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Culture and Art
Reference:

Philosophical Aspects of Alfred Schnittke's Musical Compositions (Music and Philosophy)
Faritov Vyacheslav Tavisovich

Doctor of Philosophy

professor of the Department of Philosophy at Ulyanovsk State Technical University

432027, Russia, Ul'yanovskaya oblast', g. Ul'yanovsk, ul. Severnyi Venets, 32

vfar@mail.ru
Другие публикации этого автора
 

 

Abstract.

The subject of the present research article is a problem of interpreting the philosophical content of classical music. The object of the research involves philosophical aspects of Aldred Schnittke's compositions. In his analysis of the composer's works Faritov relies on the theoretical study of Kant, Hegel, Wahl, Shestov, Bakhtin, Jaspers and Deleuze. Compositions of Alfred Schnittke explicated such fundamental philosophical categories as transgression, transcendence and the transcendent. In his study Faritov has used the methodological principles and guidelines of such areas as the structural analysis of music and musical semiotics. The main result of the research is the conclusion about the predominance of the phenomenon of transgression in musical works by Alfred Schnittke. The contribution of the author to the topic is the classification of music transgression methods in the works of the composer. The research has also allowed to identify and describe ways of representing transcendence and the transcendent in music.

Keywords: Bakhtin, Hegel, unhappy consciousness, transgression, transcendence, transcendent, Alfred Schnittke, philosophy, music, Dostoevsky

DOI:

10.7256/2454-0625.2017.4.19417

Article was received:

08-06-2016


Review date:

08-06-2016


Publish date:

11-06-2017


This article written in Russian. You can find full text of article in Russian here .

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