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Culture and Art
Reference:
Aylamazian, A. M., Tashkeeva, E. I.
Musical Movement: Education,
Psychology and Arts
// Culture and Art.
2014. № 2.
P. 206-244.
URL: https://en.nbpublish.com/library_read_article.php?id=65010
Aylamazian, A. M., Tashkeeva, E. I. Musical Movement: Education,
Psychology and Arts
Abstract:
The subject under review of the present article is the phenomenon of musical
movement being viewed in respect of the three aspects: as the method of esthetic education,
as a practice of cultural-historical psychology and a new type of art. The researcher makes
an attempt to cast light on the ‘biography’ of the method of musical movement and the studio
Heptachoir in terms of cultural psychology. Musical movement was first created by inspiration
and intuitively but later it acquired a coherent system and turned into a method
that strives for generation of an emotional response to music in a form of a movement.
Musical movement discovers the face of human and revives the phenomenon of choir as the
unity of personalities and individualities. The present research was carried out in terms of
the humanities and the research methodology was based on the dialogism principle offered
by Mikhail Bakhtin and developed by Lev Vygotsky in his cultural-historical psychology.
Musical movement is a unique and one-of-a-kind practice that has its own targets, place in
culture and pat of development. Polyphony of human culture is very well expressed in the
phenomenon of musical movement. Peculiarities of musical movement come out literally in
all aspects of musical movement practice. However, the most amazing and crucial aspect
is the attitude to spiritual, or ‘classical’ values in musical movement. Aiming for the rise of
the human soul trough music is the essence and meaning of musical movement.
Keywords:
culture, dialogue, psychology of art, image of human, plastic canon, musical experience, improvisation, musical movement, musical (vocal) plastic action, choir, face, Heptachoir.
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