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Genesis: Historical research
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MAIN PAGE > Journal "Genesis: Historical research" > Rubric "Historical sources and artifacts"
Historical sources and artifacts
Tikhonov V.V. - '... To Batter Down the Final Nail in the Coffin of Isaak Mintz and His Henchmen': Destruction of the Historian Isaak Mintz's Group During the Years of Ideological Campaigns of 'Late Stalinism' pp. 1-28

DOI:
10.7256/2306-420X.2013.2.701

Abstract: The article is devoted to the destruction of so called 'Mintz- Razgon - Gorodetsky' group as part of ideological campaigns during the years of 'late Stalinism'. The author of the article focuses his attention on the opposition between historians A. Sidorov and I. Mintz during the years of struggle against 'rootless cosmopolitism'. Analyzing a wide range of scientific works many of which have never been discussed in Russian science before, the author of the article shows the influence of the campaign on historical studies. The author describes the main cause of the opposition between I. Mintz and A. Sidorov and makes a conclusion that the fight for influence over academic community was an important element of ideological campaigns back in those times. Based on the example of E. Gorodetsky, the author makes a conclusion that the campaign made part of the intelligentsia to review their values and to assume an anti-Stalin position.
Golovin S.A. - Was Ivan the Terrible poisoned? Comprehension of the chemical research results of the remains of the Czar from necropolises of the Ascension Cathedral and Cathedral of the Archangel of the Moscow Kremlin pp. 1-23

DOI:
10.25136/2409-868X.2018.2.25249

Abstract: The contemporary Russian historiography (1990-2000’s) marks the emergence of a number of scientific works that from the perspective of modern scientific data and political preferences defend the paradigmatic version on poisoning of the Russian Czar Ivan IV. The supporters of this hypothesis considerably lean on the results of chemical research of the remains from grand ducal necropolises of the Moscow Kremlin, which showed a high concentration of diverse heavy metals in them. The goal of this article consists in comprehension of the results of chemical expertise of the Czar’s remains from the necropolises of the Kremlin. The research is based on the method of statistical analysis, using the comparative-historical and retrospective methods. The conclusion on conscious poisoning of the Czar Ivan IV, formulated on the basis of significant concentration of mercury and arsenic in his remains, seems unsubstantiated. The statistical analysis argues the newly suggested in the contemporary Russian historiography version (2003-2006) on the conscious poisoning of the Czar Ivan IV and his sons, within the framework of which the conclusions of the Commission (1963-1966) are considered inaccurate.
Orfinskaya O.V. - Technological research of omophorion and belt of the XVIII century from Vologda State Historical, Architectural and Art Museum-Reserve pp. 65-96

DOI:
10.25136/2409-868X.2018.5.25188

Abstract: The object of this research is the archeological textile of the XVIII century, which is preserved in the funds of Vologda State Historical, Architectural and Art Museum-Reserve. Two fragments of an omophorion and a belt, after having been extracted from the grave were poorly preserved. For their storage and potential exposition, the museum had to conduct restoration works. The modern scientific restoration implies the research practices that allow selecting the proper methods of restoration works, as well as refine the system of sewing garments, fabric ornaments, and the structure of textile interlacing; often it is possible to reconstruct the shape and color of the examined object. For determination of the ultimate composition of golden embroidery threads, was applies the method of X-ray fluorescence spectral analysis. The research was conducted in the department of restoration of leather and archeological textile (Head of the department N. P. Sinitsyn) of the Grabar Russian Art and Research Restoration Center. The main goal of this publication consists in introduction into the scientific discourse of the new artefact with precise daring and reference to a specific historical figure. Such research must be performed on all museum objects; therefore, the author provides the scheme and key directions in the area of examination and restoration of textile.
Kosov I.M. - Rhetorical functions of bestiary in Giraldus Cambrensis’ "Topography of Ireland" (according to manuscript of the year 1200) pp. 97-109

DOI:
10.7256/2409-868X.2017.5.20836

Abstract: The subject of this research is the body of miniatures of the NLI MS Giraldus 700manuscript. The object is the rhetorical tools and ways of amplification of the visual text of images of the authorial manuscript in the third version of “Topography…” into the semantic layer of stylistic of the presented treatise of the late XII century. Special attention is given to the classification and typology of miniatures in the Russian and foreign historiography. The researcher specifies the typology of the studied manuscript and its place within the tradition of the English bestiary of the High Middle Ages. The scientific novelty of this work consists in exclusion from the selection of lists of the non-contemporary to the author source – “Topography of Ireland”. In other words, based on such depicted rhetorical tools, the stylistic and rhetorical method of the medieval scribe – the logic in-phase is vividly restored. An important practical result of the conduced analysis of the miniatures will be consciousness within the framework of comparativist approach of the archetype nature of synchrony of the visual and written text as such over the period of III – XII centuries.
Yankovskaya M.S. - Paris and Exposition Universelle of 1889 in perception of the Russian journalists pp. 110-116

DOI:
10.25136/2409-868X.2017.10.24122

Abstract:  The subject of this research is the impressions of Paris experienced by the Russian journalists during their visit of the Exposition Universelle in 1889. Attention is focused in the cross-cultural dialogue between France and Russia right before concluding the military-political alliance. The history of the world expositions can be viewed as a mirror of international politics that also reflects the peculiarities of mentality and domestic policy of the member-states. In the course of the research, the author applied the methods of internal and external criticism, as well as extensively used the interdisciplinary approach, elements of statistical analysis, culturological and art methods. The scientific novelty consists in the fact that the world expositions are the manifestation of mass visual culture. These are the most accessible forms for cognizing the culture of other countries intelligible for the extensive audience, which gradually substitute the exclusive culture. In addition, the novelty is associated with the methodology of imagological studies, namely consideration of the mutual representations and stereotypes of perception.   
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