Статья 'Практики DIY в художественной культуре: история и современность' - журнал 'Человек и культура' - NotaBene.ru
по
Journal Menu
> Issues > Rubrics > About journal > Authors > About the Journal > Requirements for publication > Editorial collegium > Editorial board > Peer-review process > Policy of publication. Aims & Scope. > Article retraction > Ethics > Online First Pre-Publication > Copyright & Licensing Policy > Digital archiving policy > Open Access Policy > Open access publishing costs > Article Identification Policy > Plagiarism check policy
Journals in science databases
About the Journal

MAIN PAGE > Back to contents
Man and Culture
Reference:

DIY-practices in art culture: history and modernity

Vol'f Dar'ya

Assistant, the department of Foreign Languages, Moscow State University of Design and Technology

129329, Russia, Moscow, Tenistyi Proezd 2, building #1

darja.wolf@yandex.ru

DOI:

10.7256/2409-8744.2016.2.18768

Review date:

12-04-2016


Publish date:

18-06-2016


Abstract: The subject of this research is the historical regularities of emergence and development of the DIY-practices (from English “Do It Yourself”) as a type of the amateur creative art. The author reviews different types of DIY-practices within the context of the cultural evolution from Ancient to Modern times, as well as substantiates the place of DIY-practices in the mundane aesthetics and the historical change of a human role as a subject of material and spiritual activity. The historical-genetic method along with the activity approach of this culturological research allowed determining the peculiarities of DIY-practices as a way of creative self-realization within the realm of the art culture. Scientific novelty lies in the multi-aspect retrospective examination of the DIY phenomenon from the perspective of culturology, social psychology, and history of art. The main conclusion consists in the direct connection between the post-industrial stage of social development and spread of DIY-practices in the area of art culture. It is demonstrated that the DIY phenomenon captures many spheres of the modern art culture, from applied arts to music and media arts.


Keywords: mundane aesthetics, art culture, DIY-ethic, non-professional creative activity, DIY-culture, DIY-practices, Do It Yourself, DIY, handmade, prosumption
This article written in Russian. You can find full text of article in Russian here .

References
1.
Аксютина О. А. «Если я не могу танцевать, это не моя революция!» DIY панк/хардкор сцена в России. – М.: Нота-Р, 2008. 336 с.
2.
Батищев Г. С. Деятельностная сущность человека как философский принцип// Проблема человека в современной философии: Сб. статей / ред. коллегия И.Ф.Балакина и др. М.: Наука, 1969. С. 75-96.
3.
Бродель Ф. Материальная цивилизация, экономика и капитализм, XV-XVIIIвв. Т.1.: Структуры повседневности: возможное и невозможное. – M.: Прогресс, 1986. 623 c.
4.
Вольф Д. В. Принцип DIY в контексте субкультуры хардкор-панка// Гуманитаристика в условиях современной социокультурной трансформации: Материалы III Всероссийской научно-практической конференции. 22-23 ноября 2013 г. – Липецк: ЛГПУ, 2013. С. 36-41.
5.
Вольф Д. В. Селфи как социокультурная практика// Обсерватория культуры. 2015. С. 24-29.
6.
Дуков Е. В. Современные цивилизационные тренды и крах массовой культуры// От массовой культуры к культуре индивидуальных миров: новая парадигма цивилизации. – М., 1998. С. 11.
7.
Злобин Н. С. Культура и общественный прогресс. – М.: Наука, 1980. 304 с.
8.
Каган М. С. Введение в историю мировой культуры. Книга первая. – СПб.: Петрополис, 2003. 368 с.
9.
Маркс К. Экономическо-философские рукописи 1844 года и другие ранние философские работы. – М.: Академический Проект, 2010. 775 с.
10.
Маркузе Г. Одномерный человек. – М.: «REFL-book», 1994. 368 с.
11.
Межуев В. М. Культура и История. – М.: Политиздат, 1977. С. 45.
12.
Руссо Ж.-Ж. Об общественном договоре. Трактаты/ пер. с фр. –М.: "КАНОН-пресс", "Кучково поле", 1998. 416 с.
13.
Сила простых вещей: Сб. ст. под ред. С. А. Лишаева. – СПб.: Алетейя, 2014. 384 с.
14.
Тоффлер Э. Третья волна. – М.: АСТ, 1999. 784 с.
15.
Фромм Э. Бегство от свободы – М.: АСТ: Астрель, 2011. 284 с.
16.
Jenkins H. Convergence Culture: Where Old and New Media Collide. N.Y.: New York University Press, 2006. 278 p.
17.
Jenkins H., Puroshotma R., Clinton K., Weigel M. & Robison A. J. Confronting the Challenges of Participatory Culture: Media Education for the 21st Century. Сambridge: MIT Press, 2009. 145 p.
18.
Johnson J. S., & Wilson L. E. It says you really care: motivational factors of contemporary female handcrafters. Clothing and Textile Research Journal. 2005. Vol 23. № 2. P. 115–130.
19.
Kotler P. The prosumer movement: A new challenge for marketers. Advances in Consumer Research. 1986. Vol. 13. №. 1. P. 510-513.
20.
McKay G. DIY culture: Notes towards an intro. In: McKay (ed.). DIY culture: Party and protest in Nineties Britain. London: Verso. 1998. P. 1-53.
21.
McKellar S., Sparke P. Interior Design and Identity. Manchester University Press, 2004. 218 p.
22.
Ritzer G., Jurgenson N. Production, Consumption, Prosumption. The nature of capitalism in the age of the digital ‘prosumer’. Journal of Consumer Culture. 2010. Vol. 10. № 1. P. 13-36.
23.
Tian K., Bearden W. O. & Hunter G. L. Consumers’ Need for uniqueness: scale development and validation. Journal of Consumer Research. 2001. Vol. 28 № 1. P. 50–66.
24.
Vargo S. L. & Lusch R.F. Evolving to a new dominant logic for marketing. Journal of Marketing. 2004, Vol. 68, № 1. P. 1–17.
25.
Wolf M. & McQuitty S. Understanding the do-it-yourself consumer: DIY motivations and outcomes. AMS Review. 2011. Vol.1. № 3-4. P. 154-170.
26.
Xie, C., Bagozzi, R. P., & Troye, S. V. Trying to prosume: toward a theory of consumers as co-creators of value. Journal of the Academy of Marketing Science. 2008. Vol. 36. № 1. P. 109–122
Link to this article

You can simply select and copy link from below text field.


Other our sites:
Official Website of NOTA BENE / Aurora Group s.r.o.
"History Illustrated" Website