Социальные коммуникации посредством кинематографа и анализ цвета в картине Б. Бертолуччи «Конформист» (1970)

Рослякова Виктория Александровна

doi:10.7256/2409-7144.2015.10.1647


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Sociodynamics

Reference:

Roslyakova V.A. — Social communication through cinema and the analysis of color in the film of B. Bertolucci // Sociodynamics. – 2015. – № 10. – P. 109 - 137. DOI: 10.7256/2409-7144.2015.10.1647 URL: https://en.nbpublish.com/library_read_article.php?id=16475

Social communication through cinema and the analysis of color in the film of B. Bertolucci

Roslyakova Viktoriya Aleksandrovna

student of the Department of Cultural Studies at Siberian Federal University

660100, Russia, Krasnoyarsk Region, Krasnoyarsk, prospekt Svobodny, 79

victoriaros@mail.ru

Другие публикации этого автора

DOI:

10.7256/2409-7144.2015.10.1647

Review date:

25-09-2015

Publish date:

27-09-2015

Abstract.

On a material of philosophical and cinematographic art analysis of "The Conformist" is defined mechanism of action of color: 1) found that the color does not cease to have effect on the material, index, summative-iconic and integrated-cinematographic iconic status; 2) it proved that the artistic idea of the film is formulated with the help of color images, and visualized key ideological aspects of the movie, "the image of normality" and "identity" (brown / gray), the "image of the otherness" and "being different" (blue / blue)
Keywords: motion picture, cinema, methodology, artwork, art culture, social communications, Bertolucci, The Conformist, text, color
This article written in Russian. You can find full text of article in Russian here .

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