Опера Ф. Пуленка «Диалоги кармелиток» как «христианская концепция человека»

Система Автоматизированная Издательства

doi:10.7256/2454-0625.2016.6.68352


	Journal Menu > Issues > Rubrics > About journal > Authors > About the Journal > Requirements for publication > Editorial board > Peer-review process > Policy of publication. Aims & Scope. > Article retraction > Ethics > Online First Pre-Publication > Copyright & Licensing Policy > Digital archiving policy > Open Access Policy > Article Processing Charge > Article Identification Policy > Plagiarism check policy > Editorial collegium


	Journals in science databases


	About the Journal

MAIN PAGE > Back to contents

Culture and Art

Reference:

Azarova V.V. Francis Poulenc’s Opera ‘Dialogues of the Carmelites’ as a Christian Concept of Human // Culture and Art. 2016. № 6. P. 729-741. URL: https://en.nbpublish.com/library_read_article.php?id=68352

Azarova V.V. Francis Poulenc’s Opera ‘Dialogues of the Carmelites’ as a Christian Concept of Human

Keywords:

opera, Dialogi karmelitok, Fransis Pulenk, Zhorzh Bernanos, khristianstvo, kontseptsiya cheloveka, dramaturgiya, kontrapunkt vremennykh linii

This article can be downloaded freely in PDF format for reading. Download article

This article written in Russian. You can find original text of the article here .

References

1. Pulenk F. Dnevnik moikh pesen. Ya i moi druz'ya. Perevod s frantsuzskogo Zh. Grushanskoi. Moskva, Izdatel'skii dom «Kompozitor», 2005. – 157 s.
2. Debyussi K. Stat'i. Retsenzii. Besedy. M.; L.: Muzyka, 1964 / Per. s fr. i komm. A. Bushen, red. Yu. Kremlev. – 278 s.
3. Sokolov A. S. Muzykal'naya kompozitsiya KhKh veka: Dialektika tvorchestva. M., Muzyka, 1992 – 230 s.
4. Poulenc F. Dialogues of the Carmelites. Opera vocal score series. Revised English version by Joseph Machlis. Ricordi, 1985. – 256 s.
5. Poulenc F. Dialogues des Carmélites. Avant-Scène OPERA №257. Juillet-août 2010. – 146 s.
6. Francis Poulenc. Entretiens avec Claude Rostand. Paris, Julliard, 1954. – 225 p.
7. Pulenk F. Pis'ma. Perevod s frantsuzskogo E. Gvozdevoi i G. Filenko. Izdatel'stvo «Sovetskii kompozitor». Leningrad 1970 Moskva. – 311 s.
8. Lotman Yu. M. Semiosfera. – S-Peterburg: «Iskusstvo – SPB», 2004 – 704 s.
9. Russkii perevod «Katekhizisa Katolicheskoi Tserkvi», 4-oe izdanie, Copyright 2001, «Izdatel'stvo "Libreria Editrice Vaticana"». – 2007. – 813 s.
10. Bernanos Zh. «Dialogi karmelitok» (P'esa. Perevod Yulii Ginzburg). «Inostrannaya literatura», oktyabr' 1993. S. 10 – 63.
11. Bernanos Zhorzh. Svoboda… dlya chego? / Pod red. i s predisl. P'era Zhilya; per. s fr. – SPb.: Izd-vo Ivana Limbakha, 2014 – 288 s.
12. Poulenc F. Correspondance 1910 – 1963, réunie, choisie, présentée et annotée par Myriam Chimènes. Fayard, 1994. – 1129 s.
13. Zenkin K. V. Muzyka – Eidos – Vremya. A. F. Losev i gorizonty sovremennoi nauki o muzyke. M.: Pamyatniki istoricheskoi mysli, 2015. – 464 s.

Link to this article

You can simply select and copy link from below text field.

Other our sites:
Official Website of NOTA BENE / Aurora Group s.r.o.

Copyright protected by law of the Russian Federation.
Any materials may be published only with link to the source.
All violations of law are punishable by law. © NB-Media.