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Man and Culture
Reference:

Project thinking and “project manager” (philosophical-culturological explication)
Kalinina Galina Nikolaevna

Doctor of Philosophy

Docent, the department of Philosophy and History of Science, Belgorod State Institute of Arts and Culture

308036, Russia, Belgorodskaya oblast', g. Belgorod, ul. 60 Let Oktyabrya, 9 a, of. 60

galakalinina@inbox.ru
Другие публикации этого автора
 

 
Rybalkina Polina Valer'evna

Post-graduate student, the department of Philosophy and History of Science, Belgorod State Institute of Arts and Culture

308036, Russia, Belgorodskaya oblast', g. Belgorod, ul. Koroleva, 7

tulinowa.polina@yandex.ru

Abstract.

The object of this research is the cultural-historical phenomenon of project thinking; the subject is the project manager in their attribute characteristics. The authors examines the phenomenon of project thinking through the prism of the attribute characteristics of “project manager”, identifying their role within the modern cultural project, in the course of which develops the comprehension of cultural project as the boundary of the holistic project culture. This, in turn, increases the appeals to expert assessments on cultural projects yet at their developmental stage. Particular place is given to the study of “Homo projectus” as a new intellectual phenomenon in terms of the “projective” cultural reality that exceeds the limits of the traditional cultural paradigm; simultaneously is implemented the problematization of destructive costs of cultural projecting, considering the specificity of cultural project, which vectors towards the problem of boundaries of the project in culture. The basic methodological instrument is the principle of dialectical equality that allows providing a complete explication of project thinking as a cultural-historical phenomenon. The author also applies the hermeneutic and cultural-semiotic method, thesaurus and context approaches for reconstruction of the concepts “homo projectus”, “cultural project”, “project thinking activity”, “project culture”, etc. The main conclusions consist in the following: 1) the author considers the substantial characteristics of “homo projectus”, including fundamental anthropological and social-transformational manifestations of its activity, which led to determination of the attribute specificity of the existence of “project thought” as a new cultural reality, and description of metamorphoses of project thinking activity in modern cultural practices; 2) the cultural projects is comprehended as a form of temporal consciousness, which allowed determining its framework specificity and distinction of cultural projecting from the “traditional” that sets the schemes of interaction, rather than the attributes of life.

Keywords: universal genesis culture, border design, temporality, cultural project, project culture, design thinking, social and cultural projection, people designing, genesis, project methodology

DOI:

10.25136/2409-8744.2018.5.27073

Article was received:

08-09-2018


Review date:

12-09-2018


Publish date:

12-10-2018


This article written in Russian. You can find full text of article in Russian here .

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