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MAIN PAGE > Journal "Litera" > Contents of Issue № 09/2022
This issue is currently being formed. All articles presented on this page have already been included in this issue, are considered published, and will remain unchanged in the final version of the issue along with other metadata of the articles.
Учредитель: Даниленко Василий Иванович, w.danilenko@nbpublish.com
Главный редактор: Юхнова Ирина Сергеевна, доктор филологических наук, yuhnova1@mail.ru
Contents of Issue № 09/2022
Intertextuality
Sorokina E.E. - Intertextuality in English-language Catholic sermons pp. 1-9

DOI:
10.25136/2409-8698.2022.9.38671

EDN: WFEYVY

Abstract: The relevance of this study is due to the small study of the issue of intertextuality in English-speaking Catholic preaching in modern Russian science. The purpose of this article is to study various types of intertextuality and the linguistic techniques by which they are expressed in modern English-speaking Catholic preaching by the example of the preaching addresses of Cardinal Vincent Nichols, Archbishop of Westminster (Diocese of Westminster, London, UK). The object of the study is an English—language Catholic sermon, the subject is intertextuality and its varieties (referential, prototypical (textotypological)), manifested in the above text. In writing this work, we were guided by such methods of scientific research as analytical and descriptive. The scientific novelty lies in the consideration of the phenomenon of intertextuality, one of the manifestations of which is the functional-semantic category of appeal. The conducted research indicates that in the Catholic sermon there are elements of both RI and PI, where RI is represented by various quotations, allusions and retelling of the author's text, and PI is a mention of God in all three Persons, respectful euphemisms for His Name and the Name of the Blessed Virgin Mary, mentioning the names of saints, biblical heroes, characteristic religious vocabulary, the use of "we-constructions" to create an image of the unity of the preacher with the audience, as well as appellative constructions represented by the verbs of ought, influence, as well as the imperative mood of the verb and the simple present tense of the verb with a hint of ought.
Zhu B. - The Evolution of the New Year's Gala Concert in Chinese Media pp. 10-18

DOI:
10.25136/2409-8698.2022.9.38682

EDN: WCUQLH

Abstract: In 2023, the world's largest broadcast by the number of viewers of China Central Television "New Year's Gala Concert", timed to coincide with the Spring Festival, will celebrate its 40th anniversary. Since its launch in 1983 The "New Year's Gala Concert" has undergone many changes reflecting the global transformations of Chinese media and Chinese society as a whole. The object of our research was chosen by the PRC television, and the subject was the "New Year's Gala Concert", on the example of the evolution of which we analyze the formation and development of modern Chinese media in the context of national and global media processes. The author's main contribution to the study of the chosen topic is a unique selection of key events defining the history of the "New Year's Gala Concert", on the basis of which the main stages of the modernization of Chinese television were determined: the Taiwanese pop wave, the "cultural thaw" and the crisis of censorship of the CPC in the mid-1980s; the advent of the era of advertisers and the rapid commercialization of Chinese media of the 90s-00s; strengthening the role of the state and the activation of ordinary viewers in the formation of a nationwide media campaign of the 2010s. The stages of the evolution of the "New Year's Gala Concert" highlighted in the article characterize the historical process of development not only of Chinese television, but of the whole country as a whole.
Literary criticism
Kukushkina E. - Monodrama in Malaysian National Dramaturgy: a Retrospective of the Emergence of the Genre pp. 19-32

DOI:
10.25136/2409-8698.2022.9.38753

EDN: UNCFEC

Abstract: The article focuses on the well-known Malaysian dramatic texts, created in the last third of the twentieth century, the generic features of monodrama in these plays being the main research subject. The purpose of the analysis is to demonstrate monodramatic nature of the works and to establish the time of the birth of Malay monodrama, as well as the reasons why the genre for a long time was not denominated as such. The analysis involves historical-cultural, analytical and comparative methods. Historical and cultural method allows to scrutinize the genre under study in the context of the post-realistic theater of Malaysia, which was born as a reaction to the tragic events of the second half of the twentieth century in the country. Analytical method is used to identify the essential generic features of the studied texts, whereas with the help of comparative method, the artistic features of these texts are matched with the genre characteristics of monodrama. Today, the Malay monodrama is undeservedly deprived of the attention of specialists, although its role on the stage of the country is quite noticeable. This determines the novelty and relevance of the work. The performed research shows that Malay monodrama is much older than is commonly believed, and has existed for almost half a century. The study of the plays "Lazri Meon" by Abdul Samad Said and "Not Suicide" by Dinsman made it possible to identify the most important monodramatic features in them (the subject of representation, the dramatic plot and the conflict), thereby pushing the lower timeframe of existence of this genre in Malay playwriting first until the 1990s, and then - the 1970s. The appearance of a non-classical genre less than a quarter of a century after the birth of Malay drama also allows us to acknowledge the accelerated development of this type of literature in Malaysia.
Shukurov D.L. - Author's Strategies in K.K. Vaginov's Prose: "The Eidos of Hunting" pp. 33-46

DOI:
10.25136/2409-8698.2022.9.38784

EDN: SVADVO

Abstract: The meta-narrative structure of the works of the Russian writer and poet K.K. Vaginov (1899-1934) is analyzed, the strategies of the author's narrative are investigated. Most of the subject analysis is occupied by the texts of the novels "Goat Song" and "The Works and Days of Svistonov": the first – as a meta–textual narrative, maximally saturated with cultural codes, as well as auto-reminiscences and allusions of early Vagin creativity, and the second - as a text that plays the meta-narrative model of the first. Within the framework of the concept of the "aesthetic completion of the hero" by M.M. Bakhtin, such an aspect of the topic as "the author is a character" is considered in detail. Special attention is paid to the comparison of the narrative strategies of K.K. Vaginov and A.P. Chekhov. As a result of the conducted research, it is concluded that the novel dilogy "The Goat Song" and "The Works and Days of Svistonov" tells about the paradoxes of artistic reality and reveals its essence in the language of the formal arrangement of Vagin's works. Due to the specifics of such a language of forms, these novels require detailed textual and poetical analysis (consideration of the novels "Bambochada" and "Harpagoniana" reflects the specifics of the author's strategies in the structure of the "single text" by K.K. Vaginov). The complex polymorphic composition of the entire Vaginovsky literary and poetic compendium, the system of mutually reversible and mutually correlating comments, references, semantic saturation of style, functionality of peripheral images and details in the structure of Vaginovsky works - all these stylistic features characterize the original author's strategies.
Kudryavtseva R.A., Belyaeva T.N. - Folklore Intertext of S. G. Chavain's Novel "Elnet" (Paremiological Level) pp. 47-58

DOI:
10.25136/2409-8698.2022.9.38803

EDN: XMZZIX

Abstract: In the article, as part of the study of the poetics of the Mari literature, the paremiological level of the folklore intertext of the novel "Elnet" by the founder of Mari literature Sergey Grigoryevich Chavain is considered. The authors of the article identified different semantic types of proverbs and sayings in the text of the Chavain work, identified their artistic functions in the text. In this aspect, the novel creativity of the writer is being investigated for the first time. The methodology of the research is determined by the structural and semantic analysis of the works, which made it possible to identify and describe in detail the semantic and typological components of the folklore intertext of Chavain's novel "Elnet" at the paremiological level, its significance for the expression of its artistic content. The article proves that the proverbs and sayings used in the novel "Elnet" in one way or another represent the creative portrait of the founder of the Mari national literature Chavain. We are faced with a writer with a folk worldview, brought up on folk culture and in the living language of Mari folklore. The semantic component of the proverbs and sayings used by the author is an integral part of the conceptual world of the novel and the basis of the author's axiology. Forming a folklore intertext in the novel, they also influence its narrative structure, plot movement, participate in the process of creating characters, they are also important in the context of the author's assessments of the depicted events and phenomena.
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