Проявление эстетики жанра инструментального театра в произведениях композиторов третьего течения (на примере сочинений Г. Шуллера, Д. Аргью, Д. Глатцеля, Т. Маккинли)

Полищук Аэлита Эдисоновна

doi:10.7256/2453-613X.2020.1.31813


	Journal Menu > Issues > Rubrics > About journal > Authors > About the Journal > Requirements for publication > Council of Editors > Peer-review process > Article retraction > Ethics > Online First Pre-Publication > Copyright & Licensing Policy > Digital archiving policy > Open Access Policy > Open access publishing costs > Article Identification Policy > Plagiarism check policy


	Journals in science databases ERIH PLUS - Европейский индекс цитирования гуманитарных наук, один из крупнейших мировых индексов цитирования. Попавшие в систему мониторинга журналы соответствуют жестким европейским требованиям к научным публикациям. Попадание в ERIH позволяет исследователям всего мира пользоваться научными материалами, опубликованными в журнале, повышает цитируемость авторов журнала в научных трудах ученых разных стран.


	About the Journal

Публикация за 72 часа - теперь это реальность!

При необходимости издательство предоставляет авторам услугу сверхсрочной полноценной публикации. Уже через 72 часа статья появляется в числе опубликованных на сайте издательства с DOI и номерами страниц.

По первому требованию предоставляем все подтверждающие публикацию документы!

MAIN PAGE > Back to contents

PHILHARMONICA. International Music Journal

Reference:

Polishchuk A. — The manifestation of the instrumental theatre genre in the works of the third stream composers (the case study of the works by G. Schuller, D. Argue, D. Glatzel, T. McKinley)
// PHILHARMONICA. International Music Journal. – 2020. – № 1. – P. 28 - 35. DOI: 10.7256/2453-613X.2020.1.31813 URL: https://en.nbpublish.com/library_read_article.php?id=31813

The manifestation of the instrumental theatre genre in the works of the third stream composers (the case study of the works by G. Schuller, D. Argue, D. Glatzel, T. McKinley)

Polishchuk Aelita

PhD in Art History

Associate Professor at the Department of Show and Jazz Singing of Krasnodar State Institute of Culture

350901, Russia, Krasnodarskii krai, g. Krasnodar, ul. Im. 40-Letiya pobedy, 33

aelita.polischuk@gmail.com

DOI:

10.7256/2453-613X.2020.1.31813

Review date:

22-12-2019

Publish date:

16-02-2020

Abstract.

The research subject is the types of musical action art - instrumental theatre, director’s action art, instrumental multimedia. The research object is the works of several third stream composers of the late 20th - the early 21st century which contain the distinctive features of musical action art. Based on the typology formulated by the researcher V.O.Petrov, the author studies the issues connected with the synthesis of music, text, theatrical elements and multimedia. Special attention is given to the instrumental theatre genre. The research field contains: the synthetic opus by the third stream theorist G. Schuller ‘Journey into Jazz’; an orchestra cycle by a modern Brooklyn band leader D.Argue ‘Real Enemies’; an orchestra play ‘W.A.Mozart VS Random Generator’ from the creative project Live on Planet Earth by Brooklyn composer and a leader of a big band Andromeda Mega Express Orchestra D. Glatzel; a double concert R.A.P. by Schuller’s follower and junior colleague in New England Conservatory in Boston, American composer T. McKinley. The author analyzes their works and detects the signs of the synthesis of music, text, visual multimedia action and particular theatrical elements. In all the works under study the esthetic principles of the instrumental theatre genre can be identified, which prove its importance and topicality during the development of the musical art of the late 20th - the early 21st century.
Keywords: instrumental multimedia, conductor action, instrumental theater, orchestral jazz, style synthesis, third stream, G. Schuller, D. Argue, D. Glatzel, T. McKinley
This article written in Russian. You can find full text of article in Russian here .

References

1.	Petrov V. O. O proyavlenii aktsionizma v iskusstve XX stoletiya // Uchenye zapiski Rossiiskoi akademii muzyki im. Gnesinykh. 2018. № 2 (25). S. 53–62.
2.	Petrov V. O. Instrumental'nyi teatr: istoricheskaya piramida zhanra // Muzyka i muzykal'naya kul'tura. 2012. № 5 (11) S. 99–107.
3.	Petrov V. O. Voploshchenie aktsionizma v tvorchestve Dzhona Keidzha: instrumental'nyi teatr, kheppening, mul'timediinoe sobytie // Massovaya muzyka i dzhazovoe ispolnitel'stvo v sovremennoi kul'ture: Sb. statei po materialam II Vserossiiskoi nauchno-prakticheskoi konferentsii s mezhdunarodnym uchastiem. Krasnodar, KGIK, 2018. S. 154–178.
4.	Polishchuk A. E. Tret'e techenie i progressiv v evolyutsii dzhaza. Dis. …kand. iskusstvovedeniya. Krasnodar, 2019. 291 s.
5.	Schuller, G. Musings: The Musical Worlds of Gunther Schuller. – Oxford University Press, Inc. 1986. – 328 p. (Oxford Paperbacks, 1989).
6.	Schuller, G. Annotation by «Jorney Into Jazz & Variants for Jazz Quartet and Orchestra». BMOP/sound. 2008 [Electronic resource]. URL: https://www.bmop.org/audio-recordings/gunther-schuller-journey-jazz
7.	Darcy James Argue’s Secret Society: Real Enemies / Jazz night in America. URL: https://www.youtube.com/watch?v=KnyzVD2yEDw
8.	Olmsted K. Real enemies. Conspiracy Theories and American Democracy. World War I to 9/11. 2009. 336 p. [Electronic resource]. URL: https://global.oup.com/academic/product/real-enemies-9780195183535?cc=us&lang=en&
9.	Strominger, J. An introduction [Electronic resource]. URL: http://www.secretsocietymusic.org/intro/#&panel1-1
10.	Walters J. CD review: Darcy James Argue’s Secret Society: Real Enemies, November 2016 [Electronic resource]. URL: http://www.londonjazznews.com/2016/11/cd-review-darcy-james-argues-secret.html]
11.	Petrov V. O. Dirizherskii aktsionizm v proizvedeniyakh instrumental'nogo teatra // Muzykovedenie. 2016. № 2. S. 8–13.
12.	Polishchuk A. E. Priznaki estetiki postmodernizma v sovremennom orkestrovom dzhaze Evropy // Estradno-dzhazovoe iskusstvo: istoriya, teoriya, praktika: materialy I Mezhdunarodnoi nauchno-prakticheskoi konferentsii (16–17 aprelya 2018 g.): sb. statei / nauch. red. L. S. Zorilova, E. N. Borisova, K. V. Politkovskaya. M.: OOO Izdatel'stvo «Soglasie», 2018. S. 267–275.
13.	Rose, G. Annotation by «Gil Rose & Boston Modern Orchestra Project – William Thomas McKinley: R.A.P.» [Electronic resource]. URL: https://www.bmop.org/sites/default/files/bmop_-_1016_-_william_thomas_mckinley_-_r.a.p.pdf
14.	Shak F. M., Polishchuk A. E. Orkestrovyi dzhaz Dzheimsa Arg'yu v prizme postmodernistskikh praktik // PHILHARMONICA. International Music Journal. 2019. № 2. S. 83–92. DOI: 10.7256/2453-613X.2019.2.29535 URL: https://nbpublish.com/library_read_article.php?id=29535

Link to this article

You can simply select and copy link from below text field.