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Precursor poetry readings at the Mayakovsky square in the sociocultural context of the 1950-1960s
Melnichuk Ekaterina Petrovna

Postgraduate student, the department of History of Contemporary Russian Literature and Modern Literary Process, M. V. Lomonosov Moscow State University

119991, Russia, g. Moscow, ul. Leninskie Gory, 1, str. 51, aud. k.967

ekaterina.melni4uk@gmail.com

DOI:

10.25136/2409-8698.2019.5.28194

Review date:

29-11-2018


Review date:

29-11-2018


Publish date:

19-10-2019


Abstract.

This article explores the poetry readings at the Mayakovsky square in Moscow as a separate “episode”, which played an important role in the cultural live of the 1950s and 60s, and deserves closer attention that it has previously received. Through the prism of the history of the gatherings, it can be seen how pendulum swings from thaw to freezing, how tolerance changes to animosity towards the “Mayakovians” from the authorities. The research on the creative groups that form on the Mayakovsky square and the brightest routines at the square allowed tracing the changes in the mood and views of the intelligentsia. Most of the poets viewed their poetry as part of a political or civil struggle. They fought with the experiences of the past, the cult of personality of Stalin, at the same time, the reading sounded in unison with the ideas of the 20th Congress of the Communist Party of the Soviet Union. Separate attention is given to the analysis of the samizdat magazine “Phoenix”, which published poetry and prose of the “Mayakovians”. The analysis reveals that anti-Soviet orientation of the magazine consisted not so much in the lunges against the Soviet authorities, as in the attempts to defend the right to choose independent creative form and path, which fell outside the rules of the Socialist regime.

Keywords: cultural life, creation, Mayakovsky, poems, sociocultural context, culture, art, poetry, Phoenix, samizdat
This article written in Russian. You can find full text of article in Russian here .

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