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Culture and Art
Reference:
Reifman, B. V.
The Way to the Notion Accompanied by the Image:
Some Aspects of Sergei Eisenstein’s Film Theory
// Culture and Art.
2012. № 1.
P. 45-55.
URL: https://en.nbpublish.com/library_read_article.php?id=59043
Reifman, B. V. The Way to the Notion Accompanied by the Image:
Some Aspects of Sergei Eisenstein’s Film Theory
Abstract:
The article describes some aspects of Sergei
Eisenstein’s film theory viewed from the point of view of the
film-modernism conception. Most of the attention is focused
on a very important problem in Eisenstein’s esthetics: the
problem of conflict relations between image and concept in the
audience reception of a film. Ways of activating of the audience
conception thinking which is structured by the scientists as a
method of creation of an image accompanied by its alienation,
is compared with the irrational and rational forms of film
modernistic opposition to the totally narrative film realism.
Keywords:
cultural studies, image, concept and myth, film modernism, film realism, alienation, audience reception, institutionalization, irrationalism and rationalism, philosophy of life, Marxism.
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