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Culture and Art
Reference:
Zabelina, E. V.
Simultaneism as a Breakthrough of Visial Images
into Tempoeral Dimension
// Culture and Art.
2012. № 4.
P. 75-83.
URL: https://en.nbpublish.com/library_read_article.php?id=61224
Zabelina, E. V. Simultaneism as a Breakthrough of Visial Images
into Tempoeral Dimension
Abstract:
In 2012 it is going to turn 100 years since
simulateniusm was founded. Simultaneism is one of the avantgarde
movements in art of ХХ century, one of the founders of
which was Robert Delaunay. Being born at the junction of art
and science and being based on the theory of light and color
by French chemist Michel Eugène Chevreul, simultaneism
armed people of art with completely new expressive methods
of artistic language and inß uencing the audience. Expirements
with simultaneous contrasts and forms allowed to depict
the illusion of movement in art. Figurative art was changed
into transformative art. Leger’s film ‘Mechanic Ballet’ clearly
proved that the principles of simultaneism could be used in the
black-in-white cinematograph. He used a certain form of film
editing built on quick connection of fixed fragments (which was
called ‘simaltenous editing’ in cinematograph). This particular
article is aimed at clarying the definition of simultaneism and
showing certain aspects of its implementation in art.
Keywords:
history of art, simultaneism, movement, film editing, fine arts, cinematograph, illusion, color, Robert Delaunay, Fernand Leger.
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