Chang Tsao, 1962-2010, Zhu Ziqing, 1898-1948) consider him the founder of the modern versification in China. The article establishes the similarities and differences between the Russian syllabic-accentual verse poems and Chinese new poetry.
Grechushkina N.V. - Tragic epos of the Great Patriotic War in the story by Mikhail Sholokhov “Fate of a Man" pp. 20-29

DOI:
10.25136/2409-8698.2020.4.32379

Abstract: The subject of this research is analysis of the tragic and epic in in the story written by Mikhail Sholokhov “Fate of a Man". In development of the theme of national tragedy of the Great Patriotic War, the author describes it as a tragic stage of the circuit of history and existence, connects tragic and epic in composition with the national patriotic position of M. A. Sholokhov, confrontation between a person and fate, conflict of good and evil. The object of this research is to determine the unity of tragic and epic in the story “Fate of Man”, leaning on composition and problematic of the work. The author uses the method of philosophical-religious interpretation, systemic-holistic and structural-typological methods, The novelty of this study consists in the new meaning of the image of Andrey Sokolov through the prism of tragic and epic beginnings. The conducted analysis of the story “Fate of Man” underlines a vast range in life of the people during the time of Great Patriotic War, and identify the story by Mikhail Sholokhov with the epos. The tragic is a part of artistic space, and is characterized by continuity of the world literature traditions. Tragic and epic beginnings emphasize the value of human life, the priority of happiness and peace between the nations.
Kharitonova A. - Andrey Mytishchev and Leon Ploshovsky as expressers of the type of hero without dogma in the prose of M. V. Krestovskaya and G. S Sienkiewicz pp. 20-32

DOI:
10.25136/2409-8698.2020.9.33771

Abstract: This article reviews the type of hero typical to the literature of the turn of the XIX – XX centuries and refers to a little-studied storyline from the history of Russian-European ties of this period. In the center of author’s attention are two literary works: the novel by the Polish classic G. Sienkiewicz “Without Dogma” (1890) and the novella “Confessions of Mytishchev” (1901) by almost forgotten Russian writer M. V. Krestovskaya, who was greatly impressed by the book of her contemporary. Both works contain a number of parallels on compositional level, means of narration and the plot itself, but the root of their correlation is attention to a new type of European person, born at the end of the century, and suffering from its “illnesses”. Comparative analysis is conducted on protagonists of the literary works of Sienkiewicz and Krestovskaya – Leon Ploshovsky and Andrey Mytishchev – as representatives of the type of hero-skeptic, hero without dogma, whose appearance in the literature became an organic stage in evolution of the hero-individualist. The time has raised its question, namely on the need to be guided by moral values and follow some dogmas. These works of the Russian and Polish literature of the turn of the XIX – XX centuries are put a single historical and literary context for the first time, and their main characters are viewed as expressers of the European person of that period. Reference of the modern audience to these literary images allows better understanding cultural, historical, philosophical and social prerequisites for the emergence of those who had similar worldview in the late XIX – early XX century. This defines the novelty and relevance of this research.
Strelnikova E.S. - Initiatory nature of the opposition “child – adult” opposition in the mythopoetic paradigm of Vladimir Mayakovsky's works of the early period pp. 20-29

DOI:
10.25136/2409-8698.2021.8.36174

Abstract: This research analyzes Vladimir Mayakovsky’s works of the early period (1912-1916) within the framework of a neo-mythological approach, which allows reconstructing the individual authorial mythopoetic discourse. The article substantiates the inclusion of the literary works of Mayakovsky into the philosophical-culturological context, the importance of their consideration as a poetic and peacebuilding whole with its own patterns of transformation of the archetypal and mythological. The object of this research is the individual mythopoesis of the writer. The described “Dionysianism” of the lyrical hero takes roots in the typological similarities established by the author and noted by other researchers of Mayakovsky’s works, which indicates the consistency of referring to the Nietzschean dialectical opposition of Apollonian and Dionysian. The author notes multifacetedness of the category of the borderline as one of the defining dominants of mythopoetic worldview of the lyrical hero. Therefore, the subject of this research is a particular level of this category: the peculiarity of existence and evolution of a human within the world paradigm in the context of “child – adult” opposition. The novelty of the research consists in establishing the initiatory nature of the category of borderline in the works of V. Mayakovsky. This substantiates the specific, liminal personality traits of the lyrical hero, and proves the furute path of his mythopoetic evolution outlined in the pre-October texts. The author traces the dependence of transformation of mythopoetic constructions on the number of connotational changes in the dialectical opposition “child – adult”. The main result of the conducted research lies in the establishment of causal links between the incompleteness of overcoming the own liminality by the lyrical hero and the fundamental incompleteness of the process of his initiatory “maturing”. The author's special contribution to examination of the mythopoetic structure of the texts of V. Mayakovsky of the early period consists in proving the defining role of the “child – adult” opposition within the paradigm of other mythopoetic characteristics. The author outlines the way for further research of the individual authorial mythological discourse of Mayakovsky's works in the context of subsequent initiatory transformations of human and the world.
Denisova E.A. - On the autobiography of M. Y. Lermontov's dramaturgy of the early period (plats “Menschen und Leidenschaften” and “A Strange Man”) pp. 21-30

DOI:
10.25136/2409-8698.2021.10.36462

Abstract: This article is dedicated to the analysis of the two plays written by M. Y. Lermontov in the the early period – “Menschen und Leidenschaften” and “A Strange Man” form the perspective of manifestation of autobiographical context therein. These works are based on the dramatic events in Lermontov's biography that took place in 1830–1831, such as conflict between the poet's grandmother and father, death of his father, as well as Lermontov's relationship with N. F. Ivanova. Analysis is conducted on the texts of these two dramas, as well as on the biographical situation that encouraged Lermontov to create these plays. Special attention is given to determination of specificity of interrelation between the biographical and fictional in Lermontov's dramaturgy of the early period. Lermontov’s appeal to the drama genre is associated directly with the need for artistic mastering of the biographical context. The article analyzes the process of instilling life facts in the dramaturgical text, as well as the specificity of manifestation of the autobiographical in the plotline, images of the heroes, as well as ideological-thematic aspect of the work. The result of the conducted research lies in tracing the evolution of the image of the protagonist based on self-projection of the author's personality, as well as the peculiarities building a romantic conflict that has autobiographical grounds. The two compositions represent a different perspective upon the personality and behavior of a “strange” man; autobiographical accuracy in depicting a romantic conflict is associated with the possibility of conveying the history of relationships in the play, due to the closeness of this literary genre to empirical reality. This allows viewing the two plays as a system of artistic development of biographical events in the dramatic discourse.
Kuzmin G. - 'Morki Text' in Mari Prose (on the Problem Statement) pp. 22-27

DOI:
10.25136/2409-8698.2018.3.26717

Abstract: In his research Kuzmin brings forth the problem of the local (regional) text, in particular, 'Morki text' in Mari folk literature. In his research Kuzmin gives a definition of 'Morki text' in terms of existing definitions of 'St. Petersburg text', 'Moscow text', 'Northern text', etc. and defines the key factors that contributed to the origin and development of Morki text. In his research Kuzmin pays special attention to the geographical factor in the development of Morki text and describes the main features of the message, problem, topic, narration and style unity of all Morki texts. This article is of theoretical and methodological nature. Therein the author applies analytical, systems and comparative methods of literary analysis. Kuzmin analyzes Russian academic approaches to analyzing the origin, development and current state of local supertexts from the point of view of their importance and possibility to be used to describe the term 'Morki text' in Mari folk prose. 
Semenova A. - The Historical Basis of the Epic Poem "Vladimir" by Mikhail Kheraskov pp. 23-37

DOI:
10.25136/2409-8698.2017.3.23947

Abstract: The article is devoted to the historical component of the epic poem "Vladimir" by Mikhail Kheraskov. The poem on the theme of Russian history presupposes references to historical sources and processing of historical material. At the same time, the poem did not have to be authentic, the author was free to interpret historical events in accordance with the idea of the work. It is also necessary to consider the genre features of the epic poem which requires the author to emphasize the scope and significance of the events described. A few works are devoted to "Vladimir", the historical basis of the work is not studied, which determines the relevance of this research. The author of the article attempts to reveal the correlation of history and fiction in the poem by Kheraskov. Comparison of the poem by Kheraskov with historical sources allows to determine in which cases the poet more or less freely interprets the historical material or contributes fictional details to the work. Kheraskov in "Vladimir" stands heroic pathos, and creates the image of a strong enemy, accentuates the exploits of the protagonist, thickens the paint creating a full battle canvas, and fills in the gaps in the testimonies of historians with bright details. Historicity in the poem recedes into the background, but it remains the foundation on which the plot of the poem is built.
Krotovskaya N.G. - Vladimir Nabokov. Lectures on Foreign Literature: Robert Louis Stevenson pp. 24-66

DOI:
10.7256/2306-1596.2013.2.132

Abstract: The article is based on the lecture course called 'Masters of European Prose' that was prepared for students of Cornell University. These lectures describe Vladimir Nabokov as a thoughtful, penetrating and, at the same time, biased researcher who taught his audience a wonderful lesson of 'thorough reading' when a reader pays special attention at details and style of writing of the great authors. Based on the example of a well-known novel 'Strange Case of Dr Jekyll and Mr Hyde', Vladimir Nabokov analyzes a wonderful style and writing methods used by Stevenson to make his fantastic story sound rather true and real. Special attention is paid at the problem of difficult relations between the Good and the Evil, their struggle and interaction.
Guseva N.V., Kudryavtseva R.A. - Artistic Manifestation of the Axiological Problematics in the Mari Novel about the Great Patriotic War in the Second Half of the 1940s - Early 1980s (Genre-Style Tendencies) pp. 26-34

DOI:
10.25136/2409-8698.2018.4.27307

Abstract: This article is devoted to the artistic manifestation of the axiological problematics in the Mari novel about the Great Patriotic War of the second half 1940s - early 1980s as part of the study of the value-based paradigm of Mari national literature. The authors focus on the genre-style solutions found by writers (genre subspecies of 'military' novel as well as stylistic dominants, in particular, forms and techniques of psychologism used by writers) aimed at actualisatino of the axiological content of their works. The methodological basis of the research includes historico-typological and structural-semantic analysis of writings wich demonstrates not only value-based aspects of the problematics of a 'military novel' but also manifestates poetological aspects of the genre. The authors of the article prove that axiological problematics is most brightly expressed in such subspecies of Mari 'military' novel as lyrico-dramatic, lyrico-philosophical and documentally biographic novels and the aforesaid problematics helped to develop such stylistic dominants of Mari flash fiction as psychologism, dramatism and narrative philosophization. 
Li A. - Analysis of Chinese Studies of Lu Xun's Novel 'Notes of the Madman' in Terms of the Influence of Nikolai Gogol's Same-Named Novel pp. 26-34

DOI:
10.25136/2409-8698.2019.4.30419

Abstract: The subject of the research is Chinese research articles and books devoted to Lu Xun's writings. The article is devoted not only to the description of the main historical and literary issues related to wrtings of a Chinese author Lu Xun but also proof of the connection between scientists of different eras. The author of the article provides a detailed analysis of Chinese philological researches and traces back the main trends in the creative writing of Lu Xun focusing on the influence of Nikolay Gogol's influence on Chinese writer's works. The researcher has achieved the research goals by using the following research methods: cultural historical, biographical, comparative historical and comparative analytical methods. The methodological basis of the research includes publications of Chinese researchers who studied Nikolay Gogol's influence on Lu Xun's works as well as a basic Chinese research 'Three questions about Notes of the Madman' written by Shao Bojou in which the researcher emphasized the importance of studying the story behind Lu Xun's novel. The novelty of the research is caused by the fact that for the first time in the academic literature the author of the article analyzes the stody behind creation of aforesaid two works as well as demonstrates succession and differences in the views of scientists at different stages of Lu Xun studies in China. Summarizing views of Chinese literary researches, the researcher demonstrates that Lu Xun did not just borrow Gogol's Notes of the Madman but created a unique work which was in many ways innovatory for Chinese literature. 
Zhornikova M.N., Berezkina E.P. - Christian motifs and images in A. G. Rumyantsev lyrical cycle “At The Black Doorstep” pp. 27-33

DOI:
10.25136/2409-8698.2020.3.29730

Abstract: This article is dedicated to examination of Christian imagery in lyrical cycle “At The Black Doorstep” by the Buryat poet A.G. Rumyantsev. The subject of this research is semantic correlation of the key images and motifs of the cycle with the Christian values. The object of this research is literary comprehension of Christian symbolism in a lyrical text. The central theme in the cycle – tragedy of a father who lost his son – is reflected in the motif pairs “darkness – light”, “curse – forgiveness”, as well as theme of apocalypses and reference to the images of natural world. Methodology is based on the axiological principle, according to which the defining in artistic consciousness of the poet is his personal values and priorities. For determination of Cristian code of the images and motifs, the author applied structural-semiotic method. The scientific novelty consists in carrying out a motif and imagery analysis of A. G. Rumyantsev lyrical cycle “At The Black Doorstep” from the perspective of Christian symbolism. A conclusion is formulated that Christian imagery encompasses a recurring for the entire cycle theme of soul revival of a lyrical character, a path he walked from personal apocalypses and inner darkness to light through acceptance and forgiveness.
Denisova E.A. - Biographical and artistic in M. Y. Lermontov’s novel “Princess Ligovskaya” and the drama “Two Brothers” pp. 27-35

DOI:
10.25136/2409-8698.2020.11.34198

Abstract: This article is dedicated to a comparative analysis of two works by M. Y. Lermontov, which represent the interpretation of the common biographical context. The subject of this research is the specificity of transformation of the biographical fact into the artistic generalization in the works of M. Y. Lermontov. The object of this research is the drama "Two Brothers" and the novel Princess Ligovskaya” viewed within the paradigm of artistic comprehension of the scenario of unfaithfulness, or destruction of love as conceptually important in the conflict present in the works of M. Y. Lermontov. Such approach, based on interrelation between the creative and biographical, allows making important remarks on specificity of the phenomenon of autobiographism in the works of M. Y. Lermontov. The author analyzes the initial biographical situation (relationship between Lermontov and V. A. Lopukhina), and concludes that two literary texts – drama and novel – represent a distinct system of creative reflection of the biographical fact. It is established that in the process of creating the drama, and the novel later on, Lermontov ensues the need for artistic interpretation and resolution of the situation of unfaithfulness as an instance, and in a broader sense – as an ontological pattern; however, the conflict cannot be settled within the framework of this storyline. Since 1837, autobiographism in Lermontov's works ceases to play the crucial role; in other words, personal situation and its artistic interpretation no longer coincide, which renders impossible to continue the novel. Such circumstance allows realizing the reasons of incomplete works of Lermontov’s early period, which lie in inability to resolve love conflicts with a positive finale.
Skalnaya Y. - Genre Innovation of Bernard Shaw's Play 'Saint Joan': at the Origins of a Documentary Theatre pp. 28-38

DOI:
10.25136/2409-8698.2018.3.26739

Abstract: The subject of this research is the place of an Irish playwright Bernard Shaw in the history of the documentary theatre development. Contrary to common belief that the founder of the docudrama performance was a theatre director Erwin Piscator and the founder of the docudrama methodology was Bertolt Brecht, the author of this article points out that Shaw's plays preceded them. As the proof of her thesis, Skalnaya has chosen to analyze the play 'Saint Joan' (1920) written by Shaw right after the First World War. This research is structured as having three parts. The first part of the research is devoted to the analysis of the principles used by the playwright as the written evidence of that epoch demonstrate. The first part of the research proves that Shaw used a lot of verbatim (paraphrase and direct quotes from historical sources). The second part of the article is intended to extend the interpretation of 'document' in docudrama and provide examples of how the images of Joan of Arc and her contemporaries in fine arts and sculpture impacted the appearance of Shaw's play characters. In the final part of the research the author appeals to the comparison of the present and previous experience of the documentary theatre and traces back the performance of 'Saint Joan'. In the process of the research the author has used the historical literary method that involves analysis of the biographical, historical and cultural contexts of creation of a play, as well as the comparative method that allows to compare different points of view on the matter of the research. The author has also used some elements of the close reading technique. The results of the research demonstrate that Shaw's play 'Saint Joan' has all the typical features of the docudrama which proves the innovative nature of the play and explains why the play was not accepted by Shaw's contemporaries. Generally speaking, the conclusions made by Skalnaya in her research, create grounds for reviewing the current chronology of docudrama and tribunal theatre development.  
Snigireva S.D. - Khlystovshchina in the context of F. M. Dostoevsky’s ideology of pochvennichestvo pp. 28-37

DOI:
10.25136/2409-8698.2020.1.31986

Abstract: The subject of this research is the themes of F. M. Dostoevsky’s writings on Khlystovshchina (Christ Faith), as well as his views on this sect. The object of this research is the articles “A Writer’s Diary”, novel “The Idiot”, draft notes to the poem “The Life of a Great Sinner”, main idea of the novel “Atheism”, as well as articles in the periodicals of the 1860’s dedicated to Khlystov heresy. The goal of this work consist in determination of the writer’s opinion on Khlystov heresy in the contexts of the ideology of pochvennichestvo (return to the native soil). Using the philological and historical methods, the author describes correlation of the core ideas of Dostoevsky’s writings with the history of non-Orthodox religious movements in Russia if the XIX century. The article generalizes the experience of studying the theme of Khlystovshchina in Dostoevsky’s works, and persuasively argues that Dostoevsky’s perception of the phenomenon of Khlystovshchina is justified by his ideology of pochvennichestvo, which defines the scientific novelty of this research. It is concluded that the writer’s interests to the sect is explained by the fact that he saw a unique, soil phenomenon that represents man’s cognitive activity. The research underlines that the pursued by Dostoyevsky parallel between the doctrine of the Lord Radstock and Stundism (alien to a Russian person due to protestant origin), Tatarinova Society, and Khlystovshchina reflects a profound idea of the writer on spiritual crisis emerged due to disintegration of intelligentsia and people.
Gavrilova N. - Trends in modern theatrical interpretation of A. P. Chekhov's play “Uncle Vanya” pp. 28-36

DOI:
10.25136/2409-8698.2020.10.33890

Abstract: This article is dedicated to the analysis of trends in interpretation of A. P. Chekhov's play “Uncle Vanya” in modern theater. The subject of this research is the four theatrical productions of the play on the national stage: by Rimas Tuminas in Vakhtangov Theatre (2009), by Andrei Serban in Alexandrinsky Theater (2009), by Andrei Konchalovsky in Mossovet State Academic Theatre (2009) by Stéphane Braunschweig in the State Theatre of Nations (2019). These productions reflect the eternal existential questions raised in A. P. Chekhov’s play, as well as the relevant transformations in modern perception of the play. Examination of the aforementioned productions, as well as their analysis in the context of Chekhov's play and modern life realities in comparison with such in the XIX century, has not previously become a separate object of research. The scientific novelty consists in comprehension of the message delivered by play written in the late XIX century for the XXI century, as well as in determination of problems relevant to a contemporary person that are raised in the play. Using the meaning-making topics of the play, stage directors imply death of kindness, deterioration of nature and human, human disunity and misunderstanding. Therefore, the play “Uncle Vanya” indicates its timeliness and everlasting lifelikeness for the XXI century.
Dulina A.V. - In the center of a circle: poetics of space in Dante’s “Divine Comedy” and H. Melville’s novel “Moby-Dick, or The Whale” pp. 29-41

DOI:
10.25136/2409-8698.2020.8.33584

Abstract: This article is dedicated to the analysis of peculiarities of space arrangement in the “Divine Comedy” by Alighieri and the novel Moby-Dick, or The Whale” by Herman Melville. On the examples of structural mythologemes “journey inside yourself” and “path towards the center of a circle”, present in both works, the author notes the impact of Dante upon Melville and determines the differences in their poetics of space. Structural, semantic and comparative-historical analysis of the texts in question allows speaking of the transformation of symbolism of the images of circle and its center, circular, vertical and horizontal movement, as well as reconsideration of meaning of the category of chaos and order, opposition “internal-external” from Dante’s works to worldview of the authors of the era of Romanticism. The novelty of this work consists in simultaneous analysis of the impact of Dante’s poetry upon Melville and comparison of peculiarities of the poetics of space of both authors for determining fundamental changes in representations of the structure of world space and space of the inner world of a person. In artistic realm of H. Melville, symbolic point of the center of a circle – “center of the world” –is no longer static, it becomes unreliable, depicting heads of madman characters and the images of the objects, which semantics does not resemble the concept of emptiness. The motif of the loss of structuredness along with the motif of mutual reciprocity of spatial dimensions and characteristics distinguish Melville’s poetics of space, delineated in the dialogue with distinct features of space arrangement in Dante’s works.
Antonova M.S. - Nikolay Gogol's Note in M. Vlasova's Album: the Dating Problem pp. 31-36

DOI:
10.25136/2409-8698.2019.2.29395

Abstract: The subject of the research is Nikolay Gogol's note left in M. Vlasova's (sister's of Z. Volkonskaya) album. This is the note that demnstrates the writer's gift in literary 'trifles'. Antonova analyses the main themes of V. Arutyunova's and R. Yakobson's article 'An unknown album page by Nikolaj Gogol'. The author raises a question about the dating of Gogol's note as well as analyzes intertextual links to other works written by Gogol, in particular, common motifs and references to the second volume of Dead Souls. The main research method used by the author is the structural analysis of the text as well as analysis of information about the owner of the album and dating of the note. The main outcome of the research is the systematization of information about M. Vlasova and her relationship with Gogol. By discovering intertextual links to other Gogol's writings, for example, missing chapters to the second volume of Dead Souls, plays 'Theatre Trip' and 'Extract' and Rome letters, the author of the article extends the borders of possible dating of the aforesaid album note. 
Li Z. - A brief overview of the reception of “The Tale of Igor's Campaign” pp. 33-46

DOI:
10.25136/2409-8698.2021.6.35839

Abstract: The subject of this research is the process of reception of “The Tale of Igor's Campaign” in mainland China. The analysis of China’s historical conditions and comparison of the statistics at different periods indicate changes in the process of reception of Russian literature as a whole, and the Old Russian literary landmark in particular in the course of historical development of Celestial Empire. The novelty of this research is defines by insufficient coverage of the process of reception of “The Tale of Igor's Campaign” in China as a special cultural phenomenon, inseparable from the overall process of cultural and literary development of the country. Reception of the Russian literature is viewed in the socio-historical system, in which it organically interacts with the national culture and literature. The article employs descriptive, conceptual, and comparative-historical methods for solving the scientific task; determines the key stages in the general process of reception of “The Tale of Igor's Campaign” in China; and reveals the peculiarities of each stage with description of the major achievements. The author concludes that for almost two centuries, the Old Russian literary landmark has undergone a propaedeutic reception in China, which gradually intensified after the May Fourth Movement. It experienced stagnation after the first complete translation of the “Tale” into Chinese language, and a breakthrough in the image of this work in modern Chinese science, which currently interprets “The Tale of Igor's Campaign” as a literary-historical text.
Efimov A.S. - The novella “Fatal Sacrifice” by A. A. Dyakov (A. Nezlobin) and motif of the “counsel of the wicked” pp. 34-40

DOI:
10.25136/2409-8698.2020.3.32711

Abstract: This article explores the impact of the elements and techniques of romantic and gothic literatures of the XVIII – XIX centuries upon anti-nihilistic novella “The Fatal Sacrifice” (1876) by A. A. Dyakov (A. Nezlobin). Attention is focused on the gothic-romantic motif of the “counsel of the wicked” and its adaptation to the relevant sociopolitical context of Russia and Russian émigré of the 1870’s. It is demonstrated that a mythological image of “witches’ sabbath” and characteristic to it motifs of “sacrifice”, “veneration of idols”, etc. become the techniques for depicting in the “Fatal Sacrifice” of a Swiss “club” of nihilists, revolutionists-socialists, and Narodniks. The author applies the biographical, comparative and historical methods of research, motif analysis, as well as analysis of storyline and characterology. The ideological component of nihilistically oriented Russian society of the 1860’s – 1870’s is taken into account.  The novella “Fatal Sacrifice”, which is included into the cycle “Kruzhkovschina” (1876-1879) is being analyzed for the first time, since there is no special scientific literature on these works within the Russian or foreign literary studies. The novelty of this research also consists in raising a question of the influence of romantic and gothic prose upon the works of A. A. Dyakov. Such influence is related to the two common to Russian anti-nihilistic literature semantic lines: eschatological and prophetic.
Seredina A.O. - Interior Details in Apollon Grigoriev's Narrative Literature pp. 35-45

DOI:
10.25136/2409-8698.2018.4.27369

Abstract: The article is devoted to the topic that has never been studied before which is the interior details and development of the interior details in Apollon Grigoriev's fiction. The article is devoted to the peculiarities of the perception and description of the surrounding space by the hero of the memoirs 'My literary and moral wandering' (1862, 1864). Seredina traces back how the interior in Apollon Grigoriev's house and the writer's attitude to the external world (the world of objects) were reflected in the poetics of Grigoriev's early prose of mid 1840s. In addition, the author sets a task to demonstrate the connection between the interior and psychological portraits of the main heroes. The basis for the comparative analysis of Apollon Grigoriev's prose is the first theoretical research of the interior performed by I. Sudoeva. Despite the fact that in the majority of cases the description of the interior in Grigoriev's prose is pointing out individual elements of the interior (lighting, bed and door) and gives an insight into the internal world of the heroes. The universality of the description achieved through the absence of details helps to create the portrait type. The dreaminess of the hero of the memoirs, fed by the evenings spent on a bed without light, in early prose is embodied in the type of hero-dreamers the description of which is accompanied by a bed and the light of a burning candle. The audio perception of space, characteristic of the hero of the memoirs, turns into an aggravated attention to the sounds of wanderers in early prose which helps to expand the space of the room and give an idea of its structure.
Ge J. - Dragon Changes His Style: New Image of China's Regional Television pp. 35-42

DOI:
10.25136/2409-8698.2019.4.30441

Abstract: The subject of this research is peculiarities of China's regional television. The author proves that over the last decade regional television stations have been developing new media resources, creating new content, and using new forms. They have also performed major reforms as a result of rapidly developing digital multimedia technologies which brought bright special effects to television programs. Specific national environment of China influences the process of telling the news and forming social opinion, this is the phenomenon of television industry which needs to be studied further. The author of the article underlines that in order to follow the principles of individuation and specialisation in their TV programs, television must actively study interests and preferences of different sectors of society, make assertive policy of rado- and TV broadcasting and reinforce their unique advantages in touch regional competition of mass media. The article is based on general research methods such as cultural historical analysis, generalisation, synthesis, etc. The novelty of the research is caused by the fact that this article is the first attempt to describe and classify unique and varied development of China's television at different stages and in different regions of the country. The article demonstrates that there is a bilateral interactive communication beween TV broadcasters and audience which have important effect for both parties. The main conclusions of the research are the following: press, television, Internet and radio, i.e. all available means of communication, are viewed by the current government of China as the channels for developing certain state ideology and political views. Therefore, China news give an insight into positive changes inside China. 
Morozov S.V. - Lara: sources, antecedents and prototypes of the main female figure in the “Doctor Zhivago” novel pp. 35-44

DOI:
10.25136/2409-8698.2019.5.30996

Abstract: The object of this research is the figure of Lara Guichard in the novel by Boris Pasternak “Doctor Zhivago”. The subject of this research in the formation of the character of Lara in the work of the author, including the extraliterary sources (letters of Boris Pasternak). The aim of this research is to determine the key sources for formation of her character, as well as her antecedents and biographical prototypes. Special attention is allocated to the manifestation of the creative concept and axiological intentions of Boris Pasternak in the character of Lara Guichard, establishing the connections between them in the context of author’s perception on culturological, aesthetic and literary situation of the “Silver Age”. The main conclusions of the conducted research consists in establishing the sources of formation of Lara’s character, as well as her antecedents and biographical prototypes in the context of the creative concepts and axiological intentions of Boris Pasternak, substantiated by the affiliation to the authors of the Silver Age, creating after the Civil War. The novelty of this research also consists in establishing the facts of formation of Lara’s character on the various stages of functionality of its sources and prototypes in the work of Boris Pasternak, as well as the character of the materials used, being primarily his letters.
Sluzhaeva O.O. - Book as a genre (based on the material of A. M. Dobrolybov’s compilation “From The Invisible Book” pp. 35-60

DOI:
10.25136/2409-8698.2020.7.33319

Abstract: This article examines the genre specificity of the compilation “From The Invisible Book” by Aleksandr Dobrolyubov. Detailed analysis is conducted the structure of this book, comparing the published version with the manuscript and subsequent revisions of the author. The main genres and the storyline that connects pieces of the book are determined. The author also explores the plot and hierarchy in the compilation “From The Invisible Book”. Attention is given to the analysis of perception of Dobrolyubov’s compilation by the contemporaries. The article is first to publish archival materials, such as letters of the successors of Aleksandr Dobrolyubov – Nikolay Sutkovy and Pyotr Kartushin. The conclusion is made that in the symbolic compilation of A. M. Dobrolybov “From The Invisible Book”, book is a sovereign genre, ascending to apocalyptic genres of revelation and vision. Another title genre is the canticle. Compilation resembles a fragment. The compilation itself or its separate composition may refer to as a fragment. Concept of the “book” correlates with the sealed book from Revelations of John the Apostle, inner book from the Verse about the Book of the Dove, “Animal Book of Doukhobors”, the ideal book of Stéphane Mallarmé. The successors perceived A. M. Dobrolybov’s “From The Invisible Books” as sacred, which reflected the fundamentals of his creed. Interest to the compilation increased again few years later after it was published – 1910-1912, which coincided with the crisis of symbolism. Book becomes a general genre of the compilation.
Vorobyova O. - The History of Cooperation of Fyodor Dostoevsky with the Journal 'Russkoye Slovo' (the Case Study of his Correspondence with Contemporaries) pp. 36-44

DOI:
10.25136/2409-8698.2017.2.22744

Abstract: The object of the present research is the journal The Russian Word published by Grigory Kushelyov-Bezborodko. The subject of the research of Fyodor Dostoevsky's participation in that journal project. Based on the analysis of the epistolary material of the writer with his contemporaries, Vorobieva step-by-step develops the history of Fyodor Dostoevky's cooperation with the Russkoye Slovo Journal. In this article Vorobieva focuses on the writer's attempts to return to literature: on the one hand, Dostoevsky published his novel 'Uncle's Dream' which he had written after the forced-labor camp in a journal of little promise 'Russkoye Slovo'. On the other hand, despite his difficult situation, Dostoevsky dictates his own terms to editors. In her research Vorobieva uses the psychobiographical method to define for which reasons and in what manner Fyodor Dostoevsky tried to affect people his creative fate depended on. The historical comparative method used by the author also helps to compare other writers' attitudes to the journal 'Russkoye Slovo' and outline differences in the principles followed by the journal editors. The main conclusions of the research are as follows: the editors of Russkoye Slovo helped Dostoevsky in his difficult times by publishing his novel but not vice versa as literary experts used to believe. Despite the fact that Dostoevsky's participation in that jornal was forced and his novel 'Uncle's Dream' was not approved by critics, Fyodor Dostoevsky's cooperation with Russkoye Slovo gave impulse to Fyodor Dostoevskyt to return to the literary community of St. Petersburg. The author's special contribution to the topic is that he uses historical reconstructions that allows to cover gaps in a number of successive facts. When such approach is applied, reconstructions inevitably attains a hypothetic nature, however, they allow to describe the history of the writer's cooperation with the journal 'Russkoye Slovo' in a wider sense without just limiting to the comments made in the 30-volume 'Complete Set of Fyodor Dostoevsky's Works'. In her research Vorobieva has used materials from the Russian State Historical Archive and the Manuscript Department of the Russian State Library. 
Korshunova E.A. - The book by S. N. Durylin “In Your Corner”: reciting and interpretation experience pp. 36-41

DOI:
10.25136/2409-8698.2020.11.33377

Abstract: This article is first to examine the poetics of the book by S. N. Durylin “In Your Corner” (1924-1942) – the pinnacle of his writing. Comprehensive analysis of poetics of the book genre is conducted. In this context, the book as a genre ensures unity and wholeness of the form and content in dialogical connection of different genre inclusions, sequencing the vibrant cacophony and “polyvocality” of the author's personal projections. Therefore, in namely examination of the genre opens up to the researcher the range of adequate reciting of the book “In Your Corner”, which can be focused not only on the micro-level of an expression (aphorism), but also on the macro-level of the narrative (system of motifs that comprise various recurring themes). The conclusion is made that the figure of the author, who writes his book “for everyone and foe no one”, unites the micro- and macro-levels of narration. This allows viewing problem of the author's “Self” and perceptive mentality in the aspects of dialogueness, substantiated by M. M. Bakhtin. Within the framework of such approach, each layer or level of reciting, is viewed as the “voice” involved in the dialogue alongside the author. Examination of these levels of reciting (philosophical text, the “domestic” text, the level of literary-critical discussion) clarifies the mechanisms of formation of the key mythologem of “your corner” as the authorial model of culture.
Volkova K.B. - The evolution of female image in the works of Vajiravudh pp. 37-44

DOI:
10.25136/2409-8698.2021.9.36391

Abstract: The object of this research is the evolution of female image in the works of King Vajiravudh of Siam, who is considered the father of modern Thai literature. The subject of this research is the portraits of heroines in the original Thai-language works of the monarch, both dramatic and epic, which allow us tracing the artistic transformations of female images. The historical and biographical methods reveal the status of women in the new Thai society of the early XX century and how it affect the author’s views. The problematic of the “feminine” was associated with the author’s pursuit of ideal of Thai woman from ethical perspective. This is the first research on the topic within Thai or foreign historiography. The female images, the role of women in society and fate of the nation is the pervasive theme in all works by King Vajiravudh. The author disrupts the traditional canon and depicts a new woman, who claims her rights to the freedom of choice despite the patriarchal principles. At the same time, the entire gallery of female images is an attempt to find compromise between the progress and traditional values, to create the ideal of Thai woman, which could find realization in real life.
Volkhovskaia A. - Life and Creative Writing of Alexandr Pushkin in the Eyes of Spanish Writers of the Generation 98 pp. 39-45

DOI:
10.25136/2409-8698.2018.3.25457

Abstract: The article is devoted to rare episodes of Spanish writers of the Generation 98 referring to the creative legacy of Alexandr Pushkin. In her research Volkhovskaya gives several extracts from Pio Baroja's, Miguel de Unamuno's and Antonio Machado's texts in which they either quoted or analyzed Alexandr Pushkin's stories. All quotations are published and translated by the author of the article for the first time. The article is ended with the conclusions about new ways of perception of Alexandr Pushkin's creative writing by the aforesaid Spanish writers. In her research Volkhovskaya applies the method of comparative historical analysis and analyzes extracts from texts written by Spanish writers of the Generation 98 that contained mentioning biographical facts or references to Alexandr Pushkin's writings. The author's special contribution to the topic is the discovery and translation of all available Spanish extracts by the writers of the Generation 98 about Pushkin. The main result of the research is the discovery of new ways of perception of Alexandr Pushkin's biography and creative writing by Spanish readers.
Gorelova O.O. - Literary-documental narrative in the fictional autobiographic novel “My Secret History” by Paul Theroux pp. 39-49

DOI:
10.25136/2409-8698.2020.5.32908

Abstract: This article raises the problem of differentiation between authorial fiction and factual information in the fictional autobiographic prose that interfere with each other. The object of this research is the fictional autobiographic prose as a peculiar type of text with structure containing system codes of diverse narrative nature. The subject of this research is the characteristics and features of the literary-documental narrative in a fictional autobiographical text. The goal consists in demonstrating the dual nature of the fictional biographic prose on the example of literary-documental novel “My Secret History” (1989) by Paul Theroux. The following conclusions were formulated: 1) fictional autobiographic narrative as a variety of literary-documental narration is characterized with descriptiveness and aptitude to imitation of objectivity studying the personality of the hero; 2) the text in question contains the signs of realization of paradigms of fiction and actuality. The scientific novelty is consists in application of narratological approach towards analysis of the text, which demonstrates the specific constituting spheres associated with simultaneous implementation of the strategies of fictionalization and documental stylization of the material. It is determines that the fictional autobiographic material is characterized with subjective processing of represented data, and thus, it is essential to interpret the prose in question based on the accessible to audience contextual information (suggested authorial context and historical context).
Maksimenko E.D. - The problems of reader’s experience and the search for style in V. S. Naipaul's essayistic writing pp. 40-46

DOI:
10.25136/2409-8698.2021.5.35357

Abstract: This article conducts a chronological reconstruction of the key milestones of the reading path of V. S. Naipaul, as well as reviews the problems of his reader’s experience and the search for writing style. Emphasis is placed on the creative and personal relationship between V. S. Naipaul and his father S. Naipaul, who was his teacher and mentor, developed his literary taste, aptitude and style of the future Nobel laureate. Their collaboration draws the interest of researchers based on the fact that namely S. Naipaul introduced world literature to his son, affected his choice of books, and helped to understand a different sociocultural context. The author reveals the impact of the Russian writers (Gogol, Tolstoy) and the Spanish picaresque novel (“Lazarillo de Tormes”) upon writing style of V. S. Naipaul; as well as determines the reading preferences of V. S. Naipaul at a mature age. Among the authors who considerably influenced V. S. Naipaul in different periods of his creative path, the author names R. Kipling, D. Defoe, J. R. R. Tolkien, and J. Conrad. The analytical overview of the “writer's library” and his reading preferences allows carrying out a more systematic, consistent, and logical examination of V. S. Naipaul's works. The idea of the circle of authors and writings that considerably influenced the creative personality of V. S. Naipaul gives the key to the analysis of quotations, borrowings, allusions and reminiscences, i.e. the problems of intertextuality in his prose fiction. V. S. Naipaul's essayistic writing has not been published in the Russian language; this article introduces it into the Russian scientific discourse in literary studies.
Kol'tsova N.Z., Miaowen L. - Dialogue of arts in the novel “The Artist is Unknown” by V. Kaverin pp. 42-50

DOI:
10.25136/2409-8698.2020.9.33780

Abstract: Prose about the artist is fairly popular in the world and Russian culture, but the novel “The Artist is Unknown” by V. Kaverin holds a special place within the Russian literature, and the title itself is precedent for the philologists – it is mentioned each time when it comes to genre of the novel about artist. Kaverin not only creates a vivid image of the artist-painter, but also restores his manner via literary style. The pictorial beginning is prevalent in the text; however, orientation towards other types of art, namely sculpture and theatre, are also noticeable sculpture and theater, which is reflected in the character sphere and in the composition itself. In the novel “The Artist is Unknown”, theater and painting are deeply intertwined – and not only scenes of the play engage painting, but also the authorial “painting” involves theatrical aesthetics. However, namely the art of painting, is in the center of Kaverin’s attention, while the ekphrasis technique becomes the fundamental principle for arranging artistic material. It should be noted that the focus of attention of the audience falls onto imaginary ekphrasis, description of the image that exists only in the author's imagination, which allows revealing the features of Kaverin's original idiostyle that correlates certain literary techniques with the painter's technique (the author thinks in the categories of color, painting, texture, and perspective). In such way, painting becomes a metalanguage, the way of understanding the laws of art as such, and thus, the laws of literature, including such categories as narrative perspective and composition. The boundary between genres of the novel about artist and the novel about the novel in Kaverin's text is quite lucid: the fate of the artist is inseparable from the fate of his creation, and the questions of skill, purpose and designation of works comprise the very essence of conflicts of the novel.
Sangadieva E.G., Amgalanova M.V. - Representation of worldview in the Buryat national literature of early XX century pp. 42-50

DOI:
10.25136/2409-8698.2021.4.35384

Abstract: One of the fundamental problems within the theoretical and methodological research of national literatures is the analysis of the worldview. This article explores the national worldview in the works of Buryat writers of the early XX century on the example of B. Baradin (1878-1937) and P. Dambinov under the pseudonym Solbone Tuya (1892-1938). The author reveals the key concepts (space and time), images, and poetic metaphors. Their representation in artistic pursuits in the context of genesis of the national Buryat literature is substantiated to their closeness to the Mongolian culture, speciticity of ethnic culture, confessional views, features of consciousness and philosophical aspects of the topic of the world and human overall. As of today, the literary heritage of the first Buryat writers is virtually not covered in the separate authorial publications; it particularly pertains to the repressed representatives of oral lore, whose works were not published for a long time. The artistic heritage of these authors is confessional views through archival documents and other materials. The key research methods of the poetic heritage of the writers became axiological, semiotic, and structural-semantic. The scientific novelty consists in the analysis of the national concept of the world in works of the founders of Buryat literature as a unique phenomenon of the national oral lore with sound ethnocultural elements.
Popova V. - Concerning the Role of a Revolutionary Writer in a New Society: Waldo Frank at Writers' Congresses of 1935 pp. 45-50

DOI:
10.25136/2409-8698.2018.2.26171

Abstract: In her research Popova focuses on two speeches made by an American writer Waldo Frank (1889–1967) at the First Convention of the League of American Writers (held in New York, 1935) and International Congress for the Defense of Culture (held in Paris, 1935) during the period of intensive cooperation with the USSR. The author also analyzes views of Waldo Frank on the role of a writer in a new society. Popova studies sources from the funds of The Russian State Archive of Literature and Arts which allows to cover unpublished materials of the writers' congresses that hadn't been published in the USSR. The author applies the historical literary method that implies analysis of biographical and historical sources, and text analysis method to analyze different versions of Waldo Frank's speeches at the Congress for the Defense of Culture in Paris as well as different publications thereof in the Russian language and extracts from the texts of his speeches. The scientific novelty of the research is caused by the fact that Waldo Frank's creative writing and his relatons with the USSR are left practically understudied by the Russian literary studies. Analysis of Frank's relations with the Soviet Union allows to define the relationship between his literary interests and public position: strong cooperation with the USSR in 1930s coincided with Frank's active participation in the activity of American and European left and anti-fascist organizations. When he broke up his relations with the Soviet Union after 1937, his public activity declined, he withdrew from the USA Communist Party and left the League of American Writers. 
Guseinov M.A. - The theme of repressions in Kumyk post-Soviet prose (based on the works of I. Kerimov) pp. 45-54

DOI:
10.25136/2409-8698.2021.3.32335

Abstract: The subject of this research is the prose of the prominent Dagestani writer I. Kerimov dedicated to the 1930s repressions. Among other national authors, Kerimov most often referred to this topic. Special attention is given to considerable contribution made by the writer to the development of a certain trend in literature of the post-Soviet period – new interpretation of the ambiguous events of the period of Socialism construction, description of artistic peculiarities of his works “Long Years, Long Roads”, “Trouble from Coal”, ”My Dream or Reality?”, etc.; determination of most commonly used means that adequately reflection of the oppressive atmosphere of these years, which caused the crisis of national consciousness. Literary review of the works of I. Kerimov's work is conducted in the context of the modern concepts of Russian science of literature, with application of sociocultural and analytical methods. The following conclusions were made: being an experienced artists in words, and simultaneously the eyewitness to the events, I. Kerimov reconstructs realities of the past through the prism of the fate of central images and conflicts. The writer testifies to the negative impact of the 1930s tribulations upon emotional state of the society, deformation of the traditional cultural values. The scientific novelty consists in the fact that the author is first to carry out a comprehensive examination of the works of I. Kerimov dedicated to the theme of repressions, determining his place and role within the modern literary process.
Demicheva N. - The Problem of Historical Literary Analysis of The Capture of Pskov Tale pp. 46-56

DOI:
10.25136/2409-8698.2018.3.26866

Abstract: This article is devoted to The Capture of Pskov Tale from the Pskov First Chronicle and Sofia First Chronicle. The object of the research is the ideology and poetics of The Capture of Pskov Tale and the late introduction thereto. In her research Demicheva emphasizes the fact that the system of expressive means used correlates to the message of the author (or editor). The Capture of Pskov Tale is viewed by the author of the article in terms of traditions of Russian chronicle writing. In particular, Demicheva analyzes transformation of the extract 'Slovo' by Serapion of Vladimir therein. In her research Demicheva uses the method of historical literary analysis of Old Russian literature developed by V. Adrianova-Perets, D. Likhachev, I. Eremin, A. Demin, and A. Pautkin. The author of the article concludes that The Capture of Pskov Tale in the Pskov First Chronicle conveys the point of view of Pskov citizens who were loyal towards the reign of the great Muscovite prince and very negative towards Muscovite governors of Pskov. The introduction to The Capture of Pskov Tale of the Pskov First Chronicle and The Capture of Pskov Tale in the Sofia First Chronicle express a more negative attitude to the capture of Pskov to Moscow than in The Capture of Pskov Tale itself as part of the Pskov First Chronicle Tale. Therein the author of the introduction emphasized the fact that Pskov was an independent city before the events of 1509 - 1510 took place. Based on the analysis of chronicles, the author of the article disputes a point of view that the introduction to The Capture of Pskov Tale in the Pskov First Chronicle was written in Novgorod.  
Nogovitsyn A.P. - Comparative analysis of the works published in periodicals and as part of the books, with major texts of A. E. Kulakovsky pp. 47-60

DOI:
10.25136/2409-8698.2020.12.34513

Abstract: This article examines the works of A. E. Kulakovsky based on theoretical positions of D. S. Likhachev and practical data from commentaries to the volume II of A. E. Kulakovsky (author P. V. Maksimov), as well as conducts comparative analysis of the early versions with major texts of A. E. Kulakovsky. The subject of this research is the comparative analysis of A. E. Kulakovsky's early publications with major texts. The goal consists in determination and description of the authorial editing and revisions, which allows substantiating their motives for, as well as tracing the evolution of author’s thought. The discrepancies between the texts of early period and major text are viewed as improvements: addition of lines, substitution of separate words, rearrangement lines and stanzas. The novelty of this study consists in substantiation of early publications of A. E. Kulakovsky and lifetime edition as the subject of textological research. From this perspective, early publications of the works of A. E. Kulakovsky's are attributed to as research materials of cross-disciplinary nature: as the testimonies of the stage of establishment of Yakut literature as a whole, and as the variants of writer's major texts that reveal the history of his works in particular. The relevance is defined by the fact that special textological studies of poet’s separate works, including profound examination of historiographical part of his literary heritage, are currently of special significance. Over the past decade, a sizeable corpus of new documents related to A. E. Kulakovsky’s biography, including the unpublished works and scientific writings, has been revealed; this gives a new perspective on the already familiar materials in the context of analysis of his evolution as a writer and the history of publication of his works in the XX century.
Papadopulo M. - Opposition “living – lifeless” and antique imagery in “Tales and Trials of Love” by Jeanne Flore pp. 49-57

DOI:
10.25136/2409-8698.2020.8.33604

Abstract: This article examines the previously unstudied aspects of the concept of true love in “Tales and Trials of Love” by Jeanne Flore based on the material of second novel in the compilation. The subject of this research is the ancient images, which reflect the central topics of the book – role of sensuality and dangers caused by it. A detailed analysis is conducted on the opposition “living – lifeless”, which is structured through the motifs of sight, word, kiss and image of a human-statue. Within the new concept of true love, which dictates to reciprocate the feelings of those seeking love, the danger hides not sensuality, but in resisting it. The novella in question stands out in the compilation, as it is the only “tale” which focus falls on sensorics to convey a warning. Special attention is given to the images of eyes and mouth, which mark the boundary between external and internal, and play the key role in the motif of poisoning. When does a fatal act takes place? When “lifeless" is behind the living (which can be achieved only by witchcraft), and the other way around. Using the ancient images, Jeanne Flore demonstrates how a sight and words of the heroes can be poisonous and upon contact with the Other can translate characteristics of the hero’s inner world (such as indifference, static character, lifelessness) to others, thereby "poisoning" them to death. This article is first to analyze the opposition of “living – lifeless” on the material of references to ancient mythology in “Love and Trials of Love”, which defines the scientific novelty.
Eremina E. - Miguel de Unamuno and His Tragic Sense of Life pp. 50-67

DOI:
10.7256/2306-1596.2014.1.11281

Abstract: The present article is devoted to studying the 'agonic' philosophy of a Spanish writer Miguel de Unamuno. His philosophy was formed under the influence of the historical and social environment and particular facts from the writer's personal biography. All works written by Miguel de Unamuno after the crisis of the 1987th are full of thoughts about faith and lack of faith, death and immortality and a certain tragic tone. For Unamuno life is an 'agony', constant doubts and struggle against death. According to Miguel de Unamuno, feelings, reason, faith and science are struggling in human's soul and this 'agony' is the true life. Unamuno's philosophical searches go beyound the scope of an essay and take the form of narrative experiments. His philosophy evolves around the problem of individual immortality. The desire to live forever and the reason telling that this desire will never come true literally tore Unamuno apart. Trying to to understand the nature of relations between Human and his Creator, Unamuno appeals to imagination as the last method of knowledge and uses a novel as a model of reality. 
Drobinin G.D. - The Concept of Youth in Ilya Kormiltsev's Creative Writing pp. 50-61

DOI:
10.25136/2409-8698.2019.3.27572

Abstract: The subject of the research is specific features of representation of youth in Ilya Kormiltsev's poetry from the point of view of its reference to rock music culture in general. The research is based on the analysis of the concept of youth in so-called 'rock poetry' texts of Ilya Kormiltsev, particularly, Nautilus Pompilius songs. The aim of this research is to compare two points of view on Russian rock, as a major cultural phenomenon and platform for modernist poery, from the one part, and sub-culture that has a secondary role for art, from the other part. The methodological basis of the research is the analysis of plots and characters of Ilya Kormiltsev's lyrics and discovering hedonistic features there which is viewed as an element of rock culture by social sciences. The novelty of the research is caused by the fact that this is an understudied topic and the author offers a systemic description of 'rock music' poetry from the point of view of social researches of Russian rock culture. As a result, the author proves that the concept of youth is based on a single structure of plots which includes the first love experience, the situation of revelation and psychological trauma which, as a rule, devalues the rest of the life of a hero. 
Kirimov T.N. - Semiotic and linguo-stylistic aspects of the poems by H. Chergeyev “Heed What The Dead Man Says!” and “Fate” pp. 50-67

DOI:
10.25136/2409-8698.2020.5.32835

Abstract: This article examines the little-known facts of life and artistic legacy of the reputable Crimean Tatar poet-populist of the early XX century Hasan Chergeyev. In order to reveal the semantic and linguo-stylistic peculiarities of his works, namely the poems “Heed What The Dead Man Says!” (“Eşit, mevta ne sevleyur!”, 1909) and“Fate” (“Taqdir”, 1917), the author carries out a comparative typological, semiotic and textological analysis of the original texts. The strategic approaches in poet’s depiction of the authentic, and dramatic episodes from the life of people and the clergy are conceptualized. The article reveals phenomenon of the impact of idea, theme and plot upon the structure of H. Chergeyev’s poems. Due to lateral thinking and selected methods of representation of life material, his poetic works transform into living canvases. They reflect the depth of internal emotional experiences of the title characters, reveal the natural flavor of the national language, and demonstrate the energy and power of his poetic instrument. At the same time, the article outlines the prospects for studying journalistic activities in Crimean Tatar Soviet periodical press of prewar and wartime.
Kudryavtseva R.A. - The World Topos in Terms of European Axiology of Modern Mari Poetry pp. 51-69

DOI:
10.25136/2409-8698.2019.4.30568

Abstract: In her article, Kudryavtseva analyzes Vasily Pekteev's lyrics as part of analysis of modern Mari national poetry, in particular, poems from his poetic series 'Man from the Kingdom of Bees' (2018). Until now these poems have never been the matter of analysis. The research grounds include analysis of the artistic space of Mari poetry. The main attention is paid to the multicomponent and multi-value topos 'world' that most brightly reflect the author's artistic axiology. The methodological basis of the research involves historical typological and structured semantic analysis of works which has allowed to define and describe structural semantic levels of the 'world' topos actualizing the author axiology in Vasiliy Pekteyev's lyrics. The researcher proves that spacial elements of the 'world' topos including archetypes, fully reveal the spirit of a lyrical hero, demonstrate the writer's values and the nature of artistic axiology of modern Mari poetry. She also shows that modern Mari lyrics confirm personal freedom, life and nature beauty, creativity as well as nature-orientation and spirituality of the Mari world. Everything which is aimed at destruction and supression of the aforesaid is viewed as anti-values.  
Snigireva S.D. - The idea of acceptance of suffering in the works of F. M. Dostoyevsky and its correlation with the theme of schism and the myth on earth pp. 51-63

DOI:
10.25136/2409-8698.2020.9.33788

Abstract: The subject of this research is the idea of acceptance of suffering described in the works Of F. M. Dostoevsky, and its correlation with the theme of unorthodox religious movements and the myth on earth. The object of this research is the works of F. M. Dostoevsky (“The House of the Dead”, “Crime and Punishment”, “Demons”, “The Brothers Karamazov”) along with preliminary materials, as well as articles from the periodicals dedicated to old believers and sectarianism (“Double-believers of the Holy Rus'” by V. I. Kelsiyev, “Secret Sects" and “White Doves” by P. I. Melnikov,”Zemstvo and Schism. Runners”, “Mentality of the Russian Schism” by A. P. Shchapov). The goal of this research consists in determination of correlation of the idea of acceptance of suffering in Dostoevsky's works with the theme of schism and the myth on earth. The scientific novelty lies in analysis of mythologization mechanisms of the category of earth and the image of Russian people in the writings of F. M. Dostoevsky, associated with the idea of acceptance of suffering that takes its roots in the schism. The author’s special contribution lies in identification of correlation between motifs and images from of the novel “Demons” and sectarianism. The conclusion is made that voluntary acceptance of suffering, associated with the religious context, namely with the idea of accepting suffering for the faith inherent to old believers, is reflected in “The House of the Dead” and “Crime and Punishment”. Beginning with the first novel of “Samaritan Pentateuch”, this motif, entailing with a special for Dostoyevsky mythologem of earth, is implemented in the context of the idea of humanity’s guilt before nature and mankind, and the need for its redemption through suffering. The idea of suffering, essential for salvation of the soul and regaining of the lost faith is also closely related to the ideology of nativism, since it is conveyed to the “out of touch” atheists by the representatives of common people.
Melnichuk E.P. - “Precursor” – poetry readings at the Mayakovsky square in the sociocultural context of the 1950-1960s pp. 52-62

DOI:
10.25136/2409-8698.2019.5.28194

Abstract: This article explores the poetry readings at the Mayakovsky square in Moscow as a separate “episode”, which played an important role in the cultural live of the 1950s and 60s, and deserves closer attention that it has previously received. Through the prism of the history of the gatherings, it can be seen how pendulum swings from thaw to freezing, how tolerance changes to animosity towards the “Mayakovians” from the authorities. The research on the creative groups that form on the Mayakovsky square and the brightest routines at the square allowed tracing the changes in the mood and views of the intelligentsia. Most of the poets viewed their poetry as part of a political or civil struggle. They fought with the experiences of the past, the cult of personality of Stalin, at the same time, the reading sounded in unison with the ideas of the 20th Congress of the Communist Party of the Soviet Union. Separate attention is given to the analysis of the samizdat magazine “Phoenix”, which published poetry and prose of the “Mayakovians”. The analysis reveals that anti-Soviet orientation of the magazine consisted not so much in the lunges against the Soviet authorities, as in the attempts to defend the right to choose independent creative form and path, which fell outside the rules of the Socialist regime.
Shi Y. - Lexical means of the comic in humorous stories of N. N. Nosov pp. 53-63

DOI:
10.25136/2409-8698.2020.1.32109

Abstract: This article is dedicated to examination of lexical means of the comic in humorous stories of Nikolay Nosov. The article conducts systemic analysis, examines the achievement of comic potential in writer’s approaches via specific examples: irony, paradox, personification, tautology, and words formed in accordance with children etymology. The question is raised on the distinctness of Nosov’s humor and its lexical expression. Special attention is given to the analysis of psychology and behavior of the characters in particular situations, as well as determination of the original child’s way of thinking that differs from the adults. The scientific novelty is defined by an attempt of systemic analysis of lexical means for creating comic effect in the humorous stories of Nikolay Nosov. The relevance of this work on the one hand is substantiated by continued interest of the Russian and foreign researchers to the works of N. Nosov, and on the other – consists in comprehension of the insufficiently studied lexical means of the comic in his stories. The conducted analysis demonstrates the peculiarity of Nosov’s humor in creating comic effect, revelation of character of the heroes, and specificities of the children’s way of thinking.
Yashina K.I. - The image of Bolshoye Boldino in the Russian literature: peculiarities of local text formation pp. 54-63

DOI:
10.25136/2409-8698.2021.7.33656

Abstract: The subject of this research is Bolshoye Boldino as the landmark of the Russian culture. The goal is to give characteristics to the image of Bolshoye Boldino established in the Russian literature, as well as analyze the possibility of formation of the local text. It is proven that constant traits of Boldino, such as solitude, isolation from the big world, simplicity of life, and vagueness of time boundaries, were formed based on the letters, works, and events in the life of A. S. Pushkin, and later comprehended by other authors. It is noted that the collection of texts about Bolshoye Boldino consists of the saying and interviews, fiction and folklore compositions. The research material includes the poems and an saying M. S. Petrovyh, Y. V. Drunina, D. S. Samoilov and B. A. Akhmadulina. The conclusion is made that in the Russian culture, Bolshoye Boldino resembles the place of commemoration of A. S. Pushkin, as well as the space that allows a person to achieve comprehension and mindfulness. In the aforementioned works, the image of Bolshoye Boldino in ambivalent: the space is interpreted as a place of salvation or as the origin of the tragic events in life of the poet. The author assumes that the Boldino text is in the process of formation and has low intensity, which is substantiated by its remoteness of from the cultural centers.
Jin T. - Chekhov and geographical determinism pp. 55-62

DOI:
10.25136/2409-8698.2021.3.35125

Abstract: Literary scholars have recently shown growing interest in interrelation between Chekhov’s worldview and creativity. This article is dedicated to this topic. The question of the writer's worldview has long caused intense debate. There are multiple works dedicated to Chekhov's religious worldview, natural science materialism, and naturalism; however, the topic of Chekhov and geographical determinism is poorly studied. Although the idea of geographical determinism and the impact of vast expanses of Russia upon people’s lives occurs in the correspondence and works of Chekhov at various times. The subject of this research is Chekhov's works that contain the ideology of geographical determinism. The scientific novelty consists in the systematic and comprehensive analysis of the idea of geographical determinism in Chekhov's works. The influence of the opinions of different representatives of geographical determinism upon Chekhov's worldview is established. The author observes a connection between Chekhov and geographical determinism. Apathy, yarn, exhaustion, hopelessness, loneliness and alternation of excitability and fatigue of Chekhov's characters are associated with the geographical peculiarities of Russia, its vast expanses, severe winters, dullness, and monotony. The conducted research confirms the value of analysis of the connection between Chekhov and geographical determinism in the context of studying Chekhov's writing style.
Porol O.A., Dmitrieva N.M. - “The Tale of Igor's Campaign” in N. Gumilyov's lyrics of the later period pp. 55-62

DOI:
10.25136/2409-8698.2021.11.36781

Abstract: This research is dedicated to spatiotemporal aspect of “The Tale of Igor’s Campaign” in N. Gumilyov’s lyrics of later period. Based on the lyrical works written over the period from 1913 to 1921, the author contemplates on the role of the Old Russian epic for the poet’s ideology. A hypothesis advanced that the text of the tale is one of the most constructive in worldview of the poet. The article employs the comparative-historical and structural-semiotic methods (juxtaposition of semantics facts that go back to the text  of the “Tale of Igor’s Campaign” and contained in N. Gumilyov's poetry) for establishing correspondence or semantic changes of words in the original text. The method of parallel text search is applied. Textual analysis of the fragments of N. Gumilyov's works and “The Tale of Igor’s Campaign” is conducted. The article is first to determine and substantiate the interrelation between N. Gumilyov’s poem “War” (1914) and text of the “Tale of Igor’s Campaign”. Detailed analysis is given to the image of the “sowing” and “reaping” Russian warriors. In his later works, Gumilyov associates the “Tale of Igor’s Campaign” with the highest ethical values, history of Russian and world culture, which underlines the historicism of Gumilyov’s thinking. The article reveals the “horse”, “warrior”, “quiver”, “saber” contained in the text of the tale reflect the true life of N. Gumilyov.
Razgulina L. - Free Labour and Free Dance: Aesthetical Ideology of Avant-Garde in Charles Olson's Version pp. 56-67

DOI:
10.25136/2409-8698.2018.4.27535

Abstract: The subject matter of this article is the first volume of The Maximus Poems (1960) which Charles Olson wrote at The Black Mountain College where he was a teacher and then a rector. Razgulina tries to demonstrate the connection between the nature and directivity of Olson's search the field of poetic form with his efforts to embody in the word, syllable the orders of human sociality. In connection with the interdisciplinary nature of the stated subject, the research approach used in the article is synthetic and combines historical, cultural, poetic, mediological methods of analysis. Charles Olson (1910-1970) is an influential figure of the American poetic neo-avant-garde, practically unknown in Russia and not studied at all. Also, the interaction of the theory and practice of free labor and free dance in the avant-garde works of Charles Olson has not been studied either in Russian or in foreign science. This article is meant to begin to fill these lacunae. In this article, the authors conclude that the aesthetics of writing Olson likens the aesthetics of craftwork and the aesthetics of dance. In the first, it is important for him to feel the natural material as well as the continuity of labor effort, imperceptibly creating history. In the second, it is important to enjoy coordinated movement. Olson is trying to write his experimental epic based on these two premises. According to the authors, Self-Maximus, the epic hero of Charles Olson, has two hypostases: he lives / works in history and he lives / dances in language, in the practice of reflective speech use.
Kharitonova A. - Falsification of content: decadence and simplification as the extreme forms of internal protest of the heroines of M. V. Krestovskaya’s novella “The Outcry” pp. 56-74

DOI:
10.25136/2409-8698.2020.6.33121

Abstract: This article examines novella by Maria Krestovskaya “The Outcry” (1900) in the context of reception of the phenomenon of decadence in Russian literature of turn of the XIX – XX centuries. This novella by the mostly forgotten writer, who in her works refers mostly to the female topics (love, family, and profession), is currently of particular interest from the perspective of reflection of cultural trends of that time. A “typical female story” about the unhappy marriage, aimed against the power of money, insincerity and lack of freedom, puts decadence to the forefront of narration as a cultural emblem of the era, revealing the inner motifs and mechanism, which led one of the heroines to an ostentatiously decadent behavior. A contrasts form of protest against the bourgeois world in the novella is the ideology of simplification. The scientific novelty of the conducted research is defined by paucity of research on the works of M. V. Krestovskaya, and absence of special works within the modern literary studies dedicated to her writing heritage. The author’s contribution consists in introduction of novella “The Outcry” into the extensive Russian-European cultural and historical-literary context, as well as its analysis from the perspective of worldview trends and aesthetic influences of the late XIX – early XX centuries. The research proves that this text, which is not the only resort of M. V. Krestovskaya to a new type of here of the “end of century”, can be justifiably attributed to the body of work devoted to the heroes-decadents.
Gavrilova N. - The Date When Chekhov Wrote His Play 'Uncle Vanya': Analysis of the Main Points of View pp. 59-65

DOI:
10.25136/2409-8698.2018.2.26373

Abstract: This article is devoted to the main points of view on possible dates for Anton Chekhov writing his play 'Uncle Vanya'. The aim of the research is to analyze existing theories about the date when Chekhov wrote his play and carry out a detailed analysis of their proof. In the course of her research Gavrilova has referred to a lot of researches devoted to the transformation of the play 'The Wood Demon' to the play 'Uncle Vanya'. Checkhov left very contradictory information about the exact date when the play was written, therefore there are several groups of researchers with different views on the date when the play 'Uncle Vanya' was written. The research is based on such literary methods as comparative, analytical, critical, biographical, and cultural historical. As a result of the research, Gavrilova describes the main views of researchers who studied Ckekhov's creative writing on the date when the play 'Uncle Vanya' was written and analyzes relevant arguments. The novelty of the research is caused by the fact that in her research Gavrilova extends a general scope of views on the date when Chekhov wrote his play analyzing not only classical but also contemporary approaches to the problem. As a result of her analysis of the aforesaid theories, the author of the article concludes that despite the fact that the matter is widely studied, the question when Anton Chekhov wrote his play 'Uncle Vanya' still remains. However, due to the great interest of modern researchers to the play 'Uncle Vanya', it is quite likely that future studies of Chekhov's creative writing will cast a light on the exact date of creation of 'Uncle Vanya'. 
Chernov A.V. - Francisco Sa de Miranda: Two Traditions of Perception pp. 61-68

DOI:
10.25136/2409-8698.2019.1.28889

Abstract: The subject of the research is the two traditions of perceiving the image and style of the Portugese Renaisance poet Francisco Sa de Miranda that offered two approaches to historical interpretation of the poet's legacy. The first tradition was developed by the younger contemporaries of Sa de Miranda and the second was offered by the researchers of the XIXth, XXth and XXIst centuries. The author of the article analyzes the points where the aforesaid two traditions contradict. The main goal of the article is to provide a detailed description and analysis of the above mentioned contradictions. The key method used by the author of the article is the comparitive analysis of texts. As a result of the comparison of two approaches to perceiving the image and style of Francisco Sa de Miranda, the author has discovered principal differences of these two traditions. The novelty of the research is caused by the fact that the comparative analysis of texts that describe characteristics of the image and style of Sa de Miranda may be also referred to the works of the younger contemporaries of the poet and thus covers texts dated the XVIth, XIXth, XXth and XXIst centries. The author focuses on different interpretations of the poet's style according to two traditions, Renaissance tradition (the XVIth century) and modern tradition (XIX, XX and XXI). This is the first research in the academic literature that states and provides a detailed analysis of the ideological differences of aforesaid traditions which comprises the novelty of the research. The conclusions made by the author may be of great use for further researches on Portuguese Renaissance literature. 
Vorobyova S., Oganova E. - Romantic songs by the Turkish ashik Karacaoğlan: key motifs and system of poetic imagery pp. 63-77

DOI:
10.25136/2409-8698.2021.11.34321

Abstract: The goal of this research lies in the analysis of romantic motifs and corresponding poetic images in the works of the prominent Turkish ashik of the XVII century Karacaoğlan, as well as in determination of the nature of interaction of the folklore and his original tradition therein. The article employs literary text analysis, as well as the method of description and comparison. Using the specific examples, the author examines the key motifs of Karacaoğlan’s romantic lyrics (praise and admiration of the beauty of the beloved; infidelity of the beloved; separation; doubting the feelings of the beloved, etc.), and the imagery system associated with these motifs: a nightingale, rose, grus, a “burning heart”, a “wounded soul”, landscape sketches (snowcapped mountains, light breeze, etc.). Analysis is also conducted on the artistic means of creating the portrait of a beauty: her face, eyes, eyebrows, hair, manner of walking, clothes, and accessories. Literary works of the Turkish ashik Karacaoğlan have not previously become the object of separate research within the Russian science, which detfines the novelty of this article. The conclusion is made that the traditions of folklore and Diwan (Sufi) poetry are organically intertwined in the works by Karacaoğlan, which determines the specificity of poetics of ashik literature not only of the XVII century, but also the entire time continuum. This study contributes to clarification of the typology and poetics of ashik poetry, as well as the nature of interaction of the folklore and the author’s individual tradition within a single work.
Kropacheva K.A. - The concept of “genre” in France of the XV – XVI centuries: from lexical diversity to codification of the term pp. 64-70

DOI:
10.25136/2409-8698.2020.9.33794

Abstract: This article discusses formation of the concept of “genre” in France of the Late Middle Ages and Renaissance, as well as codification of the corresponding term in literary language. The subject of this research is denominations of the category of genre used by the authors of theoretical treatises of the XV – XVI centuries, and the concept of “genre”, which was gradually introduced into the French theory of poetry. The goal is to determine the stages of development of the category of genre within the framework of French theoretical texts of the XV – XVI centuries, as well as denominations for the genre forms employed by the theoreticians, their similarities and differences. An attempt is made to identify at which point in French theory appears the interpretation of the term “genre” similar to the modern one. The novelty of consists in analysis of the concept of genre in diachrony based on the material of French treatises of the XV – XVI centuries. Majority of the texts considered in the article did not receive due attention within the Russian literary studies, which substantiates the relevance of studying French literary theory of the Renaissance Era. It is demonstrated that the authors of French treatises of the XV century denoted the concept of genre as “rithme”, “taille”, “manière”, “façade”, “espèce”, using them as synonyms within the framework of a single text. However, by the early XVI century, the genre form is viewed as a separate category; therefore, the number of denominations s is gradually reduced. For the first time, the term “genre” was used in the literary context in Pierre Fabre’s treatise of 1521; although at that time it partially keeps the meaning borrowed from Latin. The terms was codified later, in 1555, in Jacques Peletier’s “Art Poétique”; and from this point on it was applied by literary theoreticians for denoting different types of genre forms.
Veprev A.I. - Matryoshka version of the Russian verlibre pp. 64-92

DOI:
10.25136/2409-8698.2021.4.35358

Abstract:  Referring to the possibility and need for an experiment in literary studies, mentioned in the early XX century by the Soviet literary theoretician and poetry scholar Boris Yarkho, who paid particular attention to the transformation of the genre and the structure of expressive means as a whole, the author of this article analyzes the new form of the Russian verlibre (free verse), its varieties of the most probable form, attempting to determine its most characteristic typology, as well as to introduce into the concept of the matryoshka verlibre the two main forms, two of its fundamental metaphases and several subvarieties: 1. Verlibre in verlibres (verlibre in several verlibres); 2. Verlibre in verlibre  (several verlibra in one verlibre). The author also distinguishes two subvarieties that are formed from the verlibre in verlibre: 3. Veprlibr (large verlibre in several verlibres); 4. Aphoristic verlibre (verlibre in several aphorisms), and others. The main conclusion of the conducted analysis of the new form of the matryoshka verlibre consists in the fact that matryoshka verlibre is patterned by a catenate fairy tale and is attributed to the type of catenate fairy tale (cumulative fairy tale, recursive fairy tale, chainlike fairy tale). The verlibre, in which dialogues or actions are repeated and develop in a modified form according to the plotline, belongs to the matryoshka verlibre. The effect of these verlibres is based on the repeating narrative, characteristic image and action changing for one or another reason and reaching culmination. In this case, semantic differentiation of the text is viewed as a synthesis of both dimensions, where any component of the work is simultaneously motivated by the coherence of such element that it creates with other elements, as well as semantic union of the elements that are subject to destruction, and belong to different components of the entire work. A matryoshka doll serves as an example.  
Dominenko N.V., Kravinskaya Y.Y. - Points of intersection of space-time planes of the “foreign world” in epistolary prose of the English romanticists pp. 64-79

DOI:
10.25136/2409-8698.2021.7.35780

Abstract: The subject of this research is the points of intersection of space-time relations of the “foreign world” in such form of authorial self-expression as correspondence of the English romanticists. The goal is to examine the key elements of the chronotope of “foreign world”, and determine the peculiarities of their functionality in the romantic epistolary prose. The object of this research is the 50 letters of W. Wordsworth, 224 letters of G. G. Byron, 67 letters of P. B. Shelley, 51 letters of J. Keats, and 200 letters of R. Southey. The article employs a set of general scientific and special literary criticism methods, such as descriptive, biographical, historical-genetic, historical-functional, structural-semantic, and comparative-typological. It is established that the “foreign world” in the correspondence of English romanticists is represented by the following points of intersection of space-time planes: chronotope of the road / road meetup / traffic accident; contact / meetup / date; cities / countries / villages, with the dominant motifs of the road and contact. Leaning on the analysis of space-time plane of the “foreign world” in the correspondence of English romanticists, the conclusion is made that the chronotope of “foreign world” is a certain access code to the world pattern of English romanticists, the key category that resembles the worldview of a particular epoch, namely romanticism. The scientific novelty lies in the fact that this work is first to analyze space-time relations of “foreign world” in the correspondence of English romanticists. The future research should focus on the types and peculiarities of functionality of the chronotope of “native world” in the correspondence of English romanticists, as well as the interaction of space and time in the correspondence of English realist writers, determining and comparing the integral and variable traits characteristic to epistolary prose as a whole.
Zhirkova M.A. - Christmas tales of H. C. Andersen “The Fir Tree” and A. I. Kuprin “The Life” in historical-literary dialogue pp. 68-78

DOI:
10.25136/2409-8698.2020.5.30798

Abstract: This article presents a comparative analysis of the tales of H. C. Andersen “The Fir-Tree” and A. I. Kuprin “The Life. Both tales are based on the theme of Christmas, which celebration becomes the culmination in life of a fir tree; as well as have common elements – description of the life of trees in the forest, gathering of people, Christmas festivities. Tale by the Danish writer moves towards death, demise of the tree that can be considered as punishment for indifference and ambitiousness, inability to find joy in what is given by life. Kuprin’s story contradicts Andersen’s tradition, demonstrating a markedly different writer’s position – affirmation of life in contrast to death. Attention is focused on not only the plot, but also genre peculiarities of each composition. Tales are allegorical, they can be called the philosophical tales-parables, urging the reader to reasoning on their own life. The scientific novelty consists in the fact that the text of A. I. Kuprin’s tale is being analyzed for the first time. It is viewed in related to the tradition set by Andersen’s tales, as a Christmas text. The article also determine the role of the late among the works of the writer.
Grigorian G. - Ivan Turgenev as Perceived by Heroes of Anton Chekhov's Early Works pp. 70-78

DOI:
10.25136/2409-8698.2019.4.30578

Abstract: The article is devoted to references to Turgenev that can be found in Chekhov's stories. Being the closest predecessor, Turgenev had always been in the center of Chekhov's attention. Numerous remarks about Turgenev that can be found in Chekhov's stories prove the great influence of Turgenev on Chekhov and how Chekhov's perception of Turgenev's literary legacy had been changing at different stages of Chekhov's creative path. Turgenev's image is always there in Chekhov's literary works. The heroes of Chekhov's early stories speak of him and so do the heroes of his late novels and plays. Thus, matter under research is Chekhov's early stories as the most representational within the framework of the research. The aim of the research is to define the role of references to Turgenev in Chekhov's works. In the course of his analysis, Grigoryan has used the following research methods: systems approach, description and comparison involving interpretation techniques. As a result of the research, Grigoryan states that in his early stories Chekhov described characters who either demonstrated their ignorance about the writer or assertedly defended Turgenev but were still unable to understand the important contribution of the writer. 
Arzhantñeva K. - “Pinteresque” as an artistic method. The Theatre Of Harold Pinter pp. 71-82

DOI:
10.25136/2409-8698.2020.9.31232

Abstract: Harold Pinter is a prominent theater reformer and creator of the unique style, which in criticism received a name of “Pinteresque” that plays on the playwright’s last name and artistic distinctness of his works. The subject of this article is the examination of “Pinteresque” as a special form of drama created by H. Pinter. Attention is given to the impact of Franz Kafka on the artistic method of Harold Pinter, which manifests in creation of the characters, as well as in general philosophical concept. The novelty of this work is defined by the reference to the phenomenon of “Pinteresque” as a method of realization of peculiarities of artistic method of the playwright. As a result, the author reveals the principles that comprise and define the simultaneously real and absurd world of H. Pinter’s plays, when the human is daily overcast with a treat, origins of which remain outside of their understanding, and violence takes place to which they have to nothing oppose.
Okulova T.N. - Chapters of Russian Journalism History of the Last Third of the XVIIth Century: On the Way to the XIXth Century pp. 76-85

DOI:
10.25136/2409-8698.2018.4.27148

Abstract: In her research Okulova analyzes selected chapters of the journalism history of the last third of the XVIIIth century. She provides a general description of several 'passing-through' journalistic themes that help to better understand what caused the shift in the public conscience that happened in 1770 - 1780 and was vividly expressed in the new Russian literature that was going from European influences to the true historical and cultural independency. In her research Okulova has also made an attempt to outline the effect of a number of national ideas that could be found in Russian journals of the last third of the XVIIIth century and the Patriotic War of 1812. The research methods used by the author include historicism, multi-faceted approach to evaluation of the historical literary process, socio-cultural method, and dialectical principle of research that views research subjects in process. The novelty of the research is caused by the fact that the author analyzes a number of national ideas and Russian journalism themes of the last third of the XVIIIth century which allows a better view of the process of the new Russian literature of those times becoming mature and ideological. The peculiarity of this article is also the fact that it presents an attempt to trace back the ideas of Russian journalism of the last third of the XVIIIth century and Russian literature of the first fourth of the XIXth century that played a significant rolefor the formation of the Russian national identity. For many years this historical and literary aspect (as well as a great number of terms and definitions presented in this article) has been left without research. The results of this research create a more complete view of the Russian journalism history and Russian literature of the XVIIIth - XIXth centuries in general. 
Mohammadi Z. - Lermontov’s “Death of the Poet” in Persian language: extralinguistic difficulties of translation and level of equivalence with the original pp. 78-83

DOI:
10.25136/2409-8698.2019.6.31318

Abstract: The goal of this article is the analysis of Persian translation of Lermontov’s poem “Death of the Poet” and assessment of the level of equivalence of translation with the original. Based on the Theory of Translation Equivalence Level developed by V. N. Komissarov, the author explores extralinguistic (mainly cultural) difficulties occurred in the process of translating Lermontov’s poem into Persian language. It is hard to convey an idea of cultural events and realities of the Russian literary life to the Iranian audience. Social and public life of Russia of the XIX century is also inscrutable and unfamiliar for an Iranian reader. Non-acquaintance with the history of literary life of the XIX century also complicates the task of a translator of Lermontov’s poetry. The article explores the Persian translation of Lermontov’s poem from the perspective of the theory of equivalence, and analyzes the extralinguistic difficulties occurred in the process of translating to Persian language. Despite all difficulties, which first and foremost relate to the cultural concepts and social events, the linguistic capabilities of Persian language and command of the Russian and Persian languages the translator allows reaching high level of translation equivalence with the original. It may be said that Persian translation of “Death of the Poet” is equivalent with the Russian version on the level of message, and at times, on the level of linguistic signs.
Kolyagina T.Y. - The characters of Eremey Aipin is pursuit of identity (based on the novel “In Search of the Primordial Land”) pp. 78-88

DOI:
10.25136/2409-8698.2021.11.36826

Abstract: The subject of this article is the problem of identity of the characters in the novel “In Search of the Primordial Land” by the regional Khanty writer Eremey Aipin. The goal is to describe the key vectors of reflections of the main characters on personal and national identity. The author aims to analyze the path of spiritual and social becoming, as well as finding true identity in the world and society of the protagonists of the novel — “man of the kin” Matvey Taishin and the hero “without kith or kin” Roman Romanov. The study leans on the interdisciplinary comprehensive approach, with the use of cultural-historical, typological, ethno-cultural, axiological and imagological methods of analysis. The scientific novelty lies in examination of the characters of the literary work from the perspective of their identity and identification. Analysis is conducted on the two ways of finding true identity by the characters in the small and big world. Path of “man of the kin” is the cognition of capabilities of staying in the world, strengthening of inviolable faith as the essential link in the chain of life, nature, Cosmos, and humanity. Path of the hero “without kith or kin” is a series of initiations (according to V. Y. Propp), as a result of which he gradually assimilates to the “earthly world”, having acquired the experience of merging with society. It is proven that solution of the questions on personal, social and national identity of the characters of the novel is interrelated with the author's traditionalistic worldview. The conclusion is made that in a crisis historical situation, the characters of the novel intuitively tilt towards ancient cultural memory of humanity, seeing its as a basis for reconstruction of identity.
Öçèíü Ë. - Comparative-semantic analysis of the adverb of time frequency in the Chinese and Russian languages pp. 80-89

DOI:
10.25136/2409-8698.2021.7.36030

Abstract: This article presents a comparative research of adverbs with the meaning of time in the Russian and Chinese languages. Analysis is conducted on the adverb of time in the Russian languages; characteristic is given to macro- and micro-aspects. Macro-description is an attempt to determine and classify the adverbs of time. Micro-aspect, first and foremost, implies semantic analysis of a specific adverb of time. The subject of this research is the adverb of time ‘always’ in the Russian language in comparison with the corresponding adverb in the Chinese language. The goal of this research consists in the analysis of semantic characteristics and variables that depend on the semantics of grammatical and pragmatic characteristics of the adverb of time frequency “always” in the Russian as compared to the Chinese language. The scientific novelty lies in description of the macro- and micro- aspects, identification of semantic and compatible characteristics of the adverb of time frequency ‘always ' in the Russian languahe in comparison with the corresponding adverb in the Chinese — 总是 [zong shi]. The acquired results indicate that the use of the adverb ‘always’ with the meaning of continuity or frequency requires fulfilling certain conditions. This article can be valuable in further research on the topic, in theory and practice of translation, as well as in teaching Russian as a foreign language to the Chinese students.
Gong H. - Li Qingzhao and A. P. Bunina: difficult fates of women’s poetry pp. 81-96

DOI:
10.25136/2409-8698.2021.8.36313

Abstract: Despite the fact that Li Qingzhao and Anna Petrovna Bunina were bound by neither geographical affiliation or time, their contemporaries called them the Chinese and Russian Sappho. This is substantiated by the consonance of their poems with the lyrics of the Ancient Greek poetess, sensuality of their poems, as well as their independent position atypical for the women of their eras. This article draws parallels between the biographies of the two prominent poetesses, each of whom is considered the founder of women's poetry in their homeland. Although both poetesses are widely known and considered the pioneers of women's literature, their works are compared virtually for the first time. Besides the high social status and good education, the poetesses are interrelated by the fact that their fates transgressed the traditional canon of women's behavior: instead of patriarchal family life, they have chosen creative self-realization. The uniqueness of their position, which placed them in the focus of public attention, and in a way made them pariahs, on the other hand gave them the freedom in choosing problematic and literary language. This allowed them to become the founders of women's poetry and develop their own literary style. Namely this circumstance typologically apposes the works of the two poetesses, which are eight centuries apart from each other. The theme of their poetry is remarkably similar; however, the imagery differs significantly, since it is justified by the literary tradition of their country.
Kudryashov I.V. - To the question of prophetic nature of Nikolai Klyuev’s poetry pp. 83-91

DOI:
10.25136/2409-8698.2020.9.33681

Abstract: The subject of this research is the prophetic nature Nikolai Klyuev’s poetry. Publicistic and partially scientific literature holds a view, according to which the origins of poetic gift of prophecy of Nikolai Klyuev take roots in his extraordinary personality with certain occult knowledge that enables him to foresee the future national catastrophes. The myth on N. Klyuev, formed within public consciousness, is based on the lack of study of the peculiarities of ethical-philosophical views of the poet, who creatively embraced the rich traditions of national mythology, folklore and Ancient Rus’ culture. Leaning on the systemic analysis of artistic heritage of N. Klyuev, the author provides a new interpretation of the prophetic verses of the poet as the worldview specificities of the poet of 1920s – 1930s. The conclusion is made that numerous apocalyptic motifs and images in the poetry of N. A. Klyuev, which at the present time are perceived as prophetic, were generated by his ideology of incompatibility of civilization and culture, in their confrontation that started back in XVII century, at the time of schism of the Russian Orthodox Church, and aggravated in 1920’s – 1930’s. The poet understood civilization as repressive phenomenon that came to Rus’ from the West. Infiltration of an alien to Russia Western civilization that disrupts the identity of national culture, inevitably leads the country to a catastrophe. According to Klyuev, the tragedy of the XX century is  a destruction of the traditional national principles, followed by the imminent demise of the entire Russian world, and later of all mankind. Vast knowledge on the foundations and patterns of national life allowed the poet to look through decades into the future of Russia.
Lamzina A.V. - To the problem of reception of Shakespearean motifs in dramaturgy of Anna Akhmatova pp. 84-91

DOI:
10.25136/2409-8698.2020.12.33685

Abstract: The subject of this research is the Shakespearean motifs in dramatic compositions of Anna Akhmatova. The research material contains the works of later period – draft of a movie script “On Pilots, or the Blind Mother”, and drama “Enūma Eliš”, which was destroyed and later restored by the author with numerous authorial commentaries and remarks. Akhmatova carefully examined the “Shakespeare question”, was familiar with his texts in the original, as well as translated a passage from “Macbeth”. She was well-versed in the historical connotations of Shakespeare's tragedies, considering Mary Stuart the prototype of Queen Gertrude and Lady Macbeth, and at the same time, rejected this image applicable to herself and her “alter ego” in literature. The main conclusions of this work consists in determination of the peculiar semantic tone of the set of motifs associated with “Hamlet” and “Macbeth” in dramaturgy of Anna Akhmatova, which includes: usurpation of power and envy of the rightful heir, mother – son conflict projected not only on Shakespeare's dramaturgy, but also on mythology, and through mythology on the author's poetry, motif of “drama within drama”, where masks and pseudonyms disguise the inward nature of the author. The direct and indirect quotations from “Hamlet” and “Macbeth” correlates the indicated set of motifs with biography of the author in “On the Pilots, or the Blind Mother” and “Enūma Eliš”, which substantiates the novelty of this research.
Darbasova S.D., Egorova S.I. - The works of A. E. Kulakovsky in the assessment of Yakut literary criticism of the 1920s pp. 84-95

DOI:
10.25136/2409-8698.2021.1.34766

Abstract: This research examines critical reviews of 1920s dedicated to the analysis of literary works of the founder of Yakut literature A. E. Kulakovsky on the basis of historical-culturological approach. Previously undiscovered materials of the periodical press of that time alongside systematization of the analyzed material of literary criticism reveals the perception of literary works of the poet by the critics and writers of the incipient Yakut literature. An attempt the critical analysis of the material is conducted in the context of the impact of epoch, mentality of Sakha people, and prevalent ideology upon the criticism of literary works. The opinions in the works of critics and writers are dictated by the cultural-historical and sociopolitical situation in the country, when young Yakut literary criticism embarks on a contradictory path of transition from the field of literary studies to political struggle. The relevance of the topic is defined by insufficiency of research dedicated to the assessment of criticism of the period of establishment of Yakut literature, namely the works of A. E. Kulakovsky. The article presents the previously unpublished critical reviews, as well as the articles that were not included in the biobibliographic index of A. E. Kulakovsky. Research in this field complement the materials on the history of development of Yakut literary criticism in the context of studying artistic and scientific heritage of A. E. Kulakovsky.
Kikteva K.D. - The Myth about Don Juan in Jose Zorrilla's Legends pp. 86-94

DOI:
10.25136/2409-8698.2018.4.27217

Abstract: The subject of the research is the myth about Don Juan in the legends of a Spanish writer Jose Zorrilla. The aim of the article is to prove that the image of a mocker and seducer who stands above the society appeared in Zorrilla's creative writing before the drama 'Don Juan Tenorio' was staged (1844), in particular, in the legends 'El capitán Montoya' and 'Margarita la tornera' (1840-1841) in which Kikteva finds obvious parallels to Don Juan Tenorio. These works demonstrate the writer's reflection over the image and is an important milestone in the history of myth interpretation in Spanish literature. The research methodology is based on the comparative anlaysis of texts created as part of a single writing tradition. To explain the changes of the image within different literary schools (in this research the author mentions Spanish romanticism and Baroque), the researcher has applied the method of historical and cultural researsch. The novelty of the research is caused by the fact that the researcher refers to the interpretations of the myth of Don Juan that are understudied in Russian literary studied. The main conclusion of the research is the continuity between the figure of Don Juan Tenorio outlined in Zoprrilla's religious fantastic drama and images of seducers that had appeared in the creative writing of a playwright few years earlier. Establishing his own formula to describe components of the myth about Don Juan, the author proves that the relation of this myth to the images of mockers from Zorrilla's legends.  
Markova A.S. - Transculturalism and transcultural symbol of the blue flower pp. 86-97

DOI:
10.25136/2409-8698.2021.6.35760

Abstract: This article examines the problem of determining transculturalism as an independent supracultural phenomenon, the cognition of which requires the aesthetic subject adopt an attitude of outsideness and holistic consciousness. Transculturalism is described a specific cultural model that can represent transcultural symbols. Based on the image of the blue flower, the author examines transcultural symbol as a phenomenon with mythical basis, which is being formed through ceaseless process of cultural transfer. For determining transculturalism as an independent phenomenon, the author analyzes modern definitions presented in the scientific discourse and compares them with the definition of transculturalism given by M. N. Epstein. The formation of transcultural symbol is described via genetic method and from the perspective of the process of cultural transfer (M. Espagne). This article proves M. N. Epstein's theory on perception of transculturalism as a specific cultural model, a supracultural phenomenon. The author explores the peculiarities of development of transcultural symbol,  and provides the examples of variation of this symbol are given (using the image of the blue flower in the English-language literary discourse). This work contributes to the understanding of transculturalism as a supracultural, universal, national, and holistic phenomenon. In modern world, such definition of transculturism is essential for conducting cross-cultural dialogue and maintaining respectful attitude towards national code. Using the example of the blue flower, the author reviews the variations of transcultural symbol in the English-language literature; analyzes the contest of paradigms, peculiarities of the palimpsest of this image, overcoming the stereotypes of perception and transitioning through cultural space; finds the reflection of the idea of universality underlying the poetology of Novalis.
Poulaki P. - Analysis of Translations of Mikhail Sholokhov's Novel 'The Silent Don' to the Persian Language (the Case Study of Behazin's and A. Shamlu's Texts) pp. 87-96

DOI:
10.25136/2409-8698.2019.4.30380

Abstract: This is the first article to tell the story of translation of Mikhail Sholokov's novel 'The Silent Don' to the Persian language and give a comparative analysis of two main translations of the novel, by M. Etemadzade (Behazin) and A. Shamlu who presented two opposite approaches to translation, ideological and linguistic. The author of the article analyzes the first translation of the novel The Silent Don in Farsi made by a major Iranian translator Behazin in 1965 against the Iran socio-political situation of the 1960s and describes pluses and minuses of his translation. Special attention is paid to the translation of 'The Silent Don' in the translation of a famous translator and poet A. Shamlu and response of the Iranian readers to it. Following the 'domestication' translation strategy and trying to demonstrate the treasure of the Persian language, Shamlu devoted seven years to the translation and wrote a true master-piece of Persian literature. 
Kudryashov I.V. - Gleb Uspensky on the national spirituality (based on the material of the cycle “Sketches of the Transitional Period” pp. 87-97

DOI:
10.25136/2409-8698.2020.8.33658

Abstract: Based on Gleb Uspensky’s cycle “Sketches of the Transitional Period”, this article analyzes the ethical-philosophical views of the writer upon national spirituality, Russian world and its future. Uspensky believed that the great mission of Russia consists in the desire to become a unifying spiritual center for the entire world civilization. However, due to its location in-between the West and the East. Russia is spiritually dying, and along with it in the global chaos and hostility of Western and Eastern civilizations, dies all of humanity. Russia’s position within the spiritual confrontation of East and West, the writer describes as "uncertain": Russia wants but is not able to impede the imminent spiritual demise of humanity. Such "uncertainty" contains the spiritual tragedy of Russia itself, which appears to be in a questionable situation with regards to its world goals and objectives. This article suggests a new approach towards understanding the cycle of G. I. Uspensky “Sketches of the Transitional Period”, based on peculiarity of his philosophical and ethical views associated with the idea of Russian messianism, its specialness in the context of the confrontation of Western and Eastern civilizations. The conducted systemic analysis of the cycle “Sketches of the Transitional Period” demonstrated that Uspensky comprehensively reflected the own understanding of spiritual tragedy of the Russian life, founded on a deep insight into the surrounding post-reform Russian reality of the 1850s-1880s. The revealed specificity of Uspensky’s worldview opens a new perspective for an overall scientific assessment of the later period of his works.
Bayguzhin I.G. - Genres maktub and hitap in Bashkir literature of the early XX century pp. 92-100

DOI:
10.25136/2409-8698.2020.6.33086

Abstract: This article examines the works of the enlighteners, innovator, and agitators in Bashkir literature of the early XX century. The author analyzes the motifs, images and ideological-thematic aspects of poets in the genres maktub and hitap. It is determined that in form of appeals, they raise the problems of freedom, enlightenment, suppression of people, protest of war, etc. Literary examples of poetic works that reflect the motifs of that time are subjected to analysis. Agitational, manifestational, publicistic, and revolutionary ideas are revealed in the images of war, since the agitators called people to seek freedom and development. Namely the genres maktub and hitap contributed to explication of thoughts, desires and aspirations of the innovators of the early XX century. The struggle for freedom, equality, and education intertwined with the ideas of revolution and enlightenment. Some poets claimed that namely illiteracy and unprofessionalism of the people impede social development. Therefore, the appeals played a crucial role in works of the poets, which were filled with humanistic spirit, strive for perfection and ideals. The scientific novelty consists in detailed examination of the genres maktup and hitap in the works of Bashkir writers of the early XX century, as well as consideration of modern approaches towards assessment of aesthetic aspect of these genres. It is concluded that the genres maktub and hitap possess a quality to manifest an opinion or stance on various problems and situations of that time. They are fused with deep and tense thoughts and feelings that can form the worldview and experiences of the poet-citizen, poet-fighter, who have active approach to life and their time.
Demiral H. - Structural and substantive dynamics of artistic concept of “culture” in the works of V. S. Makanin pp. 92-102

DOI:
10.25136/2409-8698.2020.9.33809

Abstract: This article is dedicated to description of the artistic concept of “culture”, one of the fundamental in the conceptual framework of V. S. Makanin. The content of the concept is viewed in the context of evolution of Makanin’s works. The author examines the nature of transformation of each layer of the artistic concept of “culture” in light of establishment of Makanin’s concept of a human; determines interrelation of the motifs in their role in formation of the concept. Separate attention is given to determination of the meaning of precedent facts, including literary images, plots, themes, and motifs in development of the structure and content of the concept of “culture” in V. S. Makanin's works of different periods. Composition of circumnuclear zone and close periphery of this concept contributes to the formation of a cultural background, and their reinterpretation by the author reflects the objective processes taking place in cultural discourse for the past 50 years. In proportion to evolution of Makanin’s works, these images are saturated with new meanings, leading to refocus in interpretation of their classical content, substantiated by the need to place axiological accents. The conclusion is made on the extreme complexity of structure and content of the artistic concept of “culture” in the works of V. S. Makanin, which change dynamically throughout his creative path. This article is first to describe the structure of this concept and trace the dynamics of its transformation in diachrony, using the materials of most significant works of V. S. Makanin.
Spivakovsky P. - The Tragic in Russian Metamodernism Literature pp. 95-102

DOI:
10.25136/2409-8698.2018.3.27068

Abstract: The article is devoted to the tragic metanarration in modern Russian metamodern literature and the theoretical substantiation of the new understanding of tragedy in the culture of recent decades, partly connected with postmodern epistemology and at the same time based on overcoming the limitations imposed by orthodox postmodern theory. The statements of a number of contemporary cultural researchers associated with the criticism of the shortcomings of the theory of postmodernism are considered. The article analyzes the works of Victor Pelevin and Vladimir Sorokin, and provides an interdisciplinary analysis metamodernistskogo tragedy on the material of the Viennese production of the opera by Giuseppe Verdi's "La Traviata" at the Salzburg Festival 2005 Special attention is paid to the relation between classical postmodern theory and more modern metamodernistskoy theoretical system as a phenomenon of the postmodern era . Thanks to the use of metamodern theory, it becomes clear that many works of modern Russian literature that were considered postmodernist are more reasonable to be understood in a metamodernist context that removes postmodernist bans on seriousness, depth and tragedy. This makes it possible to discover in the works of recent times new semantic layers that remained outside the field of view of researchers.
Demicheva N. - The Novel of Special Structure 'The Capture of Pskov': Problematics, Textology, Style pp. 95-100

DOI:
10.25136/2409-8698.2018.4.27637

Abstract: The article is devoted to the novel of special structure 'The Capture of Pskov' which can be found in two manuscript collections at State Public Research Library and Russian State Library. The object of the research is the ideology and poetics of the novel of special structure The Capture of Pskov. Demicheva analyzes this text as an old Russian writing devoted to Novgorod and Pskov joining the Moscovite state. The researcher focuses on the genetic and ideological diversity as well as composition, structure of images and style of The Capture of Pskov. In her research Demicheva applies the method historical and literary analysis of old Russian writings as these have been offered by such researchers as V. Andrianova-Perets, D. Likhachev, I. Eremin, A. Demin, A. Pauktin, and N. Trofimova. The author of the article concludes that the novel of special structure The Capture of Pskov has both markers of the negative attitude to Pskov joining Moscow and literary solutions that speak of the writer's Moscovite position in relation to the events of 1509 - 1510. Demicheva also suggests a hypothesis that The Capture of Pskov is not the original version of the text which explains the conflict of different points of view within one novel.  
Borunov A.B. - Travesty as a cycle-forming technique of B. Akunin's “Fandorin Series” pp. 97-104

DOI:
10.25136/2409-8698.2021.8.33711

Abstract: The subject of this research is a set of cycle-forming techniques used by Boris Akunin in creating “Fandorin Series” dedicated to the detective Erast Fandorin. One of such techniques is travesty, “gender transitioning” that manifests on the imagery and linguistic levels. A range of characters in the novels and stories about Fandorin disguise themselves as the representatives of the other gender; this is common to the serial criminals who have committed multiple offenses. On the linguistic level, travesty manifests in a way that some characters, having a good command of Russian language, deliberately confuse masculine and feminine genders in their speech or writing. At the same time, travesty is always accompanied by the typical detective motif: the criminal character is initially introduced to the text and conceals his true self, so the detective has foster efforts to track him down. The novelty of this study consists in determination of the two basic strategies of travesty used by B. Akunin in “Fandorin Series”, and as well as in following their realization in various novels and stories dedicated to Erast Fandorin. On both imagery and semantic levels, travesty is more characteristic to the “sealed” type of detective, when the suspect is among a limited scope of persons and gradually reveals his true nature. At the same time, the implementation of such strategy in some texts is consistent (the hero constantly changes his appearance / grammatical gender), while in other texts manifests sporadically.
Pakhtusova V. - Genre Syncretism in Yury Nagibin's Story 'Fiery Protopope': on the Question about Leskov's Tradition in the Russian Prose of the Second Half of the XXth Century pp. 97-102

DOI:
10.25136/2409-8698.2019.2.29956

Abstract: The article is devoted to the literary parallel between Leskov and Nagibin, the topic that has never been viewed before in earlier critical research despite the obvious existence of that parallel which was proved by confessions of Nagibin himself. The creativity of two writers is analyzed by the author of the article from the point of view of genre traditions. They prove that Nagibin often used Leskov's principles of genre syncretism. Based on the analysis of Nagibin's story 'Fiery Protopope', the author demonstrates how the writer worked with Leskov's genre model presented, in particular, in his novel 'One-Track Minded Person'. The methodological basis of the research includes theoretical research of M. Bakhtin, N. Leyderman, N. Tamarchenko, Yu. Tynyanov, V. Khalizev, L. Chernets and other researchers who viewed genre-related issues and touched upon the questions related to genre traditions. The author concludes that just like Leskov, Nagibin's story combined the features of a biographical essay, feuilleton, hagiography, and anecdote. Developing Leskov's genre model and expanding opportunities of the genre form, Nagibin brings a number of changes at the level of the genre content. The genre syncretism shown in Nagibin's texts generally reflects the trends typical for the literature of the second half of the XXth century and the reference to Leskov's texts reveals the sources of this tradition in the Russian literature and importance of the genre model that is based on the synthesis of different genre forms. 
Poletaeva E.A. - The Main Grounds for the Artistic Picture of the World Shared by the Poets of the Literary Association 'Moscow Time' pp. 97-108

DOI:
10.25136/2409-8698.2019.4.30373

Abstract: The subject of the research is the general grounds for the artistic picture of the world shared by the poets of the literary association 'Moscow time'. In particular, Poletaeva focuses on creative writing of the leading members, S. Gandlevsky, B. Kenjeev, A. Soprovsky, A. Tsvetkov, T. Poletaeva, and A. Kazintsev from the point of view of the main lines of their artistic picture of the world. These include their views on the place and mission of human and his system of values (which involves such aspects as human and society, relationship of an individual and government, etc.), relationship between human and nature; relation between artistic and scientific pictures of the world. The research methodology is based on views of B. Meylakh about the main lines of the artistic picture of the world. Such picture of the world was offered by the Moscow Time poets as an opposition to the Soviet (atheistic and materialistic) point of view; it was idealistic as it was and related to the picture of the world in the Russian classical literature. However, some authors changed their worldviews with time. Nevertheless, there were certain topics that continued to play an important role throughout their creative life. Those included self-denying difficult creative work; search for full and bright life; perception of nature as alive and spirited; Biblian allusions and images (in particular, relation of an poet to Adam as those who give names to God's creatures); the motif of miracle; estrangement of a lyrical hero rooted in romantic traditions; ethical component of their creative writing; and view of literature as an important part of human life, abilities of literature to predict the future and preserve the past. 
Kulikova D.L. - The vampires of A. V. Ivanov in light of the gothic tradition of Russian Literature pp. 98-107

DOI:
10.25136/2409-8698.2021.6.35873

Abstract: The object of this research is the novel “Food Block” by A. V. Ivanov and the realization of aesthetics of the horror genre therein. The goal is to establish correlation between the gothic tradition of Russian literature and modern horror literature based on the works of the indicated authors. The article examines the influence of the gothic romantic tradition upon composition and imaginary system of A. K. Tolstoy’s novella. The material of A. V. Ivanov’s novel indicates resorting to the literary tradition on the level of composition and individual images; while overall, the historical experience accumulated by the genre over the decades and significant impact of cinematography manifested on the level of cinematographic techniques. The conclusion is made that in the novel by A. V. Ivanov, the mystical attributes of vampirism, which coincide with the pioneer symbolism, have political implications, which contradicts the horror traditions in gothics. Novellas “The Vampire” and" The Family of the Vourdalak” are the result of accumulation of gothic motifs, such as family curse, mystical house, dream, and portrait that came alive. Comparison of the techniques of creating horror literature allows tracing the paths of literary evolution, and formulating conclusions on modernization of the genre at the present stage. The novelty of this research is define by insufficient research of the topic of typological and genetic links between gothic and modern horror, namely in the works of A. V. Ivanov.
Sangadieva E.G. - The concept of world in Bair Dugarov’s poetry compilation “The Saga of Samsara” pp. 101-112

DOI:
10.25136/2409-8698.2020.6.32901

Abstract: The problem of the concept of world in a literary work has always been fundamental within the framework of literary studies. This article examines the definition of the concept of world in the anthology of Bair Dugarov “The Saga of Samsara. The author reviews the key concepts, such as space and time, their analysis within the structure of compilation, which attracted poet’s attention to the concepts of ethnic world of Mongolian-language peoples, taking into account the specificity of traditional ethnic culture, confessional views, peculiarities of mentality and philosophical aspects of the problem of the world and human being. Research methodology is based on the semiotic approach, structural-semantic, axiological and narrative methods. The scientific novelty consists in analysis of the concept of world in the works of Bair Dugarov as a unique phenomenon of Buryat poetry with vivid ethno-national and religious-sacral traits. The main conclusion lies in the fact that the supertemporal essence of a human being – as an intrinsic part of an ethnic group, carries of moral, and ethical values, capable of assessing himself and the entire world – is being reached through the examined concepts.
Lisitsin M. - The Phenomenon of Data Journalism in Foreign Mass Media (the Case Study of Works by Data Journalism Awards Winners) pp. 102-115

DOI:
10.25136/2409-8698.2019.1.29056

Abstract: The subject of the research is the foreign data journalism projects and the analysis of works by Data Journalism Awards winners of 2014 - 2017. Despite the fact that the term 'data journalism' was first mentioned only in 2010, similar researches had been made long before it. The aim of this article is do define the main aspects of the phenomenon from the point of view of foreign mass media. The author focuses on stylistic features of the phenomenon and technical peculiarities of the content generation process. By using the content analysis and induction as the research methods, the author has come to the conclusion that data journalism requires two conditions, the data base as the source of contents and data visualisation as the means of 'telling the story'. The scientific novelty of the research is caused by the fact that the author defines general features and peculiarities of projects which enables an comprehensive understanding of the phenomenon of data journalism that still has a rather uncertain status in Russia. The author also describes the key differences between the terms 'infographics', 'investigative journalism' and 'data journalism'. 
Zhitenev A. - Sensory and Affective Codes in Sergey Popov's Poetry pp. 103-112

DOI:
10.25136/2409-8698.2018.3.27162

Abstract: The purpose of the work is to identify the principles of the formation of the artistic world in the lyrics of the Voronezh poet Sergei Popov. The subject of the research is sensory and affective motifs in a poetic text. It is established that the principles of reflection of sensual and emotional memory in the structure of the artistic world of Sergey Popov are determined by the desire to overcome the chaotic state of the world. The work of memory has a “therapeutic” character, but it is not connected with the restoration of a torn personal history, but with the irrational introduction to the creative forces of being. The main tool of analysis is a motivational analysis in conjunction with elements of the approaches developed in the “history of emotions” and the practice of analyzing representations of corporeality. In the lyrics of Sergey Popov, memory restores subjectivity through the intensity of sensual detail, when the “Self” experiences its dissolution in the natural world, by replacing the “reverse” view with the “childish” sight. The most important thing in this experience is the collision with the language outside the language, with the experience of “fire” or “river” as statements, in which the sign and thing are not separated. Sensual contemplation, always associated with memory, is portrayed “ecstatically,” as a state that presupposes a bodily renewal of “Self.”
Sulaimanov M.U. - Ethnocultural code in the Crimean Tatar literary criticism (on the example of Shakir Selim’s literary-criticism article “About Shamil Alyadin, Charyks and a Pocket Knife”) pp. 104-117

DOI:
10.25136/2409-8698.2021.4.35485

Abstract:  Based on the analysis of causality and reasonableness of arguments of such literary scholars as Shakir Selim and Shamil Alyadin, this article attempt to determine the ethnocultural code of the Crimean Tatar literary criticism. The author applies the approach of methodological pluralism, as well as hermeneutical, logical, historical-genetic, comparative-typological, phenomenological, and psychological methods. This allows considering various perspectives of the aforementioned literary scholars upon the variants of critical analysis of the artistic heritage of the classic of Crimean Tatar literature Memet Nuzet. The article outlines the basic principles of literary criticism, declared by Shakir Selim and Shamil Alyadin, as well as their dependence on the ethnocultural code of the Crimean Tatars. The scientific novelty of this research consists in the attempt of carrying out a comprehensive hermeneutical analysis of Shakir Selim’s literary-criticism work “About Shamil Alyadin, Charyks and the Pocket Knife” through the prism of methodological pluralism in the aspect of ethnocultural code. The author’s main contribution consists in the reflection of the “clash of opinions” of three literary critics – this is the critical article by Shakir Selim, based on the response of Pirae Kadri-Zade, written to Shamil Alyadin’s criticism essay on the poem composed by the classic of the Crimean Tatar literature Memet Nuzet. 
Ovcherenko U. - “Voices of the Night” by Rollan Seisenbayev as metafiction pp. 105-113

DOI:
10.25136/2409-8698.2021.8.36110

Abstract: The object of this research is “Voices of the Night” by the Kazakh Russian-language novelist Rollan Seisenbayev. The subject of this research is the metafiction structure implemented by Rollan Seisenbayev in the text field. Analysis is conducted on the layers of narration, transition from the novel to the metafiction level. A precise pattern of interaction between these levels is described. The article explores the authorial question and the “author's mask”, as well as the techniques that allow intentionally confusing the reader in distinguishing between these figures. The subject of analysis is also the need for using metafiction structure in the composition written within the framework of realism. The author analyzes the important theme in the works of Rollan Seisenbayev – interrelation between art and life. The novelty of this paper lies in the fact that Rollan Seisenbayev’s works of the Soviet period are extensively studied by the Soviet critics, while his compositions of the post-Soviet period rarely draw the scientific interest of modern researchers. His contemporary mark the shift from the trends of realism and gravitation towards the techniques of polystylistics, which synthesizes the techniques of various literary directions. The article reviews Rollan Seisenbayev’s novel “Voices of the Night”, which demonstrates the application of metafiction structure. The writer usesthis genre to reflect on the creative act and the nature of creativity.
Li G. - Emigrant’s fate in the image of the protagonist in the novel “Katya the Chinese” by D. A. Prigov pp. 108-115

DOI:
10.25136/2409-8698.2021.6.35899

Abstract: This article is dedicated to the analysis of peculiarities of representation of emigrant’s fate in the novel “Katya the Chinese” by the contemporary Russian writer Dmitri Prigov. The subject of this research is the system of characters in the novel, namely the images of the protagonist Katya and her nanny. This is an interdisciplinary research with emphasis on the cultural-historical and hermeneutical methods. The plotline of the novel revolves around the life of the girl Katya, the daughter of the representative of white émigré in China. The role of an intermediary in Katya’s adaptation to the civilizational space of China was played by her nanny, since she was a typical representative of the “people” and an exemplary bearer of Chinese traditional culture. The author aims to comprehensively examine the plotline of the novel through the prism of the processes of cultural assimilation, which defines the novelty of this research. The conclusion lies in outlining the stages of the protagonist’s assimilation to the cultural space of China: language, social, behavioral, and spiritual. The article indicates the effectiveness of studying the novel in the context of the history of white émigré. The heroine's departure from China makes her to reconsider personal identity, which in many ways has become “Chinese”. The story of the girl Katya allows the author to describe the emigrant’s fate, who is forced to spend his life upon the road and constantly adapt to foreign cultural spaces.
Oktyabr'skaya O.S. - The genre of Kievan Rus' annals and its manifestation in the poem of N. P. Konchalovskaya “Our Ancient Capital” pp. 109-115

DOI:
10.25136/2409-8698.2019.6.31625

Abstract: The subject of this research is the analysis of genre elements of the annals realized in the historical poem by Natalya Konchalovskaya, continuity of Konchalovskaya’s poem to the traditions of Kievan Rus' annals and determination of the timeless character of the moral values proclaimed by this XX century poet, determination in Konchalovskaya’s poem characteristic to the annals factographic foundation of the poem, chronological principal of expression with partial retardation, bright portraiture, mosaic character of coupling of multifaceted episodes and simultaneous reproduction of unified historical process of development of Russian statehood, culture, economy, etc.. The scientific novelty of this research consists in the need for renewed examination of the poem “Our Old Capital”, which remains an important component of moral upbringing of modern child and teenager, and continues the best traditions of Russian literature. The author concludes that there is a solid factographic foundation to Konchalovskaya’s poem, its polygenre structure, most precise and complete reproduction of historical coloration of every particular era, as well as complex portraiture and eventive painting.
Alkhlavova I.K., Akamov A.T. - Sufi traditions in the later poetic works of Dzhaminat Kerimova pp. 111-123

DOI:
10.25136/2409-8698.2020.1.31924

Abstract: The subject of this research is the artistic specificities of the poetic texts of religious-philosophical content of the modern Kumyk poetess of the late XX – early XXI century Dzhaminat Kerimova. The object of this research is her later poetic works. Relevance of this topic is substantiated by the need for creating a holistic picture of the final period of creative path of the poetess, which marks prevalence of the religious-philosophical aspects. Based on philological analysis of the poems, the author determines the religious-philosophical motifs; as well as explores the problem of person’s stance on religion, material world, and children’s view of their parents. The main conclusions consist in revelation of the religious-ethical motifs in later period of poetry (1990-2000). The author’s special contribution to this research lies in the analysis of language peculiarities of Kerimova’s poetic texts of religious-philosophical nature that give insight into the specificity of Sufi factor. The author was able to determine that the theme of religion, which most vividly depicts the specificities of the use and functionality of Sufi lexicon, is dominant in the later poetic texts. The scientific novelty consists in reference to the later period of poetry of Dzhaminat Kerimova, as her literary heritage and religious texts in particular, remain insufficiently studied in the context of religious literatures of the peoples of Dagestan. The author believes that the research of this topic would allow filling the gap in the modern Kumyk poetry, and thus, enrich not only Kumyk, but also Dagestani literature.
Kim L. - Theoretical Literary Analysis of the Term 'Network Literature' pp. 112-118

DOI:
10.25136/2409-8698.2018.4.27817

Abstract: The subject of the research is the theoretical literary structure of the phenomenon of network literature, important literary fact of the contemporary history. In the course of the research Kim analyzes and denies as insufficient several theories of network literature that are based on the search of necessary and sufficient grounds. In particular, Kim criticises post-modernist theory of network literature as a hypertext and historical theory of a network text placed on the Internet and created using technical means of the Internet environment. These theories, however, are not fully denied, the author uses elements of these theories in his integral theory of network literature that is based on the theory of an open concept. The research methodology includes the conceptual and logical analysis of relevant literary terms, theories of language games of late L. Wittgenstein and anti-essentialism of Ziff and Weitz, structural and post-structural reflection over the historico-literature definition of 'network literature'. The result of the research is the theoretical description of the intensional of the term 'network literature' that combines conceptual, historical, post-modernist and Wittgenstein's approaches. The results of the research can be used in theoretical literary and  historico-literary research as well as teaching. The scientific novelty of the research is caused by the fact that the author establishes the grounds for the theoretical and methodological research framework of network vocabulary. 
Cherednichenko L., Lapko A. - The forms of content presentation in educational media (on the example of Arzamas educational media project) pp. 115-131

DOI:
10.25136/2409-8698.2021.5.35663

Abstract: The subject of this research is the forms of content presentation in educational media, which are quite a large developing typological group and comprise a substantial segment of the Russian information market. The editorial offices of these resources implement the new formats of presentation of scientific-educational information from various areas of knowledge in accordance with the development trends of journalism and meeting the interests and needs of the audience. The hypothesis of this research is reflected in the thought that for solution of creative tasks and fulfilling their functional-target purpose, the educational media use such formats that involve the most. Using the publications of the Arzamas online media project, the author explores the possibilities of various forms of presentation of educational information. The novelty of this work is defined by the poor study of this type of online publication formats, and consists in determination and characterization of the basic forms of content presentation in educational media in the context of the development of online journalism formats. The author reviews the forms of educational media content within the framework of the development of journalism and characteristics of the modern media text.  The article identifies the main forms of content presentation of Arzamas educational media project, reveals their peculiarities and functional purpose. The conclusion is made that for implementation of their functional-target purpose, the educational media employ combinatory forms that allow solving the educational and recreational tasks. The editorial office of Arzamas educational media projects creates hypertextual and multimedia educational environment, resorting to the traditional genres of journalism, as well as formats of the new media.
Ibragimova K.R. - Pathetic speech in “Canterbury Tales” by Geoffrey Chaucer pp. 116-123

DOI:
10.25136/2409-8698.2021.11.36972

Abstract: This article is dedicated to the peculiarities of pathetic language in Geoffrey Chaucer's “Canterbury Tales” and rhetorical techniques used for saturating the speech of the narrator and the characters. On the example of the “Man of Law's Tale” and the “Second Nun’s Tale”, in which the vicissitudes of the heroines are in the limelight, the author of this article examines the specificity of pathetic speech and its functions in Chaucer’s text. The goal of this research lies in determination of the cause for using pathetic speech in these two tales. Research methodology employs structural, semantic, and historical-cultural methods of analysis of the literary text. The scientific novelty consists in reference to the analysis of rhetorical techniques in the poetics of Geoffrey Chaucer reflected in the context of the categories of tragic and pathetic, which have not been thoroughly studied in the Russian and foreign research tradition. The following conclusions were made: the abundance of pathetic speech is a means to draw the attention of audience; its heightened expansiveness allows reaching the expected emotional response. In most instances, pathetic speech is associated with the positive characters of the tales, as well as the narrator, who comments on the actions of the heroes and emphasizes the touching episodes in their lives. The speech of the negative characters in these two tales is rather neutral, and in some cases replaced by the speech of the narrator. Granting the word to the negative characters, Chaucer means expansion of their role, allowing the audience to look at them not only as the minister of evil.
Nabigulaeva M.N., Murtazaliev A.M. - Children's poetry by Rasul Gamzatov pp. 117-130

DOI:
10.25136/2409-8698.2021.10.34165

Abstract: The object of this research is the works of Rasul Gamzatov, while the subject is his poetics and style of children's poems. Detailed analysis is conducted on the genre and ideological-thematic peculiarities of children's poems by R. Gamzatov. Attention is focused on the techniques and means of expressiveness of the literary image. Rasul Gamzatov's children's poetry has not previously become the object of comprehensive research. The author observes the lack of scientific research that touch upon this side of the poet’s activity, namely substantive, formal, and artistic peculiarities of his poems for children. This topic requires in-depth scientific examination. The conclusion is made on the extensive representation of children's poetry in the works of Rasul Gamzatov, the key motifs of which are hard work, education, patriotism, love for the mother, plea for peace on earth, and propaganda of the traditional highland upbringing. The scientific novelty consists in the attempt of holistic study of the poetics, as well as genre, stylistic and ideological-thematic peculiarities of children's poetry. The author’s special contribution to this research lies in shedding light on the little-studied aspect of R. Gamzatov's works, which arouses interest in further research of his literary heritage.
Poletaeva E.A. - Lyrics to Friends in a Literary Group 'The Moscow Time' pp. 118-125

DOI:
10.25136/2409-8698.2019.2.29294

Abstract: The subject of the research is the main trends in lyrics to friends created by a literary group The Moscow Time. The object of the research is the poems written by the poets who were the members of The Moscow Time devoted to friends or related to friendship. Lyrics to friends of The Moscow Time writers have never been a matter of special research in literary studies before. The aim of the research is to demonstrate the main patterns discovered in the poems devoted by The Moscow Time poets to their friends. The researcher focuses on intertextual references as part of friendship lyrics created by the literary group. The research is based on the comparative historical and analytical methyods. The author has also used theoretical provisions of L. Ginzburg's researches. The singularity of The Moscow Time group is their desire to unite and create the image of a fellowship like Pushkin's circle or Duma's three musketeers. The features of their fellowship is the opposition to the other world, jokes, friendly notes, discussions of politics, religion and philosophy. The poets also share memories about their young years spent together and commemorate dead friends. 
Yan' K. - Imagination and Reality: Mirror Symmetry in Gazdanov's Novel 'The Ghost of Alexandria Wolf' pp. 118-127

DOI:
10.25136/2409-8698.2019.4.30534

Abstract: In his novel 'The Ghost of Alexandria Wolf' Gaito Gazdanov criticizes the double world perception of Russian immigrants whose imagination and memories about the past prevailed over the reality. In order to express the relationship between two worlds, imaginatory and real, the writer uses the mirror symmetry as the main principle of plot creation, characters' and main hero's features making. As the final, the writer 'broke' the mirror of three aforesaid aspects at the story line 'the main hero kills his counterpart'. Thus, the meaning of the mirror structure and destruction thereof make the matter under research. In his research Yan uses the semiotic method and the method of intertextuality to view the relationship between the author's mind and artistic space the author has created. Detailed analysis carried out by the author allows to note that at the moment when the mirror symmetry was destroyed, the mirror relationship between the past based on the memory and imagination and the actual world disappeared, too. The author demonstrates the danger of close relation between the subjective and objectived world and invasion of the reality with the past or imagined present. The writer suggests to come back to the reality through self-realisation of an individual in the real world. 
Greshilova A. - The Myths About Peter the Great and Lenin in Tatyana Tolstaya's Prose pp. 119-124

DOI:
10.25136/2409-8698.2018.4.27867

Abstract: The article is devoted to the historical myths in the prose of Tatyana Tolstaya: the myths about Peter the Great and Lenin are central to the artistic mythology of the writer, their functioning in the text is the object of research. In her article Greshilova discusses the motive structure of each of the myths, their author's interpretation and the relationship between them. Particular attention is paid to the image of St. Petersburg, because, first of all, within the framework of St. Petersburg space, parallels are built between Peter the Great and Lenin. In the process of analysis the author has applied the comparative and cultural-historical methods since it is necessary to actualize the “Petersburg text” of Russian literature, and the biographical context is also used. As a result of the work, the axiological and ontological status of the myths about Peter the Great and Lenin is revealed, which is the scientific novelty of the article. It is concluded that the key to interpreting the myth of Peter I is the “fractal” myth of St. Petersburg which Tolstoy presents in the stories one-centrically and literature-centrically. Another important conclusion is that both historical myths make an important part of the national concept of Tolstaya. Despite all its mystic and contradictory nature, the myth about Peter the First is has the constructive national beginning while the mythological image of Lenin, on the contrary, performs the destructive tendency. 
Seredina A.O. - Ekphrasis as the Expressive Means of Appolon Grigoreiv's Religious Views pp. 122-135

DOI:
10.25136/2409-8698.2018.3.27345

Abstract: In her research Seredina considers religious and aesthetic views of Apollon Grigoriev reflected on the poetics of his fiction and epistolary heritage. The focus is on religious ecphrasis, that is, descriptions of icons, images of the Madonna, frescoes, temples and monasteries. An extensive material is drawn such as texts of Grigoriev’s early prose of the mid-1840s, essays and letters of the turn of the 1850s-1860s, as well as the final work of the writer, the memoirs "My Literary and Moral Wanderings". The theoretical basis for the immanent comparative analysis is the works of N.V. Braginskaya, N.G. Morozova, E.V. Yatsenko on ecphrasis. The study found that Appolon Grigoriev put forward different requirements in evaluating a secular work of art and a work claiming to be sacred. The author of the article also traces the peculiarities of interaction between the categories of nationality and sacredness in the concepts of Appolon Grigoriev. In this article Seredina continues her analysis of the theme of ecphrasis in the prosaic heritage of Appolon Grigorieva who had not previously attracted the special attention of literary critics.
Efimov A.S. - “The Secrets of Modern Petersburg” of V. P. Meshchersky and “The Remote House on Vasilyevsky Island” of V. P. Titov and A. S. Pushkin pp. 124-134

DOI:
10.25136/2409-8698.2020.1.32153

Abstract: This article examines the influence of the romantic-gothic novel The Remote House on Vasilyevsky Island” (1829) by V. P. Titov and A. S. Pushkin upon the anti-nihilistic novel “The Secrets of Modern Petersburg” (1877) by . P. Meshchersky. In the limelight is the evolution and sociopolitical adaptation of the romantic-gothic themes “invitation of evil spirits into the house” and “evil spirits obsessed with romantic passion towards a human”. The article demonstrates how the religious-mythological image of “evil spirits” (destructive beginning) undergoes “ideological transformation”, and in the conditions of development of realistic art in the middle XIX century “blends” at the artistic level of anti-nihilistic level with the image of a “nihilist”. The research is based on biographical, comparative and historical methods, as well as motif analysis. The sociopolitical context of the 1870’s is being considered. Problematic of the continuity of Pushkin’s storyline, characterology, and system of themes in the works of V. P. Meshchersky is an unexplored area. The study of influence of the narrative “The Remote House on Vasilyevsky Island” upon anti-nihilistic novel “The Secrets of Modern Petersburg” along with their comparative analysis have not been previously conducted. The article also comments on the historiosophical ides, which led Meshchersky to reconsideration of Pushkin’s storyline and its adaptation to the relevant sociopolitical realities of the 1870’s.
Alkhlavova I.K. - Gender-Specific Featurs of Jaminat Kerimova's Poetry (the Case Study of her Love Lyrics) pp. 126-136

DOI:
10.25136/2409-8698.2019.2.29787

Abstract: The subject of the research is the gender-specific features of the poetry of of a modern Kumyk female poet of the late XXth - early XXIst century Jaminat Kerimova. The object of the research is her love lyrics. The author of the article examines such aspects of the topic as 'female poetry', masculine world view, difference between 'male' and 'female' poetry. For example, unlike men women tend to give a more emotional and pathetic description of their surroundings, love and family life because women usually depict the sphere of life that is close and clear for them themselves. The researcher also covers important motives in female poetry such as the motif of one-way love, destroyed illusions, unhappy family life, unrealized dreams of being a mother, etc. In the course of the research the author has used such research methods as comparison, psychological analysis and description. The main results of the research include: descripton of 'female' features of creative writing, typical featurse being pathetics and listening to one's heart, as well as description of the ideological features, genre and structure of images used by Kerimova. The author's special contribution to the topic is her analysis of specific features of female poetry which gives a better insight into gender-related issues. The dominating motif in female lyrics is love that demonstrates gender-specific style most brightly. The novelty of the research is caused by the fact that the author analyzes creative writing of Jaminat Kerimova whose literary legacy is still understudied as part of Kumyk and Dagestan literature. 
Dulova S.A., Nikolaev N.I. - Gaito Gazdanov's Prose in Terms of Changing Worldview in Literature pp. 128-134

DOI:
10.25136/2409-8698.2019.4.30501

Abstract: Modern literary studies view the first wave of the Russian Immigration of the XXth century as a heterogeneous phenomenon. Traditionally, researchers describe two generations of the Russian Immigration, the 'seniors' (Bunin, Shmelev, Zaitsev, Gippius and others) and 'juniors' (Nabokov, Varshavsky, Yanovsky and Gazdanov). Peculiarities of each writer's creative style still need to be clarified. Description of experimental and innovatory searches of each junior and analysis of the influence of modern European literature on them have not allowed to make conclusions about general trends in their writing. The question about the changing worldview in literature has been partly covered in researches of Gaito Gazdanov's creative legacy and era. The most famous modern approach to this problem is an attempt to describe changes in the worldview by focusing on particular aspects (the feeling of upcoming catastrophe, crisis, loneliness, etc.). These observations prove extension, clarification, and explicitation of a traditional worldview, however, they do not always mean a qualitative change. The novelty of this research is caused by the fact that the author views the initial cause of changes in the worldview in litrature as the search for a principally new position towards the world that would allow to model the world as one whole. 
Akamov A.T., Gasharova A.R. - pp. 130-140

DOI:
10.25136/2409-8698.2021.11.34417

Abstract:
Pokhalenkov O.E., Nikulicheva S.E. - Female images in the novel “Three Comrades” by Erich Maria Remarque pp. 131-140

DOI:
10.25136/2409-8698.2021.10.36379

Abstract: This article analyzes female images in the novel “Arch of Triumph” by Erich Maria Remarque. The research is based on the theory of N. Pavlovich that each image has several similar invariants ascending to the uniform archetype. A hypothesis is advanced that the characters in the works of E. M. Remarque can be divided into two groups: 1) associated with the generally literary archetypes; 2) collective living images. The article also examines female images who have a plot-driven and artistic meaning in the text, although do not belong to the indicated time period. The image of Patricia Holman in the novel is associated with the mythological archetype, which is reflected in the description of her appearance, behavior, and corresponding events. It is noted that all central female images in the novels by E. M. Remarque have are intertwined with the mystical characters from myths and legends. The scientific novelty consists in tracing the evolution in description of the images of public female figures in comparison with another novel – “Arch of Triumph”. The author also examines another narrative parallel between the two novels: similar stories of two families lived in a particular historical time. The conclusion is made that the storyline of many novels by Erich Maria Remarque is based on a certain pattern. The author attempted to reconstruct the aforementioned pattern, which has largely proven the assumptions put forward in the earlier research.
Shestakova I. - Peculiarities of a Motive Organization of Mikhail Shishkin's Novel 'The Hair of Venus' pp. 135-142

DOI:
10.25136/2409-8698.2019.4.30651

Abstract: In her article Shestakova analyzes the motive structure of Mikhail Shishkin's novel The Hair of Venus. Based on the analysis of particular images and motifs, the researcher proves her statement that these motifs and images are not just conjunctive narration elements but integrators of a whole range of symbolic meanings acquired by an image in the process of transferring between narration lines. Such dynamics in the development of invariants, transparent motifs and 'wandering' plots demonstrate their ontological perspective and potential for constant development and transformation. This feature marks overcoming of death as one of the key themes in the novel. The researcher has used description as a research method as well as comparison which allows to define intertextual basis of the novel under study. The novelty of the research is caused by the fact that the author discovers implicit isomorphism of poetic and prosaic structures in the novel The Hair of Venus as well as analyzes the main features of Mikhail Shishkin's individual style. For this purpose, the researcher analyzes sound motifs and rhythmic-accoustic effects of the novel that bring close the prosaic structure of the text and poetry. 
Lushnikova G., Chibireva E. - Two Naples in the literary text: contrasting image of the city pp. 135-149

DOI:
10.25136/2409-8698.2020.1.32030

Abstract: The subject of this research is the peculiarities of representation of the city of Naples in “Neapolitan Novels” by Elena Ferrante. The object of this research is the tetralogy of the Italian writer Elena Ferrante “The Neapolitan Novels”. The goal of this article consists in description, analysis, and revelation of a controversial image of Naples in the works of Elena Ferrante “The Neapolitan Novels” compared with the text of other Russian and foreign writers of various times. Special attention is paid to the negative characteristics of the city reflecting the secular chronotope, daily image of the city through the eyes of female protagonists of the novel. Methodology is based on intertextual method, since the analysis suggest comparison of the image of Naples in specific works; and comparative method, which allows noticing the commonalities and differences in the image of Naples. The following conclusions are made: 1) the opposite interpretations of the city – positive and negative – depend on a particular observer, whether he is a tourist or a local; 2) Naples of Elena Ferrante is presented as a source of ethical and spiritual decay; this is the “second” Naples representing dehumanized, backstage image, the inside of a beautiful city. The novelty of this article lies in viewing the dualistic nature of Naples, as well as analysis of Elena Ferrante’s work “The Neapolitan Novels”, which did not previously fall under the spotlight of literary scholars.
Li G. - Geocultural image of Manchuria in the novel “The Root of Life” by Mikhail Prishvin pp. 135-144

DOI:
10.25136/2409-8698.2021.4.35230

Abstract: This article is dedicated to examination of geocultural space of Manchuria in the novel “The Root of Life” (Ginseng) by M. Prishvin. In the early 1930s, the writer participated in ethnographic expedition to the Far East. Being a professional ethnographer and a highly qualified agronomist, the artist meticulously explored the nature of Manchuria, interpreting it from the perspective of European (rationalistic) and Eastern (mythological) worldviews. The formed as a result of contact of the two diverse cultures “geocultural dualism”, expanded the boundaries of the novel, revealing a deep philosophical content: the problem of co-creation of nature and man. The article provides a list of geocultural markers of the eastern province of China, as well as gives a detailed interpretation of the artistic content of all the authentic attributes of ancient Chinese culture (among them: spotted deer, velvet antlers, ginseng, etc.). The article offers the interpretation of key philosophical concepts of the novel: “kindred attention” of the Chinese traditionalism, concept of co-creation of man and nature; special attention is given to the natural philosophical views of Mikhail Prishvin. The conclusions are based on the material of zoological, botanical, and seasonal-climatic descriptions of Manchuria. The novelty of this research consists in culturological and philosophical interpretation of the title symbol – the “root of life”. Ginseng assembles the entire semantic charge of the oeuvre, and draws together its geocultural plan. The collected geocultural inventory (naturalistic notes on the life of spotted deer, botanical and entomological observations of M. Prishvin, lifestyle of the ancient Chinese culture) is included into the dialectical structure of the central symbol, suggesting constructive interaction of the Eastern and Western types of worldview. The "root of life" as a demiurgical potential, revealed in the act of individual creativity, is the initial unity of a man (“gin”) and nature (“seng”) in the process of improving the universe. For proving this hypothesis, the author employs the method of culturological; analysis of the behavior of the protagonist, who is experiencing a moral breakthrough in communication with the carrier of Chinese mythological culture.
Borozdina M. - Nikolay Chaev's Poem 'Nadya'. On the Question about Transformation of the Poem Genre in the Russian Literature of the 1870s pp. 136-142

DOI:
10.25136/2409-8698.2018.3.27353

Abstract: This article is devoted to the question of the transformation of the genre of the poem in Russian literature of the 1870s. The object of the research is the poem “Nadya” by Nikolay Chaev, a Russian writer who in the literary environment is mostly known as the author of historical dramas and chronicles from ancient Russian history. The purpose of our study is to confirm the idea that in the 1870s, writers try to peculiarly revive the seemingly outdated genre of the poem, essentially transforming it. In the course of the analysis of the stated theme, the author of the work relies on the following literary methods: cultural-historical, comparative, genre-historical. As a result, the author of this study establishes that Nikolay Chaev, while writing 'Nadya', crosses two lines of the Russian poem of the 19th century, the manor and the folk, thus creating in the second half of the 1870s a new type of poem that best meets the requirements of the times.
Efimov A.S. - Anti-Nihilistic Novel and Gothic Novel: Raising a Question pp. 137-152

DOI:
10.25136/2409-8698.2019.2.29893

Abstract: The article is devoted to an understudied issue, the relation of Russian anti-nihilistic novel (1860 - 1880) to gothic novel or, in a wide sense, European and Russian gothic literature. The scope of the research covers a number of Russian and foreign researches directly or indirectly discussing the relation 'anti-nihilistic - gothic novel'. In accordance with the research objectives and targets, the author provides an insight into the matter and describes the areas for his research. The main research methods used by the author include bibliographical, biographical, motif and plot analysis, comparison and historical literary research. The  main issues related to the Russian nihilism - gothics relation include the question about whether there was a gothic plot in an anti-nihilist novel; the influence of gothic literature on the creative method of particular authors in anti-nihilistic novel, goals of gothic poetics in Russian anti-nihilistic novel, the influence of gothic poetics on the development of eschatological motifs of Apocalypse in Russian anti-nihilistic novels. Trying to describe the general meaning of addressing of anti-nihilistic authors to the poetics of gothic novel, the author of the article comes to the concept of the 'highest analytical meaning' of anti-nihilistic novel when conclusions are mystical prophesy and discovers the need in an anagogic interpretation of a text. Thus, references  to gothics in an anti-nihilistic novel are not limited to the borrowing of expressive means but relate to the Russian eschatology issue.  
Shi Y. - Theatrical tradition in the stories by Nikolai Nosov pp. 139-146

DOI:
10.25136/2409-8698.2020.12.34351

Abstract: This article is dedicated to the analysis of theatrical tradition, which is a manifestation of the game principle in the stories by N. N. Nosov, and is closely associated with life experience and pursuits of the writer. The author carries out a systemic analysis, reviews the embodiment of theatrical traditions on the specific examples, and reveals that in the works of N. N. Nosov, the theatrical principle is reflected in acquisition of the peculiarities of dramatic genres (dialogization, explicit conflict, primacy of action over description, use of declamation, role game as a plot element). Such tools allow creating a comic effect, depict the true character traits of the heroes, convey a bright and creative childhood atmoshpere. The scientific novelty of this research consists in comprehensive analysis of the  theatrical tradition in the works of N. N. Nosov. The relevance is substantiated by insufficient study of the topic of theatrical tradition in the stories by N. N. Nosov, as well as by heightened interest towards his works. The acquired conclusions cab be used in studying literary heritage of the writer. The interpretations of texts offered in this article may valuable in staging the works of N. N. Nosov in the theater or cinematography.
Vysokovich K.O. - Motivic complex of deception in the comedy “The Country Wife” by William Wycherley pp. 141-147

DOI:
10.25136/2409-8698.2021.10.36644

Abstract: The subject of this research is the motif-imagery analysis of the comedy “The Country Wife” by W. Wycherley. The method of motif analysis allowed revealing the core motifs and their implementation in the text, while the structural method allowed outlining the patterns and correlations between motifs. The article is dedicated to the analysis of the motivic complex, as well as the images of the characters. Special attention is given to the protagonist of the comedy Mr. Horner, whose image receives different interpretation of the researchers – from crafty libertine to playwright. W. Wycherley introduces an entire gallery of hypocrites, and each one of them seeks to fulfill their hidden motives. Comedy “The Country Wife” is considered the pinnacle of W. Wycherley’s work and multiple times has become the subject of scientific research. However, the novelty of this study lies in the analysis of the motivic complex of deception in the comedy. The study reveals the following motives associated with deception: motive of deception, motive of disguise, motive of writing / giving the note, motive of infidelity, motive of fear of infidelity (fear of becoming cuckold), motive of theater that is directly related to the image the hypocritical hero Harry Horner. All these motives create the general background of the work, and are the elements of the true or phantom motive. The character type is also important for realization of the motivic complex. The classification of W. Janz clearly indicates the prevalence of two types of hypocrisy in the comedy under review: moral (Lady Fidget, Mrs. Dainty Fidget and Mrs. Squeamish, Mr. Sparkish, Mr. Pinchwife) and intellectual (Mr. Horner).
Naser M.T. - pp. 141-151

DOI:
10.25136/2409-8698.2021.11.36749

Abstract:
Popkova A. - 'Chinese Text' in Soviet Literature of the 1920s (the Case Study of Sergei Tretyakov's Creative Writing) pp. 143-152

DOI:
10.25136/2409-8698.2019.4.30676

Abstract: The subject of this research is the views and positions of Soviet writers of the 1920s. Based on the example of novels written by a futurist writer Sergei Tretyakov (his play and poem 'Roar China!', collection of essays 'Jungo', The Autobiography of Tan Shih-hua, and Lee Yan Stubborn novels) who knew China very well, the author of the article describes features of Chinese text of the 1920s. The object o fthe research is Chinese text in Russian literature and the image of China there. The researcher carries out a brief analysis of a number of Soviet literature works of the 1920s that described China in general. Chinese text in Soviet literature of the the 1920s performed certain objectives of those times. Works written by Sergei Tretyakov demonstrate deep understanding of Chinese culture as well as awareness of Cinese realities of the early 1920s and provide an accurate description of historical facts and documentaries. The fact that Tretyakov combined general principles of creative writing and analytical principles of historical research allowed the author to solve ideological tasks of his time in a literary form. Writers of the 1920s all tried to perform 'social order' and at the same time tell the reader truth about the neighboring country. 
Anisimova O.V. - Portrait of the writer: the peculiarities of literary technique of Roger Zelazny pp. 145-153

DOI:
10.25136/2409-8698.2021.4.35298

Abstract: The subject of this research is the unique literary technique of the prominent American fantasy and science fiction writer Roger Zelazny, the author of the world-renowned novels, such as “The Chronicles of Amber”, “This Immortal”, "The Lord of Light”, etc. The article is dedicated namely to determination of the key peculiarities of the poetics of his works. Special attention is given to characterization of his literary path, its periodization, the impact of Zelazny's predecessors – the authors of science fiction and classical world literature – upon his prose. It is noted that R. Zelazny was fascinated with various mythological systems, such as Egyptian, Greek, Norse, Celtic, and Christian. The scientific novelty of this article lies in the attempt to reveal and systematize the most remarkable features of the works of the American fantasy and science fiction writer, whose impact upon the modern fantasy literature can hardly be overestimated; however it has been poorly studied within the Russian literary studies. The conducted analysis of the poetics Roger Zelazny’s iconic novels, created within the framework of the four main stages, indicates the use such postmodernist literary technique as intertextuality. The matter of R. Zelazny is also characterized by psychologism, interpreted as the author's attention to the meticulous reconstruction of the inner cosmos of the hero, which resembles the result of the writer's passion for the ideas of psychoanalysis. Along with the other representatives of the New Wave, Zelazny was prone to the experiment with forms, as well as to the synthesis of the various fantasy genres. Therefore, many of his novels demonstrate the fusion of science fiction, fantasy, space opera, mystery, and detective fiction.
Popova M.P., Okorokova V.B. - Poetic world of Andrey Krivoshapkin pp. 147-158

DOI:
10.25136/2409-8698.2020.12.34735

Abstract: The subject of this research is the poetics of poems of the national Yakut poet Andrey Vasilyevich Krivoshapkin. A. Krivoshapkin is a prominent writer not only in the Even literature, but also in the national literatures of the peoples of the North. His talent is versatile: poet, prose writer, and publicist. The pinnacle of his literary heritage are the poems “World of the Even” and “The Sacred Deer”. The article examines such aspects of the topic, as the reflection of sacred images of the Even people, national worldview in the poetic world of A. Krivoshapkin. Special attention is given to Krivoshapkin’s poetic description of the bravery of native people in development of the Far North and struggling for survival in its severe conditions for many centuries. The conclusion is made that in his poems “The Sacred Deer” and “World of the Even”, Andrey Vasilyevich Krivoshapkin reveals the strength of the soul, stiffness of the northern people before severe natural conditions, and their wisdom. Depicting a peculiar world of the Even people and their national character, he writer creates a complete image of the entire lifestyle of his native people. The novelty of this work lies consists in the description of the specific poetic world of Andrey Krivoshapkin, where the spiritual-ethical values of all peoples of the North are presented through the realistic descriptions of everyday life of the Evens. The poet conveys their aspirations and hopes for the future.
Folimonov S.S. - Folklore Beginnings in Poetics of Novel by V. F. Tendryakov «Pure Waters of Kitezh» pp. 149-158

DOI:
10.25136/2409-8698.2019.1.23927

Abstract: The article is devoted to the analysis of the folklore foundations of poetics of novel by V. F. Tendryakov «Pure waters of Kitezh». The subject of research interest is the identification of features of the functioning of the genre of oral and unsophisticated prose in artistic environment.The appeal of the well-known Russian prose writer to the socially-utopian legend about the wanted city is due to the need of searching for a kind of symbolic form, «Aesop language», without which it is impossible to imagine a true representation of Soviet reality in the 1970-s–1980-s. However, the urgent need for such an instrument in conditions of total censorship opened up great opportunities for the writer to solve artistic problem, connected with the formation of a unique author’s style. The methodology of the research is based on ideas put forward in the works of P. S. Vykhodtsev, A. A. Gorelov, D. N. Medrish, I. A. Ossowiecki, J. A. Trykova, and others and is a complex analysis of folklore-literary interactions at all levels of the literary text. The conducted research allows to assert, that the genre specificity of the folk utopia enabled the author to freely interpret the legend, using it as a semantic core, around which precedent texts from the world of oral poetry and prose are accumulated. The model of creative interaction of the borrowed material, chosen by the writer, was reflected in all levels of the story, defining the features of the composition structure, the methods of creating character images, the rhythm of the narrative. In addition, a detailed study of the folklorism of this work lays the methodological prerequisites for a deeper reading of the Tendryakov literary heritage as a whole.
Kirimov T.N. - The specificities of artistic way of thinking of Mehmet Nuzhet pp. 150-159

DOI:
10.25136/2409-8698.2020.1.32230

Abstract:  The goal of this article consists in determination of peculiarities and origins of artistic thinking of the Crimean Tatar writer of the XX century M. Nuzhet. Methodological and theoretical basis of the research is comprised of the works of U. Ipchi, E. Shemizade, J. Bekirov, A. Altanly, I. Kerimov, Y. Kandymov, and others. The aforementioned authors made an indisputable contribution to the development of Crimean Tatar literature and literary criticism. The creative heritage of M. Nuzhet is versatile and peculiar. His poetic, prosaic and translation works are fused with national spirit. The actions and feelings of the central characters of the artist’s lyrical works directly reflect his psychological state. Special attention is given to the psychological type of the lyricist. Comparative and textual analysis allow viewing the published and original manuscripts of M. Nuzhet. It is established that the writer systematically worked on studying feelings, emotions and ways of their expression. Using the traditional folk poetic forms, genres and images, he creates new patterns for affecting the audience. Speaking of the eternal anthropological topics, he transforms into a wise folk storyteller and preacher. For depicting the everyday reality, the writer assumes the masks of an old beggar or street drunkard. The poetic alliterations and assonances enliven the poet’s images even more. In the process of declamation of such poems, the audience actively uses various mimic emotions anticipated by the context. 
Kurianova V.V. - The Biographical Myth of Tolstoy in the Creative Writing of Vladmir Mayakovsky pp. 152-167

DOI:
10.25136/2409-8698.2018.4.27927

Abstract: The subject of the research is the analysis of the biographical myth in the creative writing of Vladimir Mayakovsky. The analysis of the biographical myth is one of the most important and least studied problems in contemporary literary studies. This article is also devoted to the theoretical analysis of this phenomenon. It is aimed at analysing the genesis and development of the biographical myth of Tolstoy in the creative writing of Vladimir Mayakovsky. The biographical myth of Tolstoy is a complex phenomenon of the Russian literature and culture of the XXth century represented differently by writers. In this research Kurianova applies methodological principles that were developed in the works devoted to supertext and its mythological basis. Lev Tolstoy is one of the most mythogenic personalities that was a legend when he was alive and after his death. The 'Tolstoy' myth was mythologized by many poets and writers of the XXth - XXIst centuries. In his creative writing Vladimir Mayakovsky mythologized Lev Tolstoy, his personality and his teaching but not his works or heroes. 
Gorelov O. - The structure of revolutionary feminist surrealism in the poetic practice of Galina Rymbu pp. 152-164

DOI:
10.25136/2409-8698.2021.5.32797

Abstract: The object of this research is the surrealistic code of Russian contemporary poetry. The subject of this research is the authorial version of revolutionary surrealism and the techniques of its realization in the poetry of Galina Rymbu. The article examines such aspects of the topic as female optics, feminist writing, gender issues, as well as the interaction of aesthetic and political, imagery and empirical, subjective and objective. Special attention is given to the consequences of the divergence of surrealistic development trends – aesthetic and revolutionary surrealism in the poetic practice of G. Rymbu, as well as to the increase of anti-surrealistic tendencies in her poetry. The research methodology is based on the comparative approach, within the framework of which the philological analysis of the text is conducted with the use of narratological, motivic, phenomenological, and elements of hermeneutic methods. The scientific novelty of this work consists in interpretation of the contemporary left-wing poetry and namely feminist poetics of G. Rymbu through the prism of surrealistic code. The position of women in surrealist history and theory is deconstructed by the new realizations of revolutionary surrealism, associated with the feminist project and gender problematic. Emphasis is placed on the analysis of the concepts of transformation and childhood alongside the frequency narrative instance (surrealistic type woman – child) in the poetic texts of Galina Rymbu.
Malakhevich D.E. - pp. 152-160

DOI:
10.25136/2409-8698.2021.11.36904

Abstract:
Starovoitov I. - Andrei Bely’s collection of essays “Arabesques” as a metatext pp. 154-161

DOI:
10.25136/2409-8698.2021.4.35371

Abstract: This article explores the possible methods of metatext arrangement in the collection of essays “Arabesques” by Andrey Bely in addition to the main the main method described in the works of V. S. Kiselev and M. N. Darwin (the special role of framework components, determined arrangement of texts in contents directory). Special attention is given to the inner composition of texts included in the “Arabesques”, namely their imagery system and framework concepts. The analysis of the essays allowed determining the recurring key antinomies “up/down” and “light/dark”, which reinforce the unified semantic framework of the “Arabesques”. The orientation towards superunity is also detected on the syntactic level due to the constant reference of A. Bely to the “ironic pause” technique. In the modern literary studies, the problem of metatext (particularly in literary and semiotic understanding of the term ) has been brought up by M. N. Darwin, V. S. Kiselev, V. E. Prusenko, A. G. Kulik. However, this article is first to raise the question of their metatextuality the context of Andrei Bely’s collection of essays, which defines the novelty of this research. The author comes to the conclusion that alongside the basic techniques of metatext arrangement, Andrei Bely's “Arabesques” offer a range of additional means for creating semantic superunity – the use of antinomian images common to the collection of essays, and constant reference to the “ironic pause” technique.
Zhitenev A. - On the Literariness in the Theory of Russian Formalism: Viktor Shklovsky about the Writers of the XVIIIth Century pp. 159-167

DOI:
10.25136/2409-8698.2019.1.28519

Abstract: The theory of Russian formalism views literariness as a set of features that distinguish a literary text from all other texts and has always been the topic of acute discussion. Viktor Shklovsky's researches of the 1920s-1930s were focused on literariness as a result of his interest in the marginal forms of the literary process in the XVIIIth century as well as the phenomenon of mass literature. Noteworthy that his ideas closely related to the realities of that period and involved discussions about the 'social order' and 'literary life', thus presenting the writer's views on the creative writing, status of a writer and creative goals. The methodology of the research combines various methods such as comparative history, hermeneutical and phenomenological approaches as well as individual provisions of the 'history of terms' concept. The scientific novelty of the research is caused by the author's attempt to view Viktor Shkolvsky's works on the literature of the XVIIIth century and such authors as M. Koramov, V. Levshin and M. Chulkov as a specific form of self-reflection aimed at overcoming the author's creative crisis and creating opportunities for using the methodology of the Russian formalism in the analysis of the literary life of different eras. 
Zhu Z. - The journey of Claire in the works of Gaito Gazdanov: the analysis of the female image of Claire in the novels “An Evening with Claire”, “Hannah”, and “The Fate of Salome” pp. 162-170

DOI:
10.25136/2409-8698.2021.4.35410

Abstract:  This article is dedicated to the analysis of the female image of Claire and its variant in the works of Gaito Gazdanov. This character type in the works of G. Gazdanov often resembles the past in the present, i.e. an important part of the “lost world” for the protagonist. However, deliberate examination allows following the gradual transformation of the authors attitude towards the character of Claire throughout his creative path. In the novel “Ab Evening with Clair”, the author adheres to priority of that past world over the present, while in the novel of his later period “The Fate of Salome”, the narrator tends to release from the shadow of the past. The underlying cause for such change lies in the transition of the writer from the romantic theurgical worldview towards phenomenal. In the later period, Gazdanov reconsidered the real world and justified the earthly existence due to the fact that submerging into the own inner world can entail loneliness and dissolution “Self” in one’s mind. The goal of this research consists in tracing the transformation of the role of Claire in the works of Gaito Gazdanov, as well as in description of different types of relations between the protatonist and the heroine in order to prove the evolution of the writer's reasoning on the problem of “two-worldness”. The relevance of this article consists in explication of the type of Claire in Gazdanov’s artistic system of “two-worldness” as a literary technique, as well as from the new perspective of studying the evolution the writer’s worldview.  
Pokhalenkov O.E., Nikulicheva S.E. - Female images in the novel “Arch of Triumph” by Erich Maria Remarque pp. 165-173

DOI:
10.25136/2409-8698.2021.5.35263

Abstract: This article is dedicated to the analysis of female images in the novel “Arch of Triumph” by Erich Maria Remarque, particularly their symbolic meaning infused by the author into some characters. The research objective consists in the analysis of female images from the cultural, artistic and literary perspectives. The article employs structural analysis based on the methodology of N. V. Pavlovich. Special attention is given to the references to mythology for describing one or another image.  The author substantiates the idea of the connection of each female character with the time and place of her initial stay or origin. Review is conducted on the following heroines: Joan Madou – a mediocre actress and singer, mistress of the protagonist; Kat Hegstrom – a patient and close friend of Ravic; Sybil – beloved of the German doctor died in the gestapo. The scientific novelty of this work consists in consideration of images of the heroines through the prism of associative-imagery, metaphorical meaning of the prototypes used by the author in creating and describing the characters. A comparison of the compositional roles of the aforementioned heroines is carried out. Particular attention is given to the female characters from “Osiris” brothel (which is an important location in the novel and plays a significant compositional role in the text), and their manager Roland. The similarity is noticed between “Osiris” brothel and  the boarding house for noble girls, as well as few other comparisons of the women of easy virtue with the ladies brought up in the spirit of the Victorian Era. The article determines certain intertextual correlations n the historical-literary and cultural-historical context. Attention is also paid to consideration of the[WU1]  philosophical views of the novelist and the process of their implementation in developing the images of the characters. The work indicates the impact of philosophical ideas of “lost generation” upon the characters of the novel and their life attitudes. The author of the article touches upon the theme of romantic relationships and behavior of the heroines therein. [WU1]
Mikheeva G.V. - Specific Features of the Art Space in Stepan Pisakhov's Fairy-Tales pp. 168-174

DOI:
10.25136/2409-8698.2018.4.28028

Abstract: The subject of the research is the art space in the fairy-tales of Stepan Pisakhov who writes about the Russian North. In her research Mikheeva analyzes such aspects of the topic as the art space structure, methods of creation of space images on the basis of combined reality and fantastic world, peculiarity pf space locuses, and interaction between the symbolic meaning of space images and the writer's worldview. Mikheeva focuses on the description of the closed space locuses, the Uyma Village and the house of the main hero as well as the 'friend-alien' opposition that represents moral messages. The research is based on the structure-semiotic approach to the analysis of the art space of a literary work. The theoretical basis of the research is the works of Yury Lotman, in particular, his thesis that in a text the space is the means of creating messages. The main conclusions of the research are the following: the structure of the single art space in Stepan Pisakhov's fairy-tales has two spatial levels: reality and fantastic world, which do not have a border but even penetrate. Such organisation of the space brings a particular meaning into the text. The novelty of the research is caused by the fact that for the first time in the academic literature the author analyzes the art space of Stepan Pisakhov's fairy-tales.  
Bakula V.B. - The Narrative and Compositional Structure of N. Bolshakova's Novel 'Alkhalalalai' pp. 168-175

DOI:
10.25136/2409-8698.2019.1.28859

Abstract: The research is devoted to the novel written by a Sami writer N. Bolshakova 'Alkhalalalai'. The aim of the research is to define peculiarities of the narrative and compositional structure of the novel. This novel is the first one in the literature of Russian Sami created in the period of the origin of their written language (the last third of the XXth century). Eastern Sami literature relates to the literature of Finno-Ugric literature and is one of the earliest and least studied types thereof. This is what causes the rationale of this research. The main research methods used by the author included structural descriptive and formal methods as the best methods to analyze the narrative and compositional structure of a text. The novelty of the research is caused by the fact that this is the first research to analyze the plot and narrative structure of a novel. The research results demonstrate such peculiarities of the narrative and compositional structure of a novel as the lyrical plot, expressive introductory events, free narration, and multi-functionalitiy of the landscape. The main expressive means used by the writer to convey her message is the narrative parallelism technique and a great number of extra-plot elements (myths, legends, lyrical digressions) and delayed exposition. The novel has bright ethnic folklore features. The writer enriches her novel with ethnographical material and gives an insight into the culture of Sami and Itelmes. The peculiarity of the narrative and compositional structure of the novel is revealed through the features of the author's singular style and her picture of the world. 
Zipunov A., Valganov S.V. - Rhythmic semantic structures of the “particular-universal” in the lyrics of the author song and their search algorithms pp. 168-176

DOI:
10.25136/2409-8698.2020.12.34391

Abstract: Cultural phenomena and their correlation with social processes spark specific scientific interest. One of such cultural trends is the author song of the 1950s – 1980s, which became the subject to this research. Adequate interpretation of the content of compositions and their connection with public life requires a particular toolset, especially due to the fact that some texts contain interesting semantic structures. In reading the lyrics, the alternation of fragments with opposite meanings was revealed. Generalization of these meanings to abstract concepts demonstrates that they comprise a semantic rhythm. One of such rhythmic structures consists in rotation of the particular and the universal. This article describes and formalizes the algorithm that resembles the principle of LR (k)-analyzer of context-free grammars, which was used for the analysis of two author songs:  “Ten Stars” by A. Krupp and “Romance of the Old Age” by A. Sukhanov based on the poetry of Omar Khayyám. In the indicated compositions, the author revealed common structures in form of the particular-universal rhythm and the motive of coping, as well as certain structural peculiarities. The songs under review differ in the degree of expression of dialectical contradiction of the “particular” and the “universal”. They also vary in the forms of translation of this semantic rhythm: through non-overlapping sets, additional orthographic dimensions, or storyline expansion on space-time scale.
Belyaeva T.N. - Axiological Problematics of Yuri Bajgusa's Plays pp. 171-177

DOI:
10.25136/2409-8698.2018.3.27408

Abstract: The subject of the research is the value components of the problematics in the dramatic works of the Mari writer Yuri Baiguza. The study allows to see the basic semantic concepts of being and the individual human personality of the “post-perestroika generation”. The analysis of the plays “The Golden Duck” presented in the article was written in collaboration with Vasily Pekteyev), Silk Swings, Dawn over the Abyss, Today is the Birthday, which are mainly philosophically oriented, shows that the most important components of their perspective are value characteristics of society, people and man. The author of the article applies structural-semantic and historical-genetic methods of research which allow to reveal both the value aspects of the problems of the plays and the poetological aspects of the texts that implement them. The article shows for the first time the axiological aspects of the key dramatic works of Yuri Baigusa in their universal, folk-world outlook, religious, and individual-creative expression; revealed the artistic specificity of the author’s value concept in each of the texts; the manifestation of the axiosphere in the ideological world of works and the character system is analyzed.
Tatarinova L.N., Tatarinov A.V. - The Phenomenon of Old Age in William Faulkner's Literary World pp. 175-181

DOI:
10.25136/2409-8698.2018.4.28023

Abstract: Based on the material of the prose of William Folkner (first of all, the novels “Sartoris” and “Go Down, Moses”), the phenomenon of old age is investigated as a literary problem. The object of the research is the philosophical aspects of the gerontological story in Falkner's prose. The subject of the research is the literary world created by the author, individual aesthetic movements in the creation of the images of elderly people. The authors analyze Faulkner's concept versus the concept of Ernest Hemingway who used the present moment as the narrative time. Not only young heroes of his early writings but also such characters as Santiago in his novel 'The Old Man and the Sea' live in the presence. The methodological basis of the research is the principles of philosophical literary studies that allow to evaluate the artistic world of the writer as an element of his worldview. The authors conclude that Faulkner views old age not only as an age but a certain state of mind, emotional memory, balance and wisdom combined with kindness. Faulnker relates memory and old age to such categories as eternity, while he relates young age and blindness to the categories of temporality and accident. 
Arstanova V. - The Motif of the Love Between Close Relatives in Mikhail Lermontov's Early Writings pp. 176-184

DOI:
10.25136/2409-8698.2019.1.28990

Abstract: The subject of the research is the motif of the love between close relatives in the early period of Mikhail Lermontov's creative writing (since 1829 till 1834). This motif can be found in the following works: a newly found novel thought to be written by Lermontov, his Eugene, The Spanish, Menschen und Leidenschaften and incomplete novel Vadim. The motif of the love between close relatives is one of the main motifs in the early writings of Lermontov and has roots not only in the romantic tradition but also the biography of the writer himself. In her article Arstanova compares the motif of the love between close relations in Lermontov's early writings to French and English literature (François-René de Chateaubriand and George Gordon Byron). She also draws the parallel to the development of the motif in the XXth century. The main result of the research is the author's statement that the above mentioned motif was caused by the influence of the literary tradition and biographical prerequisites. The researcher also describes how the motif developed and faded in Lermontov's creative writing. Lermontov did not raise that motif in his works created after 1834 because it was no more important for him. 
Levitskaia T.V. - Fairy Tale and Parabolic Motifs in Nadezhda Lukhmanova's Essays During the Russo-Japanese War pp. 184-193

DOI:
10.25136/2409-8698.2018.3.26212

Abstract: In her research Levitskaya discusses the work of Nadezhda Alexandrovna Lukhmanova (1841-1907) during the Russian-Japanese war. To date, there is no complete review of the creative heritage of the writer, which, despite its richness and diversity, is almost unfamiliar to the modern reader. At the age of 64, the writer took part in the Russian-Japanese war as a war correspondent. During her tenure in the war and later in Japan, Lukhmanova wrote not only travel notes and articles for newspapers, but also created short plays for soldiers (“Batman Kuzmenko”), stories based on real events (“Shaman”, “Black Band” , “The Yolka in the Chizakuin Palace”), several Chinese and Japanese fairy tales (“The Only Language Understood by a Woman”, “The Soul of a Man”, “A Typhoon”, “The Golden Chanterelle”). The works of Lukhmanova acquire a wider and ambiguous meaning due to the fabulous and parabolic form of expression. The writer resorts to allegories to more clearly illustrate her concerns, expansion and generalization of the meanings embedded in the image. The article is an analysis of several works of the Russian-Japanese Lukhmanov period. The novelty of the research lies in the attempt to analyze the creativity of N.A. Lukhmanova, which today is virtually unknown. The article deals with journalistic works that have not been republished since the time of the first publication, as well as stories that are in the archive. Appeal to such rare material allows us to consider the identity of the author in a different way.
Gasharova A.R. - Dagestan folklore motifs in the works of A. A. Beztuzhev-Marlinsky pp. 185-196

DOI:
10.25136/2409-8698.2019.6.28555

Abstract: The subject of this research is the prose works of A. A. Beztuzhev-Marlinsky related to Dagestan folklore and ethnography. The author attempts to demonstrate the reflection and transformation of Dagestan folklore in the Russian literature using the writer’s work as an example. The power and distinctness of Marlinsky’s talent consists in application of various means of artistic representation, including folklore, and translates hem in his manner and style. Using the descriptive, comparative and hermeneutic methods of analysis the author characterizes the moments in Marlynsky’s prose associated with the Dagestan folklore motifs and even some artifacts of folk art. This allowed revealing the semantic and expressive-visual function of folklore and ethnography in prose works of the writer. The “Dagestan” compositions of Marlinsky serve as a vivid example of cross-pollination through interaction between Russian literature and Dagestan folklore back in the early XIX century. The writer’s interest to Dagestan folklore and ethnography contributed to delving into the history of North-Caucasian peoples, peculiarities of their worldview and customs unfamiliar to the Russian readers. The scientific novelty consists in comprehensive analysis of Marlinsky’s Dagestan novels, which contributed to determination of specificities of expressing folklore origins and the principles of authorial interpretation.
Semenova A. - Internal Chronology in M. Kheraskov's Poem 'Vladimir' pp. 194-210

DOI:
10.25136/2409-8698.2018.3.27392

Abstract: The subject of research is the internal chronology in the poem "Vladimir". The author of the article analyzes the text of the poem by Kheraskov in order to determine how much time in Vladimir corresponds to the historical time. The first clear time reference point in the work is the appearance and death of the Varangian Christians, a record of this is given in The Tale of Bygone Years under 983, this is followed by the choice of faith in 986 and a march on Kherson, where Vladimir receives baptism in 988. In this time range, the main events of the poem unfold. In her study Semenova compares M. Kheraskov's poem to historical sources known to the poet. Tracing the internal chronology of the work, resorting to the method of Yu.M. Lotman, used in the analysis and commenting of "Eugene Onegin", we can determine by what time the author refers to the events described in the "Vladimir". This study found that the sequence of events in the poem "Vladimir" coincides with the testimony of historians. At the same time, the internal time in the work does not correspond to the historical time. Kheraskov smoothes the chronological holes characteristic of the chronicles, compressing the narration. Even taking into account several gaps in time, everything that happens in Kiev since the beginning of the narration (983), i.e. the campaign and the conquest of Kherson, Vladimir's baptism and marriage, does not stretch for 5-6 years, as in the sources.
Tatarinov A.V., Tatarinova L.N. - Modern menippea as a didactic gesture (On the novel “Lincoln in the Bardo” by George Saunders) pp. 197-203

DOI:
10.25136/2409-8698.2019.6.31715

Abstract: This article is dedicated to the question of modern menippea, and analysis of the novel by the American writer George Saunders in the context of the indicated genre tradition. The object of this research is the moral-didactical intentions of modern menippean satire. The subject is the combination of ideological and artistic characteristics that allow speaking of menippea of the XXI century. The study is based on the G. Saunders’ novel “Lincoln in Bardo” that is the winner of the Man Booker Prize 2017. The goal consists in the unity of two analytical movements. Firstly, menippea is interpreted as a genre, which blends in the apophatic and cataphatic platforms of poetics, combines sacral and secular contexts, and creates cathartic effects in the grotesque speech on death and ways of its overcoming. Secondly, the author’s strategy and actual didactic material of the novel “Lincoln in Bardo” is subject to analysis. The key research method becomes the analysis of literary text that allows revealing manippean characteristics of Saunders’ novel “Lincoln in Bardo” and expressing substantiated comments on the didactic potential of the modern American novel that blends in the “word on Lincoln” and the “grotesque death”. The conclusion is made on the system of didactic gestures of the novel “Lincoln in Bardo”. These are the anti-totalitarian gestures against political Trumpism and classical theology; the gesture for boundless rhetorical freedom enabling the use of offensive language; gesture of liberation from fear of death through philosophical statement on its hollowness; and emotional gesture for tolerance of diversified ethical actions (“depth of Lincoln” and “emptiness of the dead”).
Rakhmatova A.M. - Bodily Fragmentation as an Expression of Non-Integrity of a Lyrical Hero/Character in Non-Classical Lyrics pp. 209-219

DOI:
10.25136/2409-8698.2018.4.28113

Abstract: The scope of the research covers bodily images presented in the lyrics of the non-classical stage of the poetics of artistic modality (the end of the XIX - XX centuries). The subject of the research is the body of a lyrical subject or character depicted in fragmentation in poems relating to this stage of poetics. The article is aimed at identifying certain artistic meanings expressed in the works of non-classical lyric images of physical fragmentation. In the article, the phenomenon of corporeal fragmentation in the lyrics of the non-classical stage of the poetics of artistic modality is examined on the material of D. Merezhkovsky, I. Brodsky, and S. Plat. The phenomenon of bodily fragmentation is discussed in this article from the standpoint of historical poetics. The main methods of research are the method of immanent analysis of the figurative structure of the work, aimed at identifying the meaning of specific images, as well as the comparative method associated with identifying and describing similar features of the poetics of works related to the non-classical stage of artistic modality poetics. The scientific novelty of the research is determined, firstly, by the fact that the semantics of bodily images in the works of non-classical lyricism remains insufficiently studied; secondly, by the fact that the artistic specificity of images of bodily fragmentation in the lyric works of the non-classical stage of the poetics of artistic modality remains unexplained. The article first identifies and describes the semantic parameters of images of bodily fragmentation in non-classical lyrics.
Safarova Z.A. - Narrative Strategies in Nathaniel Hawthorne's Novel 'The Scarlett Letter' pp. 211-216

DOI:
10.25136/2409-8698.2018.3.27405

Abstract: The author considers such aspects as the features of Nathaniel Hawthorne's creativity, namely his novel "The Scarlet Letter". Also, the object of research is the synthetic structure of the novel, its historical and psychological content. Characteristics of the main characters, their goals and actions, peculiarities of the narration, such as the brevity and conciseness of the events described, the "sliding" author's position, manifested in the inconstancy of the depicted events, in terms of ratings, the main goals of the main characters, the degree of impact on the reader are given. The research methodology consisted of biographical, formal and historical-theoretical methods, as well as contextual and culturological principles of research. A special contribution of the author to the study of the topic is an attempt to analyze the narrative strategies of Nathaniel Hawthorne, their display in the novel "The Scarlet Letter". The conclusions reached by the author are the brevity of the style of the writer, his (writer) ambiguous subjective attitude to the heroes of his novel, the historical and psychological nature of the novel.
Vasileva T.N. - Artistic Features of the Tanka Genre Form in Ilya Baishev's Creative Writing pp. 237-243

DOI:
10.25136/2409-8698.2018.4.28375

Abstract: The subject of the research is the poems written by a poet and member of the Union of Yakurian Poets, Ilya Baishev, in a Japanese genre form 'tanka'. In her research Vasilieva examines such aspects of the topic as the correspondence to the canons of Japanese poetry, i.e. observation of the main rules and traditions (in style, verse and composition), aesthetic principles and categories. Vasilieva also analyzes national specific features of the genre form which may have been expressed in images, sound pattern, national worldview. The main research methods used by the researcher include descriptive and comparative analysis of tanka poems. The main results of the research are the peculiarities of tanka in Yakut poetry based on the comparison of the original's features (formal and compositional principles, themes and range of problems) and individual writer's singularity. Based on the author, the common feature of Yakut tanka and Japanese poetry is that both are based on the same aesthetic principles (yugen, siori, engo), use seasonal words, innuendo and allegory. The difference is that Yakut poetry has a special kind of rhyming, role of alliteration and national interpretation of images.  
Raevskaia M.M. - The Phenomenology of Iberian Space in George Borrow's Book The Bible in Spain pp. 266-279

DOI:
10.25136/2409-8698.2018.4.27456

Abstract: The article is devoted to the phenomenology of Iberian space in Britich travel literature, in particular, George Borrow's The Bible in Spain (1842). Raevskaya has a purpose to analyze peculiarities of the writer's technique which he used to describe the Iberian landscape and reality for the British reader who knew very little about it back in those times. As a reference position, the author of the article also presents a consideration of the travel genre as a collective multi-level literary form that has multidimensional specificity and is the result of the subjective knowledge of images existing in certain geographical boundaries of space. The inclusion of epistemological and historical perspectives in the research methodology, in addition to traditional biographical, comparative methods, stylistic analysis, synthesis and description, allows a more extensive assessment of the author’s idea, which represents the Iberian geoculture using certain observation procedures. The scientific novelty of the article is caused by the lack of research in the Russian philological tradition devoted to the Iberian travelogue. The approach to the study of the spatial image of the Iberian civilization in travel literature is also new and allows evaluate its features not only from literary, but also epistemological aspects. The author of the article discusses various areas of space exploration from the point of view of their typological elaboration in the domestic and foreign humanitarian tradition, shows the specificity of the interpretation of the Iberian reality related to the author’s understanding of reality.
Zav'yalova A.I. - The Literary Topography of The Kazan Chronicle and Derzhavin's Opera 'Ivan the Terrible, or Conquering of Kazan' pp. 280-286

DOI:
10.25136/2409-8698.2018.4.27625

Abstract: The article is devoted to the study of the texts of the opera “The Terrible, or Conquering of Kazan” by G. R. Derzhavin and an old Russian monument, "Kazan History". Unknown scribe of the XVI century tells the history of different lands and the Kazan region, in his work contains many toponyms. Following the author of Kazan History, Derzhavin in his opera creates a bright literary image of Kazan in the 16th century. One of the objectives of this work is to consider how the writer worked with the source to build the opera plot. The method of research in the article is a comparative analysis of the opera "The Terrible, or the Conquest of Kazan" and "Kazan History". As a result of the comparative characteristics of the two works, it was concluded that Kazan History can rightly be considered one of the main literary sources of the Derzhavin opera. The writer borrows from the Old Russian text a story about the foundation of Kazan and processes it in his own way, and this tradition becomes the plot basis of his dramatic composition.
Bochkina M.V. - Trends of Modern Literature in Yu. Polyakov's Novel 'Love in the Time of Change' pp. 287-292

DOI:
10.25136/2409-8698.2018.4.27807

Abstract: The author of the article explores the issue of traditions and innovations in understanding the phenomenon of time in the novel by Y. Polyakov “Love in the Time of Change”. The novel traces not only the realistic method in depicting events but also the influence of the postmodern and neo-modern directions, primarily on the ideological and substantive level. The author of the paper analyzes the motive of a gap in time as a result of a cultural trauma, as well as a motive of ontological emptiness, reflecting the nature of the era of change, described in the novel. The method of research of this work is the cultural-historical approach. The theoretical basis of this study is the work of M. Lipovetsky, A. Schopenhauer, and M. Bakhtin. Thus, the researcher discovers such features of Yu. Polyakov's novel “Love in the Time of Change” as polyphony, the prevalence of laughter, elements of the language game, and the mask of the author-narrator characteristic of modern literature. At the substantive level of the novel,  the researcher analyzes the opposition between historical contingence and time fragmentation that unites a number of non-modernist novels. 
Romanova K.S. - Development of Gaito Gazdanov's Existential Views (the Case Study of his 'Constantinople' Prose) pp. 293-299

DOI:
10.25136/2409-8698.2018.4.27892

Abstract: The author of the article analyzes the texts of Gaito Gazdanov recreating the picture of the life of Russian emigration in Constantinople. Gazdanov's "Constantinople" prose describes the border situation in which existential questions are especially acute: he reflects on the purpose of human existence, the boundaries of the individual "Self", the relationship between natural and cultural principles in human nature, the possibility of finding a foothold in a situation of total alienation. In the "Constantinople" fragment of the story "The Story of a Journey," the writer denies the possibility of building happiness rooted in external being. The feeling of happiness is extremely subjective and consists of individual spiritual experiences, momentary insights, the acuteness and intensity of which depend on the individual degree of sensitivity to beauty. In the story “Weak Heart”, the Gazdanov narrator is at first captured by the aesthetic charm of the city. However, his focus soon shifted: from the panoramic “sparkling view of the Bosporus and cool nights above the mosques” to close-up situations of domestic deprivation and psychological dramas of the Russian émigré, which lead him to existential generalizations about the essence of human existence in general. The article uses descriptive and biographical methods of research, as well as a comparative comparative method in the analysis of the prose of Gazdanov and J.P. Sartre. The author comes to the conclusion that the writer's observations of the hard life of the Russian emigration in Constantinople became the most important impetus for the formation of his existential views. The harsh Constantinople reality helped Gazdanov to discover that fatal “wormhole” of life, which, from his point of view, causes the inescapable tragedy of human life.
Kononova A.V. - Common European Tradition in Seamus Heaney's Creative Writing: Dialogue with Ancient Literature pp. 300-305

DOI:
10.25136/2409-8698.2018.4.28057

Abstract: The subject of the research is the work of the Irish poet Shaymas Heaney, one of the largest representatives of modern English-language poetry. The purpose of the article is to study the role and functions of ancient literature both in prose and in Heeney's poetry. The author of the article refers to the works, critical articles, interviews of the poet himself, as well as theoretical works of the world's leading researchers on the problems of tradition in literature, as well as scholars who study directly the life and work of Heaney. The methodology of the article is determined by the guidelines of comparative literature. The author of the article uses such methods as comparative historical, contextual, textual analysis, etc. The novelty of the research is caused by the fact that, despite the growing interest in Heaney's poetry, there is practically no research on this literature on this aspect of the poet’s work. The author of the article concludes that the antique literature becomes an important link in the development of the creative path of Heeney and an indispensable material for understanding Heeni’s work in the aspect of its interaction with the literary heritage of previous eras. The study of this phenomenon, not only in the context of other works by Heaney, but also in the broad context of European literature, makes it possible to examine the work of the Irish poet in “big time” and to reveal the features of his interaction with the common European literary tradition.
Other our sites:
Official Website of NOTA BENE / Aurora Group s.r.o.
"History Illustrated" Website