Статья 'Музыкальная выразительность: свойство или «неустранимая метафора»?' - журнал 'Философия и культура' - NotaBene.ru
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Музыкальная выразительность: свойство или «неустранимая метафора»?

Panaiotidi El'vira Georgievna

Doctor of Philosophy

Professor, the department of General Humanitarian and Historical Sciences, North Ossetian State Pedagogical Institute

362003, Russia, Vladikavkaz, Marksa Street 36

eidos5@yandex.ru
Other publications by this author
 

 

DOI:

10.7256/2454-0757.2012.1.5262

Received:

18-12-2011


Published:

1-1-2012


References
Kant, Imanuil. Kritika sposobnosti suzhdeniya. Sochineniya: v 6 t. M.: Mysl', 1963-1966. T. 5.

Boghossian, Paul A. On Hearing the Music in the Sound: Scruton on Musical Expression // Journal of Aesthetics and Art Criticism 60 (1), 2002. P. 117-129.

Budd, Malcolm. Musical Movement and Aesthetic Metaphors // British Journal of Aesthetics 43 (3), 2003. P. 209-223.

Budd, Malcolm. Aesthetic Realism and Emotional Qualities of Music // British Journal of Aesthetics 45 (2), 2005. P. 111-122.

Davidson, Donald. What Metaphors Mean // Inquiries into Truth and Interpretation, Oxford: Clarendon, 1982.

Dubiel, Joseph. Uncertainty, Disorientation, and Loss as Responses to Musical Structure // Andrew Dell’Antonio (ed.), Beyond Structural Listening? Postmodern Modes of Hearing. Berkeley: University of California Press, 2004. P. 173-200.

Kivy, Peter. The Corded Shell: Reflections on Musical Expression. Princeton, N. J.: Princeton University Press, 1980.

Scruton, Roger. The Aesthetic Understanding. Essays in the Philosophy of Art and Culture. Manchester: Carcanet Press, 1983.

Scruton, Roger. Musical Movement: A Reply to Budd // British Journal of Aesthetics 44 (2), 2004. P. 185-186.

Scruton, Roger. The Aesthetics of Music. Oxford: Oxford University Press, 1997.

Scruton, Roger. Replies to Critics // British Journal of Aesthetics 49 (4), 2009. P. 451-461.

Zangwill, Nick. Metaphor and Realism in Aesthetics // Journal of Aesthetics and Art Criticism 49 (1), 1991. P. 57-62.


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