по
Journal Menu
> Issues > Rubrics > About journal > Authors > About the Journal > Requirements for publication > Editorial collegium > Editorial board > Peer-review process > Peer-review in 24 hours: How do we do it? > Policy of publication. Aims & Scope. > Article retraction > Ethics > Copyright & Licensing Policy > Publication in 72 hours: How do we do it? > Digital archiving policy > Open Access Policy > Open access publishing costs > Article Identification Policy > Plagiarism check policy
Journals in science databases
About the Journal

Публикация за 72 часа - теперь это реальность!
При необходимости издательство предоставляет авторам услугу сверхсрочной полноценной публикации. Уже через 72 часа статья появляется в числе опубликованных на сайте издательства с DOI и номерами страниц.
По первому требованию предоставляем все подтверждающие публикацию документы!
MAIN PAGE > Back to contents
Litera
Reference:

About the Two Tendencies in New Music
Petruseva Nadezhda Andreevna

Doctor of Art History

professor of the Department of History and Theory of Music at Federal State Educational Institution of Higher Professional Education

614067, Russia, Permskii krai, g. Perm', ul. Krasnovodskaya, 13

petrusyova@yandex.ru
Другие публикации этого автора
 

 

Article was received:

06-11-2013


Review date:

07-11-2013


Abstract.

The article is devoted to the two antagonistic movements in modern music, Post-Serialism Modernism and Experimental Post-Modernism. The author of the article describes the scope of concepts 'modern music', music of the 'early modern period' as well as the genesis, formation and development of the concept of universal Serialism and modern discussions on Post-Serialism compositions legitimizing the culture and ideology of IRCAM. Post-Modernistic tendencies are presented in the form of several phenomena: the concept of unlimited aleatory composition, the art of interaction and John Cage's conceptual art, 'new simplicity' of American composers, the subjectivity crisis and the faith in progress, Wolfgang Rihm's 'inclusive composition', Jean Liotard's 'condition of Post-Modernism', followers of the information theory and 'graphic designers' and Karlheinz Stockhausen's 'Charter for the Youth'. The significance of researching the three concepts of musical language is determined by the fact that the tone system is no more a harmonizing principle or a universal code for different esthetics and techniques.  The new intepretation of the theory of music offered by Theodor Adorno, Pierre Boulez and Karlheinz Stockhausen (and others) has changed the art of perception and listening to music and involves the 'free perception' (Helmut Lachenmann's expression). 

Keywords: Modernism esthetics, Serialism, Post-Serialism, Experimental Post-Modernism, paradigm shift, limited aleatory composition, musical language, perception paradox, IRCAM, Boulez

DOI:

10.7256/2306-1596.2013.3.10184

Publish date:

1-9-2013


This article written in Russian. You can find full text of article in Russian here .

References
1.
Adorno, T. Esteticheskaya teoriya [Tekst] / Per. s nem. A. V. Dranova. M.: Respublika, 2001. C. 234, 311, 323.
2.
Adorno, T. Filosofiya novoi muzyki [Tekst] / Per. s nem. B. Skuratova. M.: Logos, 2001. S. 17, 270.
3.
Bad'yu, A. Delez «Shum bytiya» [Tekst] / Per. s frants. i posl. D. Skopina. Fond nauchnykh issledovanii «Pragmatika kul'tury». M.: Logos-al'tera, 2004. S. 10, 19.
4.
Bergson, A. Opyt o neposredstvennykh dannykh soznaniya [Tekst] / Per s frants. // Bergson. A. Sobr. soch. v 4-kh tomakh. T. 1. M.: Moskovskii klub, 1992. S. 51–155.
5.
Bulez, P. Orientiry I. Voobrazhat'. Izbrannye stat'i [Tekst] / Per. s fr. B. Skuratov. M.: Logos-Al'tera, Eccehomo, 2004. S. 74.
6.
Gegel', V.F. Estetika v 4-kh tomakh [Tekst]. Tom 2. M.: Iskusstvo, 1969. S. 231.
7.
Gumbrekht Kh. U. Proizvodstvo prisutstviya: chego ne mozhet peredat' znachenie [Tekst] / Per. s angl. S. Zenkina. M.: Novoe literaturnoe obozrenie, 2006. 184 s.
8.
Delez, Zh. Logika smysla [Tekst] / Per. s fr. Ya. I. Svirskogo. M.: Akademiya, 1995. S. 54–61.
9.
Delez, Zh., Gvattari F. Chto takoe filosofiya? [Tekst] /Per. s fr. i posl. S. N. Zenkina M.: Institut eksperimental'noi sotsiologii, SPb.: Aleteiya, 1998. S. 8, 9, 215.
10.
Derrida, Zh. Struktura, znak i igra v diskurse gumanitarnykh nauk [Tekst] // Frantsuzskaya semiotika: Ot strukturalizma k poststrukturalizmu. M., 2000. S. 409–410. S. 409, 410.
11.
Kun, T. Struktura nauchnykh revolyutsii [Tekst] / SPb.: Per. s angl. M.: «Iz-vo AST», «Ermak», 2003. 365, [3] c.
12.
Lakhenman, Kh. K probleme strukturnogo myshleniya v muzyke [Tekst] / Kh. Lakhenman// Muzykal'naya kul'tura Federativnoi Respubliki Germanii Symposium Leningrad 1990. Gustav Boss Verlok Kasse 1994. S. 103–110.
13.
Liotar, Zh.-F. Sostoyanie postmoderna [Tekst]. M., SPb.: Aleteiya, 1998. S. 99.
14.
Petruseva, N. P'er Bulez. Estetika i tekhnika muzykal'noi kompozitsii [Tekst]. M., 2002. 350 s.
15.
Petruseva, N. Muzykal'naya kompozitsiya KhKh veka. Struktury, metody analiza. V 2-kh chastyakh [Tekst]. Chast' 1. Perm', 2006. 240 s.
16.
Petruseva, N. A. Traektorii: Lakhenman, Adorno, Arto, Bodriiyar. 9 tezisov k interpretatsii muzyki Lakhenmana [Tekst] // Observatoriya kul'tury. 2012. № 6. S. 64–71.
17.
Platon. Timei [Tekst] / Per. s drevnegrech. S. S. Averintseva. Obshch. red. A. F. Loseva, V. F. Asmusa, A. A. Takho-Godi // Platon. Sobr. soch. v 4-kh tomakh. Tom 3. M.: Mysl', 1993. S. 421–500.
18.
Prust, M. Obretennoe vremya [Tekst] / Per. s fr. A. Smirnovoi. SPb.: Amfora, 2007. S. 246, 249.
19.
Rans'er, Zh. Razdelyaya chuvstvennoe [Tekst]. SPb.: Izd-vo Evropeiskogo universiteta, 2007. C. 96.
20.
Khabermas, Yu. Filosofskii diskurs o moderne [Tekst] / Per. s nem. M.: Ves' mir, 2003. S. 13.
21.
Khabermas, Yu. Modern – nezavershennyi proekt [Tekst] : [Elektronnyi resurs] : URL: http://www.gumer.info/bogoslov_Buks/Philos/Article/Hab_Modern.php.
22.
Khaidegger, M. Bytie i vremya [Tekst] / Per. s nem. V.V. Bibikhina. M.: Ad Marginem, 1997. S. 260–267.
23.
Kholopov, Yu. Novye paradigmy muzykal'noi estetiki KhKh veka [Tekst] : [Elektronnyi resurs] : http://www.kholopov.ru/
24.
Filippov, S. M. Fenomenologiya i germenevtika iskusstva (muzyka – soznanie – vremya): issledovanie [Tekst]. Perm', 2003. 300 c.
25.
Fuko, M. Arkheologiya znanii [Tekst] / Per. s fr. Kiev: Nika-tsent, 1996. S. 202.
26.
Born, G. Rationalizing culture. IRCAM, Boulez, and the Institutionalization of Musical Avant-Garde [Tekst]. California, 1995. P. 55.
27.
Boulez P. Penser la musique aujourd’hui [Tekst]. Paris, 1963. Nem. per.: Musikdenken heute 1 [Tekst]. Mainz, 1963. S. 35–36.
28.
Boulez, P. Notes of an Apprenticeship [Tekst]. New York, 1968. P. 224–225, 346.
29.
Boulez, P. Orientations. Collected Writing’s by Pierre Boulez edited by Jean-Jacques Nattiez [Tekst] / trans. vy M. Cooper. Harvard Univ. Press. Cambridge, 1986. P. 73, 98.
30.
Boulez, P. Stocktakings from an Apprenticeship [Tekst]. Oxford: OUP, 1991. P. 16.
31.
Boulez-Cage Correspondence. Documents, collected and introduced by J.-J. Natties [Tekst] / Engl. trans. by R. Samuels. Cambridge Univ. Press, 1993. P. 31, 40, 91, 94,
32.
Boulez, P. Leitlinien. Gedankengänge eines Komponisten [Tekst]. Bärenreiter. Metzler. Kassel 2000. S. 17, 62, 66.
33.
Dahlhaus, C. Schönberg und andere [Tekst]. Mainz: Schott., 1978. S. 350.
34.
Danuser H. Die Musik des 20. Jahrhunderts [Tekst] . Laaber, 1984. S. 90.
35.
Lachenmann, H. Musik als existentielle Erfahrung. Schriften 1966–1995 [Tekst]. Breitkopf & Härtel. Wiesbaden – Leipzig – Paris, 2004. S. 20, 54–62, 162, 163.
36.
Stockhausen on music. Lectures and Interviews compiled by Robin Maconie [Tekst]. Marion Boyars. London, New York, 1989. Reprinted 2000. P. 33.
37.
Stockhausen, K. Texte zur Muzik 1977–1984. Bd. 5: Komposition [Tekst]. Köln: DuMont, 1989. S. 669–700.
38.
Stockhausen, K. Manifesto for the Young [Tekst] // Stockhausen, K. Towards a Cosmic Music / translated by T. Newill. Element Books Limited, 1989. P. 44–47.
39.
Xenakis, J. Formalized Music. Thought and mathematics in composition [Tekst]. London-Bloomington. Indiana Univ. Press., 1971. P. 181.
Link to this article

You can simply select and copy link from below text field.


Other our sites:
Official Website of NOTA BENE / Aurora Group s.r.o.
"History Illustrated" Website