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Culture and Art
Reference:
Devyatova O.L.
Director's Interpretations of Classical Works in Modern Music Culture (Analysis of Performances Staged at Yekaterinburg's Theatre of Opera and Ballet)
// Culture and Art.
2017. № 1.
P. 57-66.
DOI: 10.7256/2454-0625.2017.1.18501 URL: https://en.nbpublish.com/library_read_article.php?id=18501
Режиссерские интерпретации классики в современной музыкальной культуре (на примере спектаклей Екатеринбургского оперного театра)
Devyatova Ol'ga Leonidovna
professor of the Department of Cultural Studies and Socio-Cultural Activity at Ural Federal University named after the First President of Russia B. N. Yeltsin
620000, Russia, Sverdlov Region, Yekaterinburg, str. Lenin's prospect, 51, Room No. 416
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sonare-9@inbox.ru
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DOI: 10.7256/2454-0625.2017.1.18501
Received:
27-03-2016
Published:
05-03-2017
Abstract:
The object of the research is the problem of director's interpretation of classical opera works as an important topic for the modern music theatre. The subject of the research is the performances staged at Yekaterinburg Theatre of Opera and Ballet in 2013 - 2015 that demonstrated different approaches of modern directors to conveying a composer's message. The author of the article also analyzes creative success and mistakes of directors in their interpretations of opera masterpieces such as Wagner's 'The Flying Dutchman', Chaikovsky's 'Eugene Onegin' and Verdi's 'Rigoletto'. The author notes an interesting solution of the director who staged Wagner's opera, according to the author, it conveyed the composer's message quite well. The author also notes a rather debatable and unsuccessful interpretation of the opera 'Eugene Onegin' and quite credible interpretation of Verdi's message in the opera 'Rigolleto'. The methodological basis of the research mostly includes the cultural approach, historical comparative analysis, cultural and art historical interpretation of musical and theatrical scripts. The scientific novelty of the research is caused by the fact that the author raises the aforesaid problems in terms of modern Russian culture and analyzes the most recent performances staged at one of the most famous Russian theatre groups. The main conclusion made by the author is that directors should be very sensitive and attentive to composers' messages and take into account both peculiarities of their style and general cultural traditions of the time and place of action as well as correspondence of conceptual meanings of classical works to the realities of our days.
Keywords:
composer, theatre, performance, music, concept, interpretation, opera, culture, classical works, director
References
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