Sibiryakov V.N.
Concepts and approaches to aesthetic interpretation of sound recording
// Philosophy and Culture.
2016. № 2.
P. 262-267.
DOI: 10.7256/2454-0757.2016.2.14469 URL: https://en.nbpublish.com/library_read_article.php?id=14469
Концепции и подходы к эстетической интерпретации звукозаписи
Sibiryakov Vasiliy Nikolaevich
Post-graduate student, the department of Aesthetics, Moscow State University
119234, Russia, Moscow, Lomonosovsky Prospekt 27, building #4
Abstract: Expanding the traditional concept of musical sound recordings, the author introduces it in the context of contemporary aesthetics. The article considers the most significant scientific concept of sound recording's study, where the subject of research is the genesis of its aesthetic and artistic characteristics.With the installation of the aesthetic interpretation author explores concepts of "aura", "absolute music", "the dialectic of the general and specific ontological regularities of sounding matter", "creative simulation" et al., and also offers a variety of methodological approaches to the study of the sound recording art. Analyzes and correlates local and foreign research, which related to the topic of sound recording, in order to identify the most significant patterns in this process. In the art of music in the Age of Technical Reproduction there is resumption of in its aura of a qualitatively new form. The modern stage is also characterized by an alternative perception contrary to the traditional music listening experience. The novelty of the presented analysis consists in the interpretation of the artistic phenomenon in the sound recording system of philosophical and aesthetic reflection that provides the key to understanding of many things in musical science and offers substantial interest in the theory of art of the XX and XXI centuries.
Keywords:
sound recording, aesthetic, technical reproducibility, absolute music, concept of aura, ambient, philosophy of sound, aesthetic interpretation, aural experience, sound engineering
References
1. Ocherki estetiki i teorii iskusstv XX veka / Otv. red. N. A. Khrenov, A.S. Migunov. – M., 2013. S. 23
2. Agamben Dzh. Stantsy. Slovo i fantazm v kul'ture Zapada/Per. s it. B. Dubina:URL http://kinoart.ru/archive/1998/11/n11-article21
3. Bogomolov A. G. Metafizika zvuka v zapadnoevropeiskoi kul'ture. – M., 2012. S. 23.
4. Estetika muzykal'naya // Muzykal'naya entsiklopediya. — M.: Sovetskaya entsiklopediya, Sovetskii kompozitor. Pod red. Yu. V. Keldysha. 1973—1982
5. Braian Ino: o tvittere, plastiline i kollektivnom razume URL: http://www.lookatme.ru/flow/posts/art-radar/111399-brayan-ino-o-tvittere-plastiline-i-kollektivnom-razume#comments
6. Mikhailov A. V. Muzykal'naya estetika Germanii XIX v. – M., 1981. T. 1. S. 13.
7. Theodor Adorno, “Opera and the Long-Playing Record,” trans. Thomas Y. Levin, in Essays on Music, ed. Richard Leppert. – Berkeley and Los Angeles: University of California Press, 2002. P. 284.
8. Leksikon nonklassiki. Khudozhestvenno-esteticheskaya kul'tura XX veka. / Pod red. V.V.Bychkova.— M., 2003. S. 318
9. Tup D. Okean zvuka.-M.: AST; Adaptek, 2007. S. 21
10. Kushch E.V. Fonokul'tura kak novaya paradigma akusticheskogo prostranstva // Kul'turnaya zhizn' Yuga Rossii № 1 (48). – Krasnodar, 2013. C. 20
11. I.P. Nikitina Estetika i khudozhestvennaya kritika // Filosofiya i kul'tura.-2010.-7.-C. 67-75.
12. Sineokii O.V. Vostochnyi rok: zvukozapis' iz sotsialisticheskoi Azii // Chelovek i kul'tura.-2013.-6.-C. 1-22. DOI: 10.7256/2409-8744.2013.6.7072. URL: http://www.e-notabene.ru/ca/article_7072.html
13. Petruseva N.A. O dvukh tendentsiyakh Novoi muzyki // NB: Filologicheskie issledovaniya. — 2013.-№ 3.-S.177-233. DOI: 10.7256/2306-1596.2013.3.10184. URL: http://e-notabene.ru/fil/article_10184.html
14. Shapinskaya E.N., Kiyashchenko N.I.. Dialog ob esteticheskom vospitanii: krizis tsennostei i puti ego preodoleniya.. // Kul'tura i iskusstvo.-2014.-№ 4.-C. 417-427. DOI: 10.7256/2222-1956.2014.4.12885
15. Bueva L.P.. Voobrazhenie kak stimulyator iskusstva. // Psikhologiya i Psikhotekhnika.-2014.-№ 8.-C. 863-879. DOI: 10.7256/2070-8955.2014.8.12561
16. E.V. Evstigneeva. Psikhologiya vospriyatiya muzyki v traktovke A.Shopengauera. // Psikhologiya i Psikhotekhnika.-2010.-№ 7.-C. 54-60.
17. V.M. Rozin. Sushchnost' i taina muzyki. // PHILHARMONICA. International Music Journal.-2014.-№ 2.-C. 194-218. DOI: 10.7256/1339-4002.2014.2.13588
18. V.N. Kholopova. Spetsial'noe i nespetsial'noe muzykal'noe soderzhanie. // PHILHARMONICA. International Music Journal.-2014.-№ 1.-C. 14-25. DOI: 10.7256/.2014.1.1240
Link to this article
You can simply select and copy link from below text field.
