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Philosophical Thought
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Publications of Gusev Dmitrii Alekseevich
Philosophical Thought, 2023-7
Suslov A.V., Gusev D.A. - A Bridge across the Abyss? Digitalization and Transhumanism as a New Anthropological and Social Reality in the Context of Ideological Searches of Personality (Historical, Philosophical and General Theoretical Aspects) pp. 24-37

DOI:
10.25136/2409-8728.2023.7.39835

Abstract: One of the main existentials of a person is the fact of his mortality and, most importantly, his knowledge about it, which inevitably leads everyone, one way or another, to the idea of overcoming death, to the idea of immortality, or – a saving bridge across the abyss of non–existence, which connects the present being of a person with his future being. In search of this bridge, a person talks about various "variants" of immortality: physical (naturalistic); biological; social; scientific-technical, technological and technocratic; religious – Christian providential immortality. The totality of socio-philosophical and anthropological concepts grouped around the idea of scientific and technological improvement of human nature, significant prolongation of life and, to the limit, overcoming mortality, is one of the modern trends of philosophical thought, known as transhumanism. The article attempts to consider transhumanism in the broad ideological context of the materialistic-atheistic, scientististic, positivist and evolutionist project, which, in general, is based on the "multifaceted" anthropovolutarianism that is constantly present in the philosophical search for humanity; and also – to analyze transhumanistic ideas from the positions of the opposite – idealistic-theistic, creationist, anti–positivist worldview camp, - based on providentialism, which for centuries and – currently – opposes anthropocentric voluntarism and transhumanism. The research being undertaken aims – in the context of the centuries–old polemic between anthropovolutarianism and providentialism - to clarify the reality or illusory nature of the proposed strategies of immortality, the search for a real bridge leading man and humanity through the abyss of threatened non-existence.
Philosophy and Culture, 2023-2
Suslov A.V., Gusev D.A. - Two Verticals, or the Paradox and Tragedy of Soviet Atheism pp. 76-90

DOI:
10.7256/2454-0757.2023.2.37992

Abstract: The object of the study is atheism and theism as important ideological components of two opposing solutions to the "main question of philosophy" – materialism and idealism – forming two systems of human life navigation. The subject of the study is two ideological paradigms – Soviet atheism and Orthodox Christianity. Materialism and atheism are the fundamental elements of the Marxist doctrine underlying the philosophy and culture of the Soviet period of Russian history, opposing theism, creationism and providentialism of the Christian understanding of the world and man, characteristic of the ideological paradigm of pre–revolutionary Russia. The purpose of the study is to clarify and substantiate the ideological intersection of these seemingly incompatible ideological positions. One of the objectives of the study is to substantiate their vertical semantic and value orientation. The novelty of the research, in particular, lies in the substantiation of the statement that two incompatible ideological poles represent varieties of the classical philosophical tradition with its vertical value-semantic orientation, and together oppose the main orientation of non-classical philosophy based on a horizontal scale of meanings and values. One of the main conclusions is that the vertical of Soviet materialism and atheism is a paradox and at the same time its tragedy: surprisingly, due to the vertical orientation of Soviet culture – formally atheistic – it is actually permeated with religious intuitions, questions, problems, ideas and plots disguised as secular concepts and terms, which finds its manifestation in various works of Soviet artistic culture.
Philosophy and Culture, 2021-5
Suslov A.V., Gusev D.A., Potaturov V.A. - The concept of “aesthetic education” of F. Schiller: philosophical system in historical perspective pp. 35-60

DOI:
10.7256/2454-0757.2021.5.36075

Abstract: This article analyzes the fundamental principles of the concept of "aesthetic education" of F. Schiller, which remain relevant in solving the crisis challenges of the modern era. The subject of this research is the concept of “aesthetic education” described in Friedrich Schiller's “Letters on the Aesthetic Education of Man”. The goal consists on analysis of the concept of “aesthetic education” for more profound understanding of the development paths of German philosophy, as well as in assessment of the philosophical and sociopolitical importance of the philosopher’s ideas in the current context. Detailed analysis is conducted on F. Schiller's “Letters on the Aesthetic Education of Man”, highlighting the key features and major contradictions the concept of “aesthetic education”. The novelty of the research lies in the relevant analysis of the concept of “aesthetic education”, and assessment of its value for the development of philosophy and society. The central concept of aesthetic theory becomes the concept of play drive, which balances the sense drive and the form drive, which ensures the ability of perception in all kinds of interaction between a human and the world, and the rational independence from perception. The aesthetic freedom, on the one hand, is determined as state of harmony between the sensual instincts and the laws of reason; while on the other hand, it is the freedom that arises from the sense of exalted belonging to the category of pure spirit and revealing the absolute moral power beyond feelings. According to modern philosophers, the aesthetic way of creating the “composition of the world" lies in the sphere of transcendental. The advantage of Schiller’s concepts is the expansion of its boundaries from the sphere of art to sociopolitical sphere. In addition to intellectual and ethical path of human development, Schiller offers the aesthetic path. The idea of “aesthetic education” implies the communicative and societal power of art, which is capable to comprehend the overall nature of modern politics.
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