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Culture and Art
Reference:
Sobakina, O. V.
Sonorism Movement and Aleotory Composition
in Polish Music. Sonorous Piano Compositions
by Kazimierz Serocki
// Culture and Art.
2012. № 3.
P. 92-98.
URL: https://en.nbpublish.com/library_read_article.php?id=59535
Sobakina, O. V. Sonorism Movement and Aleotory Composition
in Polish Music. Sonorous Piano Compositions
by Kazimierz Serocki
Abstract:
Polish music of the 1960th is well-known for
the development of expiremental movements among which
the most brightest achivement was sonorism. Special role
in the development of the stylistics of this movement was
played by Kazimierz Serocki whose piano compositions are
being analyzed by the author of this article. The tendency of
development of sonorism appeared to be stable and full of
perspective while Serocki’s world of the sound with his own art
issues and throbbing dramaturgy of emotions are stil topical.
It is the sonorism basis which allows to enrich the modern
musical language with other means of expression. Serocki’s new
and colourful world o the sound has become a special event in
moderm music. It showed the way to the development of a whole
movement because eventually sonorism is not that innovative
but emotional and rich sign of imagination and master skills.
Keywords:
history of art, culture, art, Polish music, Serocki’s music, sonorism, aleotory, the world of sound, modern musical language, composer’s way of thinking.
This article can be downloaded freely in PDF format for reading. Download article
This article written in Russian. You can find original text of the article here
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References
1. Chomiński J. M. Historia harmonii i kontrapunktu. T. 3. Kraków, 1990.
2. Chomiński J. M., Wilkowska-Chomińska K. Historia muzyki polskiej. Część II. Kraków, 1996.
3. Pociej B. Żródła aleatorismu. III. Gra // Ruch muzyczny. 1966. № 20.
4. Zieliński T. A. «A piacere» Kazimierza Serockiego // Ruch muzyczny. 1963. № 22
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