Статья 'Социальные коммуникации посредством кинематографа и анализ цвета в картине Б. Бертолуччи «Конформист» (1970)' - журнал 'Социодинамика' - NotaBene.ru
по
Journal Menu
> Issues > Rubrics > About journal > Authors > About the Journal > Requirements for publication > Editorial board > Peer-review process > Policy of publication. Aims & Scope. > Article retraction > Ethics > Online First Pre-Publication > Copyright & Licensing Policy > Digital archiving policy > Open Access Policy > Open access publishing costs > Article Identification Policy > Plagiarism check policy > Editorial collegium
Journals in science databases
About the Journal

Публикация за 72 часа - теперь это реальность!
При необходимости издательство предоставляет авторам услугу сверхсрочной полноценной публикации. Уже через 72 часа статья появляется в числе опубликованных на сайте издательства с DOI и номерами страниц.
По первому требованию предоставляем все подтверждающие публикацию документы!
MAIN PAGE > Back to contents
Sociodynamics
Reference:

Social communication through cinema and the analysis of color in the film of B. Bertolucci

Roslyakova Viktoriya Aleksandrovna

student of the Department of Cultural Studies at Siberian Federal University

660100, Russia, Krasnoyarsk Region, Krasnoyarsk, prospekt Svobodny, 79

victoriaros@mail.ru
Другие публикации этого автора
 

 

DOI:

10.7256/2409-7144.2015.10.1647

Review date:

25-09-2015


Publish date:

27-09-2015


Abstract.

On a material of philosophical and cinematographic art analysis of "The Conformist" is defined mechanism of action of color: 1) found that the color does not cease to have effect on the material, index, summative-iconic and integrated-cinematographic iconic status; 2) it proved that the artistic idea of the film is formulated with the help of color images, and visualized key ideological aspects of the movie, "the image of normality" and "identity" (brown / gray), the "image of the otherness" and "being different" (blue / blue)

Keywords: motion picture, cinema, methodology, artwork, art culture, social communications, Bertolucci, The Conformist, text, color
This article written in Russian. You can find full text of article in Russian here .

References
1.
Zhukovskii V.I. Formula garmonii. Sekrety shedevrov iskusstva. – Krasnoyarsk: Bonus, 2001. – 208 s.
2.
Klykova A.V. Iconographic Research of Paul Gauguin’s Masterpiece «Caricature of Tahiti Governor Lacascade» // Journal of Siberian Federal University. Humanities & Social Sciences 4 (2009 2) 560-579.
3.
Koptseva N.P. Igra kak ontologiya cheloveka (na materiale p'esy A.P. Chekhova «Chaika») / Observatoriya kul'tury. – 2012.-№ 6. – S. 118-122.
4.
Kolesnik M.A., Mirkes M.M. Principles of Symmetry in the Krasnoyarsk City Space and Processes of the Regional Identity // Journal of Siberian Federal University. Humanities & Social Sciences 12 (2011 4) 1727-1742.
5.
Reznikova K.V. “The Oera Linda Book” and “The Snow Queen”: Two Destinies of One Myth // Journal of Siberian Federal University. Humanities & Social Sciences 1 (2015 8) 156-181.
6.
Sitnikova A.A. Khudozhestvennaya interpretatsiya obraza zhizni na Severe v proizvedeniyakh Rokuella Kenta // Sovremennye problemy nauki i obrazovaniya. – 2014.-№ 4. – S. 493.
7.
Libakova N.M. Formirovanie pozitivnoi etnicheskoi identichnosti indigennykh narodov posredstvom dekorativno-prikladnogo iskusstva (rez'ba po kosti) // Sovremennye problemy nauki i obrazovaniya. – 2015.-№ 1. – S. 1889.
8.
Zhukovsky V.I., Pivovarov D.V. Critical Analysis of the Systems Approach // Journal of Siberian Federal University. Humanities & Social Sciences 8 (2015 8) 1569-1575.
9.
Zhukovskii V.I., Koptseva N.P. Propozitsii teorii izobrazitel'nogo iskusstva. – Krasnoyarsk, 2004.
10.
Zhukovskii V.I., Koptseva N.P., Pivovarov D.V. Vizual'naya sushchnost' religii. – Krasnoyarsk, 2006.
11.
Zhukovskiy V.I. The Visual Content in Representative Paintings of Andrei Pozdeev // Journal of Siberian Federal University. Humanities & Social Sciences 1 (2008) 124-148.
12.
Koptseva N.P. Problema istiny v sovremennoi ontologii. Dissertatsiya kandidata filosofskikh nauk. – Irkutsk, 1996.
13.
Koptseva N.P., Ma Liiaa, Kirko V.I. The Concept of “Communication” in Contemporary Research // Journal of Siberian Federal University. Humanities & Social Sciences 8 (2015 8) 1560-1568.
14.
Pivovarov D.V. Ideale and Ideelle // Journal of Siberian Federal University. Humanities & Social Sciences 1 (2012 5) 13-27.
15.
Zhukovskii V.I., Koptseva N.P. Iskusstvo Vostoka. Indiya. – Krasnoyarsk, 2005.
16.
Zhukovskii V.I. Teoriya izobrazitel'nogo iskusstva. – SPb: Aleteiya, 2011.
17.
Koptseva N.P., Reznikova K.V. Three paintings by Zdzisław Beksiński: making art possible “After Auschwitz” // Journal of Siberian Federal University. Humanities & Social Sciences 5 (2015 8) 879-900.
18.
Semenova A.A., Soshenko M.V. Image of Siberia in Artist Aleskander Surikov’s Works // Journal of Siberian Federal University. Humanities & Social Sciences 12 (2011 4) 1743-1766.
19.
Sertakova E.A., Gerasimova A.A. Formation of the Russian Siberian Identity in the Wood Engravings of the Krasnoyarsk Craftsmen // Journal of Siberian Federal University. Humanities & Social Sciences 12 (2011 4) 1719-1726.
20.
Roslyakova V.A. K voprosu o znachenii tsveta v kinmatografe dlya sovremennykh sotsial'nykh kommunikatsii // Sotsiodinamika. — 2015.-№ 8.-S.64-74. DOI: 10.7256/2409-7144.2015.8.16124. URL: http://e-notabene.ru/pr/article_16124.html
21.
Sitnikova A.A. The Image of Siberia in Soviet, Post-Soviet Fiction and Werner Herzog’s Documentary Films // Journal of Siberian Federal University. Humanities & Social Sciences 4 (2015 8) 677-706.
22.
Bakhova N.A., Zamaraeva Yu.S., Koptseva N.P. Sotsial'naya (kul'turnaya) antropologiya. – Krasnoyarsk, 2011.
23.
Gudkova E.E., Sertakova E.A. Znachenie arkhetipa «Angel v smiritel'noi rubashke» dlya ponimaniya spetsifiki sovremennogo russkogo sotsial'no-kul'turnogo prostranstva // Sotsiodinamika. — 2015.-№ 4.-S.64-74. DOI: 10.7256/2409-7144.2015.4.15060. URL: http://e-notabene.ru/pr/article_15060.html
24.
Il'beikina M.I. Rol' vizual'noi antropologii v sotsial'nom konstruirovanii tsennostei. Avtoreferat kandidata filosofskikh nauk. – Krasnoyarsk, 2013.
25.
Kistova A.V., Kushnareva A.V. Tvorcheskii metod Natal'i Semenovoi v rusle krasnoyarskoi keramicheskoi shkoly // Sovremennye problemy nauki i obrazovaniya. – 2013.-№ 2. – S. 462.
26.
Kistova A.V., Koptseva N.P. Konstruirovanie etnokul'turnoi i obshchenatsional'noi identichnosti kak filosofskaya problema // Filosofiya i kul'tura. – 2015.-№ 1. – S. 12-19.
27.
Koptseva N.P., Reznikova K.V.. Filosofskie osnovaniya khudozhestvennogo tvorchestva Al'bera-Sharlya Lebura ("ruanskaya shkola" frantsuzskogo impressionizma). // Filologiya: nauchnye issledovaniya.-2014.-№ 1.-C. 77-92. DOI: 10.7256/2305-6177.2014.1.10946
28.
Libakova N.M. Modifikatsii gendernykh obrazov v rossiiskoi kul'ture k. XIX – nachale XXI vv. Avtoreferat kandidata filosofskikh nauk. – Velikii Novgorod, 2011.
29.
Pimenova N.N., Sergienkova N.M. Osobennosti tvorchestva Yulii Yushkovoi kak predstavitelya krasnoyarskoi shkoly keramiki // Sovremennye problemy nauki i obrazovaniya. – 2013.-№ 2. – S. 541.
30.
Reznikova K.V. «Severnaya koroleva» kak interpretatsiya severnogo mifa «Khronika Ura Landa» // Sovremennye problemy nauki i obrazovaniya. – 2014.-№ 5. – S. 824.
31.
Sertakova E.A. Kontsept «gorod» v russkoi kul'ture // NB: Kul'tury i iskusstva. — 2014.-№ 2.-S.97-126. DOI: 10.7256/2306-1618.2014.2.12044. URL: http://e-notabene.ru/ca/article_12044.html
32.
Teoriya i praktika prikladnykh kul'turnykh issledovanii: regional'nyi proekt. Kollektivnaya monografiya. – SPb: Eidos, 2013.
33.
Nevolko N.N. The Historiographical Review of the Scientific Literature of the Late XIX to the First Decade of the XXI Century Concerning the Problem of Ethnic Identification of the Khakass Ethnos // Journal of Siberian Federal University. Humanities & Social Sciences 6 (2011 4) 823-836.
34.
Pimenova N.N., Marysheva A.V. Wooden Zodchestvo of Krasnoyarsk City as the Space for Forming Territorial and Ethno-Cultural Identity // Journal of Siberian Federal University. Humanities & Social Sciences 12 (2011 4) 1784-1793.
35.
Seredkina N.N. Cultural and Semiotic Strategies of Constructing Indigenous Northern Ethnicity in Art (Based on the Yakut Art School) // Journal of Siberian Federal University. Humanities & Social Sciences 4 (2015 8) 769-792.
36.
Mikheeva Yu.V. Muzykal'naya forma kak forma kinofil'ma: vopros ontologicheskogo edinstva // Filosofiya i kul'tura. - 2015. - 5. - C. 762 - 768. DOI: 10.7256/1999-2793.2015.5.11302.
37.
Baksanskii O.E. Kognitivnye reprezentatsii kartiny mira: ot zdravogo smysla k nauchnomu poznaniyu/ // Psikhologiya i Psikhotekhnika. - 2014. - 3. - C. 266 - 274. DOI: 10.7256/2070-8955.2014.3.11474.
38.
Seredkina N.N. Etnicheskaya kartina mira v kontekste sovremennykh sotsial'nykh issledovanii // Sotsiodinamika. - 2014. - 10. - C. 26 - 59. DOI: 10.7256/2409-7144.2014.10.13441. URL: http://www.e-notabene.ru/pr/article_13441.html
Link to this article

You can simply select and copy link from below text field.


Other our sites:
Official Website of NOTA BENE / Aurora Group s.r.o.
"History Illustrated" Website