Некоторые аспекты диалектичности процесса создания живописного произведения.

Деменёв Денис Николаевич

doi:10.7256/2306-0174.2014.9.13549


	Journal Menu > Issues > Rubrics > About journal > Authors > About the journal > Requirements for publication > Editorial collegium > Peer-review process > Peer-review in 24 hours: How do we do it? > Policy of publication. Aims & Scope. > Article retraction > Ethics > Copyright & Licensing Policy > Publication in 72 hours: How do we do it? > Digital archiving policy > Open Access Policy > Open access publishing costs > Article Identification Policy > Plagiarism check policy > Editorial board


	Journals in science databases


	About the Journal

Публикация за 72 часа - теперь это реальность!

При необходимости издательство предоставляет авторам услугу сверхсрочной полноценной публикации. Уже через 72 часа статья появляется в числе опубликованных на сайте издательства с DOI и номерами страниц.

По первому требованию предоставляем все подтверждающие публикацию документы!

MAIN PAGE > Back to contents

Philosophical Thought

Reference:

Demenev D.N. — Some Aspects of the Dialectic Process of Creating an Art Painting // Philosophical Thought. – 2014. – № 9. – P. 150 - 185. DOI: 10.7256/2306-0174.2014.9.13549 URL: https://en.nbpublish.com/library_read_article.php?id=13549

Some Aspects of the Dialectic Process of Creating an Art Painting

Demenev Denis Nikolaevich

PhD in Philosophy

Associate professor of the Departent of Fine Arts at Magnitogorsk State University

455038, Russia, Chelyabinskaya oblast', g. Magnitogorsk, ul. Lenina, 112/2, of. korpus

denis-demenev@mail.ru

Другие публикации этого автора

DOI:

10.7256/2306-0174.2014.9.13549

Review date:

01-01-2013

Publish date:

05-11-2014

Abstract.

As to consider all dialectics of art as process in works of similar volume it is impossible in principle, the author, in the research, allocates only some aspects of a dialektichnost of art creativity, on the example of creation of a work of painting. In the first section, the author considers dialectics of art as result of interaction of various polar forces, systems, the phenomena. In the second section, art creativity as the developing process in which basis such law of dialectics as "transition of quantity to quality" lies is investigated. In the third section, the author argues on dialectics directly of a work of art as about complete, integrated, ideal and material education where spiritual (outlook of the artist) has an opportunity to prove through material (through picture form and content), that is it is especially evident. The third section is devoted to dialectics sensual and rational, as one of characteristic features of the dual nature of the artist. Methodological base of research is the method of the structurally functional analysis; dialectic method; method of a germenevtichesky reduction; method of intellectual speculation, and also general scientific (general-logical) methods: analysis, synthesis, induction, deduction, analogy, modeling. The research of these aspects conducted by the author allowed it to draw the following conclusions:
In continuously moving, changeable formation of "fabric" of a work of painting, process of its development as continuous emergence something essentially new and irreversible in it is objectively realized.
Each subsequent stage of development of the artist as the realizing individual, finds for him, hidden and invisible before, but now acquired, and from that the steps of his ascension becoming invaluable and, together with them, fixed "levels" of the untwisted spiral of his creativity. The work of art is a complete, integrated, ideal and material formation where spiritual (outlook of the artist) has an opportunity to prove through material (through picture form and content), that is is especially evident (by means of artistic images). As a result, it is necessary to record, characteristic for art process, the fact of transformation (transition) of conscious world outlook installation (idea of the life) through energy of the creative act – in an art product, in its form and its contents.Data of sensual level is an important initial material in which the artist receives information for the subsequent artly - creative processing. This initial, sensual and emotional material, as a result of rational activity is acquired and entirely appropriated by reason, forming the sensual and rational base for process of creation of a work of painting.It is necessary to state, as the creator, both the process of creation and the result are the dialectics of art creativity.

Keywords: dialectics, art, fine art, color, artwork, art painting, development, quantity and quality, sensual-emotional, rational-logical, world view
This article written in Russian. You can find full text of article in Russian here .

References

1.	Vvedenie v filosofiyu: Uchebnik dlya vuzov. V 2 ch. Ch. 2 / Frolov I. T., Arab-Ogly E. A., Aref'eva G. S. I dr. – M.: Politizdat, 1989. – 639 s. – S. 106.
2.	Gegel', G. V. F. Nauka Logiki: v 3 t. T. 2 / G. V. F. Gegel'. – M. : Mysl', 1971. – S. 123.
3.	Gete, I. V. Faust. Lirika. Apofeoz khudozhnika / I. V. Gete ; per. s nem.; vstup. st. i primech. Al. V. Mikhailova. – M. : Khudozhestvennaya literatura, 1986. – 767 s.
4.	Ekkerman, I. P. Razgovory s Gete / I. P. Ekkerman. – M.: Khudozhestvennaya literatura, 1981. – 687 s. – S. 187.
5.	Gegel', G. V.F. Lektsii po estetiki / G. V.F. Gegel'. – SPb., 1999.
6.	Gegel', G. V. F. Nauka Logiki: v 3 t. T.3 / G. V. F. Gegel'. – M. : Mysl', 1972. – 371 c. – S. 296.
7.	Filosofskii entsiklopedicheskii slovar'. – M. : INFRA-M, 2009. – 570 s. – S. 383.
8.	Vvedenie v filosofiyu: Uchebnik dlya vuzov. V 2 ch. Ch. 2 / Frolov I. T., Arab-Ogly E. A., Aref'eva G. S. I dr. – M.: Politizdat, 1989. – 639 s. – S. 174.
9.	Demenev D.N. Dialektika iskusstva. O ratsional'nom i dushevno-dukhovnom v iskusstve / D. N. Demenev // Monografiya. Saarbryuken (Saarbrücken): LAP LAMBERT Academic Publishing, 2014. – 156 s.
10.	Demenev D.N. Ratsional'nyi uroven', kak odno iz vazhneishikh ontologicheskikh osnovanii khudozhestvennogo protsessa. // NB: Filosofskie issledovaniya. — 2013.-№-S.1-49. DOI: 10.7256/2306-0174.2013.11.9505. URL: http://e-notabene.ru/fr/article_9505.html
11.	Plekhanov G.V. K voprosu o razvitii monisticheskogo vzglyada na istoriyu // Izbrannye filosofskie proizvedeniya. V 5 t. M., 1956. – T. 1. – S. 572.
12.	Pavlov, I. P. Sobranie sochinenii / I. P. Pavlov. – 1897. – T. 1. – S. 238.
13.	Losev A.F. Forma – Stil' – Vyrazhenie / Sost. A.A. Takho-Godi; Obshch. red. A. A. Takho-Godi i I. I. Makhan'kova. – M.: Mysl', 1995. – 944 s. – S. 704.
14.	Plekhanov G.V. K voprosu o razvitii monisticheskogo vzglyada na istoriyu // Izbrannye filosofskie proizvedeniya. V 5 t. M., 1956. – T. 1. – S. 573.
15.	Demenev, D. N. Ontologicheskie osnovaniya khudozhestvennogo tvorchestva [Tekst] : dissertatsiya na soisk. uchen. step. kan. filos. nauk / D. N. Demenev ; nauch. ruk. E. V. Degtyarev ; MaGU .-Magnitogorsk, 2011. – 167 s. – Bibliogr.: s. 153-167.
16.	Demenev D.N. Mera, garmoniya, vkus, kak vazhneishie strukturnye elementy khudozhestvennogo proizvedeniya / Filosofiya i kul'tura. – M. : Institut filosofii RAN, 2010. – № 10. – 120 s.-S. 21-29.
17.	Losev A.F. Forma – Stil' – Vyrazhenie / Sost. A.A. Takho-Godi; Obshch. red. A. A. Takho-Godi i I. I. Makhan'kova. – M.: Mysl', 1995. – 944 s. – S. 713.
18.	Berdyaev, N. A. Filosofiya svobody. Smysl tvorchestva / N. A. Berdyaev. – M. : Izd-vo «Pravda», 1989. – 608 s. – S. 378.
19.	Popper K. Conjectures and refutations. N. Y. – L., 1963. – P. 317.
20.	Rubinshtein, S. L. Bytie i soznanie / S. L. Rubinshtein // O meste psikhicheskogo vo vseobshchei vzaimosvyazi yavlenii material'nogo mira. – M.: Izd-vo A. N. SSSR, 1957. – 328 s. – S. 7, 319.
21.	Lassal', F. Sistema priobretennykh prav : soch. / F. Lassal' – M. : «Krug», [B.g.i.]. – T. 3. – S. 231 – 408 s.
22.	Khaidegger, M. Bytie i vremya: Stat'i i vystupleniya / M. Khaidegger; per. s nem. V. V. Bibikhina. – M. : Respublika, 1993. – 447 s. – S. 368.
23.	Plekhanov G.V. K voprosu o razvitii monisticheskogo vzglyada na istoriyu // Izbrannye filosofskie proizvedeniya. V 5 t. M., 1956. – T. 1. – S. 565-566.
24.	Fikhte, I. G. Naukouchenie v ego obshchikh chertakh // I. G. Fikhte. Soch.: v 2 t. / sost. i primech. Vl-ra Volzhskogo. – SPb. : Mifril, 1993. – T. II. – 798 s. – C. 543.
25.	E. V. Zabelina Simul'taneizm kak proryv vizual'nykh obrazov vo vremennoe izmerenie // Kul'tura i iskusstvo.-2012.-4.-C. 75-83.
26.	V.I. Zhukovskii Tvorcheskii protsess:khudozhnik i khudozhestvennyi material v ikh iskusnosti, iskusstvennosti i iskuse // Filosofiya i kul'tura.-2013.-4.-C. 510-515. DOI: 10.7256/1999-2793.2013.04.9.
27.	Demenev D.N. Vzaimodeistvie «vkusa», «mery» i «garmonii» v proizvedeniyakh zhivopisi. // NB: Filosofskie issledovaniya.-2014.-8.-C. 109-139. DOI: 10.7256/2306-0174.2014.8.13400. URL: http://www.e-notabene.ru/fr/article_13400.html
28.	Zhukovskii V.I. Vizual'noe myshlenie v protsesse khudozhestvennogo tvorchestva // Filosofiya i kul'tura.-2014.-4.-C. 618-627. DOI: 10.7256/1999-2793.2014.4.10770.
29.	L. Yu. Limanskaya Uchenie M. V. Lomonosova o svete i tsvete v kontekste naturfilosofii i khudozhestvennykh iskanii serediny XVIII veka // Kul'tura i iskusstvo.-2013.-2.-C. 127-131. DOI:10.7256/2222-1956.2013.02.1.
30.	M.R. Shagiakhmetov Mirovozzrenie i metodologiya // Filosofiya i kul'tura.-2013.-8.-C. 1057-1064. DOI: 10.7256/1999-2793.2013.8.4870.
31.	V. M. Rozin Predposylki i stanovlenie iskusstva v arkhaicheskoi kul'ture i kul'ture drevnikh tsarstv // Kul'tura i iskusstvo.-2013.-4.-C. 367-379. DOI: 10.7256/2222-1956.2013.4.9171.

Link to this article

You can simply select and copy link from below text field.