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Man and Culture
Reference:

South Ukrainian Painting In the Second Half of the Twentieth Century: Between Nonconformism and Transavantgarde

Limanskaya Lyudmila Yurevna

Doctor of Art History

Professor at Russian State University for the Humanities 

109156, Russia, respublika Rossiya, g. Moscow, ul. Sapanskaya, 6/2, of. 241

lydmila55@mail.ru
Другие публикации этого автора
 

 

Review date:

17-11-2012


Publish date:

1-12-2012


Abstract: In the post-revolutionary period avant-garde culture in Odessa was supported by Ukrainian artist M. Boychuk, the follower of D.Rivera and Siqueiros. He and his students were invited to teach at Odessa in Polytechnic Institute of Arts. The main goals of the M.Boychuk’s monumental painting were addressed to the general public. Despite ideological pressing in the USSR art life after the Second World War, the followers of the classical avant-garde arts, Theophilus Fraerman, Michael Zuk, Nicholas Shelyutto continue to work and teach art in Odessa. They created a productive creative environment by teaching their students the taste for philosophical and aesthetic discussions about the language of avant-garde. Traditions of the early avant-garde were then reviewed by their followers, the leaders of nonconformism in the 50 - 60's O. Sokolov and E. Egorov who create a new approach to art. 


Keywords: Khrusch, nonconformism, Fraerman, Abstract symbolism, Sokolov, Egorov, Expressionism, Sychev, Nedoshitko, hawk
This article written in Russian. You can find full text of article in Russian here .

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