по
Journal Menu
> Issues > Rubrics > About journal > Authors > About the journal > Requirements for publication > Editorial collegium > Peer-review process > Peer-review in 24 hours: How do we do it? > Policy of publication. Aims & Scope. > Article retraction > Ethics > Copyright & Licensing Policy > Publication in 72 hours: How do we do it? > Digital archiving policy > Open Access Policy > Open access publishing costs > Article Identification Policy > Plagiarism check policy > Editorial board
Journals in science databases
About the Journal

Публикация за 72 часа - теперь это реальность!
При необходимости издательство предоставляет авторам услугу сверхсрочной полноценной публикации. Уже через 72 часа статья появляется в числе опубликованных на сайте издательства с DOI и номерами страниц.
По первому требованию предоставляем все подтверждающие публикацию документы!
MAIN PAGE > Back to contents
Philosophical Thought
Reference:

Rational Element as One of the Most Important Ontological Grounds of the Creative Process
Demenev Denis Nikolaevich

PhD in Philosophy

Associate professor of the Departent of Fine Arts at Magnitogorsk State University

455038, Russia, Chelyabinskaya oblast', g. Magnitogorsk, ul. Lenina, 112/2, of. korpus

denis-demenev@mail.ru
Другие публикации этого автора
 

 

Abstract.

The article is devoted to the question about the rational part of the creative process and its relation to the sensual element. Describing the structure of art process as starting from the sensual level, the author proves the need in rational grounds of art, too. Concrete thinking and abstract thinking of an artist create such grounds. These cogitation patterns exist in the creative process and often transform from one to another. These patterns lie in the basis of the outcome of art process. The result of any creative process of an artist is either images resembling (reflecting) something or true art images created based on a certain degree of abstraction. The former images are easy to understand so they satisfy tastes of the majority of people and the latter images are not so comprehensive  and therefore are not always understood by the audience. The author of the present article tries to answer the question about what makes such 'ununderstandable' artwork to be created? At the end of the article the author makes a conclusino that being one of the most important ontological grounds of the creative process, the rational element is interchangeable with the sensual element and creates grounds for formation of the third stage of the creative process, i.e. life experience of the artist himself.  

Keywords: abstract thinking, concrete thinking, sensual level, rational level, artist, form of thought, content of thought, object of thought, fine arts, experience

DOI:

10.7256/2306-0174.2013.11.9505

Article was received:

09-09-2013


Review date:

10-09-2013


Publish date:

1-11-2013


This article written in Russian. You can find full text of article in Russian here .

References
1.
Filosofskii entsiklopedicheskii slovar'. M. : INFRA-M, 2009. S. 423.
2.
Leonardo da Vinchi. Suzhdeniya o nauke i iskusstve / Leonardo da Vinchi. SPb. : Azbuka, 2001. S. 387
3.
Shiller F. Sobranie sochinenii v 6 tt. / F. Shiller. T. 6. S. 292.
4.
Filosofskii entsiklopedicheskii slovar'. M. : INFRA-M, 2009. S. 280.
5.
Rubinshtein, S. L. Bytie i soznanie / S. L. Rubinshtein // O meste psikhicheskogo vo vseobshchei vzaimosvyazi yavlenii material'nogo mira. M.: Izd-vo A. N. SSSR, 1957. S. 7.
6.
Raushenbakh, B. V. Geometriya kartiny i zritel'noe vospriyatie / B. V. Raushenbakh. SPb. : Azbuka-klassika, 2002. S. 272.
7.
Raushenbakh, B. V. Geometriya kartiny i zritel'noe vospriyatie / B. V. Raushenbakh. SPb. : Azbuka-klassika, 2002. S. 298.
8.
Raushenbakh, B. V. Geometriya kartiny i zritel'noe vospriyatie / B. V. Raushenbakh. SPb. : Azbuka-klassika, 2002. S. 299.
9.
Raushenbakh, B. V. Geometriya kartiny i zritel'noe vospriyatie / B. V. Raushenbakh. SPb. : Azbuka-klassika, 2002. S. 303.
10.
Raushenbakh, B. V. O logike triedinosti / B. V. Raushenbakh // Voprosy filosofii. №11. 1990. S. 166-169.
11.
Raushenbakh, B. V. Geometriya kartiny i zritel'noe vospriyatie / B. V. Raushenbakh. SPb. : Azbuka-klassika, 2002. S. 303, 306.
12.
Vzdornov G. I. Zolotoi vek russkoi zhivopisi. Ot Andreya Rubleva do Dionisiya / G. I. Vzdornov // Nashe Nasledie. 2010. №96. S. 9-19.
13.
Raushenbakh, B. V. Geometriya kartiny i zritel'noe vospriyatie / B. V. Raushenbakh. SPb. : Azbuka-klassika, 2002. C. 297-313.
14.
Gegel', G. V.F. Lektsii po estetiki / G. V.F. Gegel'. SPb., 1999. S. 85.
15.
Raushenbakh, B. V. Geometriya kartiny i zritel'noe vospriyatie / B. V. Raushenbakh. SPb. : Azbuka-klassika, 2002. S. 307.
16.
Pikasso i okrestnosti: sb. st. / otv. red. M. A. Busev. M.: Progress – Traditsiya, 2006. S. 18.
17.
Filosofskii entsiklopedicheskii slovar'. M. : INFRA-M, 2009. S. 327.
18.
Filosofskii entsiklopedicheskii slovar'. M., 1983. S. 446.
19.
Marks, K. Iz rannikh proizvedenii / K. Marks, F. Engel's. M. : Gospolitizdat, 1956. S. 592-594.
20.
Filosofskii entsiklopedicheskii slovar'. M. : INFRA-M, 2009. S. 424.
21.
Leonardo da Vinchi. Suzhdeniya o nauke i iskusstve / Leonardo da Vinchi. SPb. : Azbuka, 2001. S. 198.
22.
Mamardashvili, M. K. Soznanie kak filosofskaya problema // Problemy filosofii. M. : «Nauka», 1990. №10. S. 3.
23.
Zedl'mair, Kh. Iskusstvo i istina / Kh. Zedl'mair // O teorii i metode istorii iskusstva. M.: Iskusstvoznanie, 1999. S. 10.
24.
Aristotel'. O dushe // Sochineniya: v 4 t. T. 1. M. : Mysl', 1975. S. 65-67.
25.
Shiller F. Sobranie sochinenii v 8 t. T. 6. M.-L., 1950. S. 227.
26.
Il'enkov, E. V. Iskusstvo i kommunisticheskii ideal / E. V. Il'enkov. – Moskva : Iskusstvo, 1984. – S. 240.
27.
Gete, I. V. Izbrannye sochineniya po estestvoznaniyu / I. V. Gete. M.: Izd-vo akademii nauk SSSR, 1957. S. 58.
28.
Estetika: slovar'. M., 1989. S. 239.
29.
Pikasso i okrestnosti: sb. st. / otv. red. M. A. Busev. M.: Progress – Traditsiya, 2006. S. 18
30.
Deineka, A. A. Uchites' risovat' // A. A. Deineka. M. : Arkhitektura – S, 2005. S. 6.
31.
Berdyaev, N. A. Filosofiya svobody. Smysl tvorchestva / N. A. Berdyaev. M. : Izd-vo «Pravda», 1989. S. 368.
32.
Aristotel'. Metafizika // Sochineniya. V 4 t. M., 1975. T. 1. S. 65-67.
33.
Ryabushkina T.M. Refleksiya kak metod samopoznaniya: k voprosu o krizise osnovanii kartezianskoi i postkartezianskikh teorii sub''ektivnosti // NB: Filosofskie issledovaniya.-2013.-1.-C. 1-59. URL: http://www.e-notabene.ru/fr/article_268.html
34.
Golubitskii Yu.A. Fenomeny nauchnogo i khudozhestvennogo sposobov otrazheniya deistvitel'nosti: antagonizm ili gnoseologicheskoe rodstvo i vzaimoproniknovenie? // NB: Kul'tury i iskusstva.-2012.-1.-C. 134-187. DOI: 10.7256/2306-1618.2012.1.121. URL: http://www.e-notabene.ru/ca/article_121.html
35.
Skorobogacheva E.A. Russkii Sever v tvorchestve V. M. Vasnetsova i khudozhnikov ego kruga // NB: Kul'tury i iskusstva.-2013.-2.-C. 153-196. URL: http://www.e-notabene.ru/ca/article_576.html
36.
V.I. Zhukovskii. Proizvedenie izobrazitel'nogo iskusstva: fenomen indeksnykh, ikonicheskikh i simvolicheskikh khudozhestvennykh obrazov // Filosofiya i kul'tura. – 2012. – № 11. – S. 104-107.
37.
E. D. Yakhnin. Razmyshleniya ob izobrazitel'nom iskusstve i ego vospriyatii // Kul'tura i iskusstvo. – 2012. – № 6. – S. 104-107.
38.
S.S. Sevast'yanova. Vremya i prostranstvo v ekranom muzykal'nom teatre // Filosofiya i kul'tura. – 2013. – № 2. – S. 104-107. DOI: 10.7256/1999-2793.2013.02.7.
39.
A. V. Makeenkova. Fenomeny «klassicheskogo» i «sovremennogo» v istorii izobrazitel'nogo iskusstva // Kul'tura i iskusstvo. – 2013. – № 2. – S. 104-107. DOI: 10.7256/2222-1956.2013.02.10.
40.
A. M. Muratov. Neoidealisticheskaya tendentsiya v otechestvennom izobrazitel'nom iskusstve // Kul'tura i iskusstvo. – 2013. – № 4. – S. 104-107. DOI: 10.7256/2222-1956.2013.4.9223.
41.
N. F. Khil'ko. Sravnitel'nyi analiz yazyka sotsial'nogo kino i televideniya // Kul'tura i iskusstvo. – 2012. – № 3. – S. 104-107.
42.
V.I. Zhukovskii. Strukturnye osnovy teorii izobrazitel'nogo iskusstva // Filosofiya i kul'tura. – 2012. – № 4. – S. 104-107.
43.
S. S. Gnutikova. Khudozhestvennyi obraz ili informatsionnyi kod? K voprosu kontseptualizatsii ponyatiya «teatral'naya kukla» // Kul'tura i iskusstvo. – 2012. – № 1. – S. 104-107.
44.
O. D. Baldina. Izobrazitel'no-plasticheskie formy narodnoi kul'tury v ikh vzaimodeistvii s drugimi plastami sovremennogo khudozhestvennogo tvorchestva: k postanovke problemy // Kul'tura i iskusstvo. – 2011. – № 5. – S. 104-107.
45.
D.N. Demenev. Vzaimodeistvie zritel'nogo i emotsional'nogo vospriyatii proizvedenii izobrazitel'nogo iskusstva. // Filosofiya i kul'tura. – 2011. – № 3. – S. 104-107
46.
D.N. Demenev Ratsional'nyi element v strukture khudozhestvennogo protsessa // Filosofiya i kul'tura. - 2011. - 5. - C. 166 - 175.
47.
S.V. Chernov Genii kak khudozhnik, kak myslitel', kak tvorets. // Psikhologiya i Psikhotekhnika. - 2011. - 1. - C. 34 - 44.
Link to this article

You can simply select and copy link from below text field.


Other our sites:
Official Website of NOTA BENE / Aurora Group s.r.o.
"History Illustrated" Website