Статья '«Журавли» К. Дугужева: репрезентация возвышенного' - журнал 'Litera' - NotaBene.ru
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Litera
Reference:

Kurman Duguzhev's The Cranes: Representation of the Sublime

Kazharova Inna Anatol'evna

PhD in Philology

Senior Researcher at Institute for the Humanities, branch of Kabardino-Balkarian Research Center under the Russian Academy of Sciences

360000, Russia, respublika Kabardino-Balkariya, g. Nal'chik, ul. Pushkina, 18

barsello@rambler.ru

DOI:

10.25136/2409-8698.2018.3.26584

Review date:

13-06-2018


Publish date:

25-09-2018


Abstract: The subject of research is the ways of imaginative representation of the category of the sublime in the context of autobiographical motifs in the poetry of the Circassian author Kurman Duguzhev. The object of the research is the works of the second collection of the poetic series "The Cranes". To date, it has not been noted that the main value, determined at the intersection of the work biography and the thematic unpretentiousness of the work of Kruamn Duguzhev, is the category of the sublime. The author for the first time analyzes one of the essential categories of the poetic attitude of the Circassian poet, dwells in detail on such aspects as the experience of the sublime through participation in a certain type of space, the conjugacy of the sublime and creative activity of the subject. The structure of the designated subject implies the use of a biographical method in combination with the methods of figurative semantic and value analysis of a literary text. In the course of the analysis, it becomes obvious that the category of the sublime is more widely transmitted through the images of the ascended space. The latter is always deployed in the context of autobiographical value-related themes for the poet. It is significant that at the same time the actualization of the mountain vertical does not imply a value opposition to a horizontally organized space. However, the difference is that ascended space (mountains) transforms the hero, and the space expanding in breadth (field) transforms the hero. In addition, Kurman Duguzhev’s ascended space turns out to be semantically richer: through its details the features of the poet’s spiritual and physical appearance are outlined, it is not only the ascension / elevation motive that is found in it, but the motive of descent and extinction of vital forces logically associated with it. Thus, it can be said that the category of the sublime organizes and interprets the figurative logic of the series “The Cranes”.


Keywords: theme, metaphor, vertical, space, biography, Kurman Duguzhev, category of the sublime, hero, image, anthropomorphism
This article written in Russian. You can find full text of article in Russian here .

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