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Culture and Art
Reference:
Salnikova, E. V.
‘Archeology’ of the Line of Television Programs
and its Role in the Development of Visual Culture
// Culture and Art.
2014. № 1.
P. 80-92.
URL: https://en.nbpublish.com/library_read_article.php?id=64239
Salnikova, E. V. ‘Archeology’ of the Line of Television Programs
and its Role in the Development of Visual Culture
Abstract:
The article is devoted to the phenomenon of composition of television programs which
is usually called ‘the line of television programs’. The author describes the prehistory of the process
of composing television content in the theater culture, studies the principles of composition of
the ancient and medieval performances, Renaissance civic and court theatre and entertainment in
the Western Europe and Russia of the early modern period. The author studies the phenomenon of
co-existence of theatre acts and plays of different genres and styles within the framework of one
performance in the old Russian forms of entertainment, for example, in Skomorokh performances,
puppet theatre, bear-baiting and school theatre. The author also compares entertainment performances
of different national cultures where actors were not involved such as the Russian raree show
and English Eidophusikon. In her research the author combines methods of cultural research and
art history and extensively uses typological analysis of the phenomena that are related to different
national cultures. The modern stage of the development of screen culture is perceived as the latest
modification of the entertainment art closely connected with the pre-screen forms of art. The
author describes the two patterns of organization of the conditional ‘play’ reality. The first pattern
involves the presence of a solid form-containing statement that can and should be perceived only as
an integral and successively developing phenomenon. The second pattern is a sequence of different
form-containing statements that do not have to be related in their narrative. These ‘play’ statements
do not have to be of the same genre or style. The line of television programs relates to the second
pattern of the conditional entertainment reality that has been quite popular in the history of culture.
The author concludes that the composition of television programs has a traditional pattern as well
as the demonstrative nature of creative impersonal processes while there is the continuous sequence of television forms and frustration of responsive creative needs of the audience. This contradiction
of the television art is solved within the framework of the computer culture, the latter being a more
complicated and interactive screen form of art.
Keywords:
cultural research, ‘archeology’ of mass media, television, theatre, miracle-play, raree show, cinema at the fair, line of television programs, interactivity, entertainment.
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