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Philology: scientific researches
Reference:
Glinchikova, E. V.
Understanding as a Creative Action
// Philology: scientific researches.
2014. № 2.
P. 162-167.
URL: https://en.nbpublish.com/library_read_article.php?id=65037
Glinchikova, E. V. Understanding as a Creative Action
Abstract:
The present article is not a research in the classical meaning of the word. The article contains the three
philosophical essays written by the author on different topics. Generally speaking, these are the thoughts of the author
on the emotional perception of cultural objects and creative inspiration. The author of the article had the goal to
withdraw from the usual logic and methodology of scientific research and take a completely new look at the human.
The author of the article tries to withdraw from the subject-object dualism that views the consciousness as the split
phenomenon.
The disadvantage of the scientific point of view seeing human as an object of research the inevitable distortion of
facts by postulating the position of the analysis and decomposition of the whole into parts as the established truth.
In other words, a researcher defines an object of research based on a very uncertain feature and by doing so, the
researcher breaks the integrity which creates the hermeneutic circle. Therefore, anthropological researches always
view the human nature as incomplete and always doomed to doubt.
The author of the present research makes an attempt to view an action of a researcher as a creative action where
the primary structure of the phenomenon is not separated as an object of research but reveals itself in the process
of thoughts being dissolved in the emotional perception. In this case the primary structure stops to be universal and
becomes real and personal and part of the autorythmia of human activity. As a result, the author refers to the most
realized creative action performed by the author and presented in her attempts to work with different literary genres
remembering about the goals and purposes of a philosophical and literary experiment. Conclusions whether the
author’s attempt was a success are left up to the readers.
Keywords:
creativity, self-cognition, autorythmia, literature, philosophy, anthropology, poems, essay, knowledge (cogitation), hermeneutic circle.
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This article written in Russian. You can find original text of the article here
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References
1. Girenok F.I. Udovol'stvie myslit' inache. M., 2010.
2. Heller, Reinhold, ed. (1984). Munch: His Life and Work. London: Murray. ISBN 0-7195-4116-6.
3. Italian Frescoes: The Early Renaissance 1400-1470.London,1996 ISBN-10: 078920139
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