Булез и IRCAM

Петрусева Надежда Андреевна

doi:10.7256/2454-0625.2016.5.17171


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Culture and Art

Reference:

Petruseva N.A. Pierre Boulez and IRCAM // Culture and Art. 2016. № 5. P. 588-599. DOI: 10.7256/2454-0625.2016.5.17171 URL: https://en.nbpublish.com/library_read_article.php?id=17171

Булез и IRCAM

Petruseva Nadezhda Andreevna

Doctor of Art History

Professor, Head of the Department of Theory and History of Music, Member of the All-Russian Organization "Union of Composers", Perm State Institute of Culture

614067, Russia, Permskii krai, g. Perm', ul. Krasnovodskaya, 13

petrusyova@yandex.ru

Other publications by this author

Article was published in rubric "Question at hand"

DOI:

10.7256/2454-0625.2016.5.17171

Received:

02-12-2015

Published:

28-10-2016

Abstract: The subject of the research is the activity of a leading composer, theorist, polemist, teacher and conductor of New Music Pierre Boulez whose activity led to the foundation of Institute for Research and Coordination in Acoustics/Music (IRCAM, the Centre Pompidou in Paris). Petruseva analyzes the environment and stages of Boulez' creative activity, three types of musical establishments (training, performing and research establishments), IRCAM structure; Boulez' article 'Technology and the Composer' that became the manifesto of IRCAM; Boulez' interpretation of the total serialism, denial of preceding (nearest) tradition and transition to the period of 'synthesis'. The researcher uses an integrated research method that combines comparative studies, structural musical methods and elements of social methods. The novelty of the research is caused by the fact that the author tries to outline the borders of anthroposociological research based on the example of Pierre Boulez' sociocultural activity. As a conclusion, the author describes the single line of Boulez' activity that starts with immediate problems of aesthetics, musical material, language and New Music concept and comes to musical establishments through the problems of perception and music performance.

Keywords:

structure and manifesto, research-related, performing New Music, teaching, types of musical establishments, 'vector composition', post-serialistic modernism, New Music, IRCAM (Institut de Recherche et de Coordination Ac, stages of Boulez' creative activity

References

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