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MAIN PAGE > Journal "Urban Studies" > Rubric "Culture and cultures"
Culture and cultures
Griber Y.A. - Japanese model of urban coloristics pp. 1-8


Abstract: The subject of this research is the rules that regulate the urban coloristics in Japan. The author’s task and its solution consist in imagining the Japanese norms of color projection in the context of Japanese culture, and thus preserve them from the destructing reflective symmetry ion perception and assessment. The author thoroughly examines the legislative norms of urban coloristics of Japan, and gives special attention to the analysis of connection of the suggested principles of regulation of the urban coloristics with the Japanese aesthetics, as well as with the established in Japanese culture ideas about beauty and color harmony. The main methodological principle which defines the perspective for examining the Japanese model of urban coloristics consists in shifting of the accent from the form of normative documents to the content of the cultural norms that lie in their foundation, which they are the product of. Scientific novelty lies in determination of specificity of the Japanese model of urban coloristics: main idea of the introduced color restrictions, structure and content of the palette, principles and rules of color schemes. The author underlines that the Japanese urban coloristics carries a “nature-imitating” and “self-developing” character, in which the norms of color design as a rule do not specify a strict color scheme, but give to each city resident a choice to choose it.
Griber Y.A. - Space in the Japanese urban coloristics pp. 81-85


Abstract: The goal of this article consists in the demonstration of the distinctness of the principles of distribution of color in space that are contained in the Japanese norms of urban design. The author thoroughly examines the mechanism of formation and perception of the urban coloristics. Special attention is given to the analysis of the link between the norms of urban coloristics and characteristic to the Japanese art culture principles of spatial composition, to which pertains the absence of linearity and symmetry, special attitude to the integral regardless the independent existences of the separate, the idea of cyclic movement, emphasized attention to the opposition between the top and bottom. For solution of the set task, the author uses the method of informal analysis of the documents aimed at interpretation of the actual content, purposes of creation, and context of the Japanese laws that regulate the urban coloristics. The scientific novelty lies in reconstruction of the key principles of mental model, which comprises the foundation of the Japanese urban coloristics. The author’s special contribution is the explanation of the establishment of Japanese norms of urban coloristics towards “closeness” of the space, its “framed” perception, two-dimensionality, as well as temporalization of the color images.
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