Опера в зеркалах эмоциональных переживаний, репрезентаций и философских осмыслений

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Abstract: The article discusses the new book by Ekaterina Shapinskaya. The book consists of the two logically composed parts: the first part introduces a new understanding of art as the part of contemporary mass media communication and practice which the author calls "cultural production (industry)." In this context, great importance is gained by presentation including construction of interpretations of artwork and implementation of these interpretations into life (staging and performance). The author analyzes such central concept as "presentation" and "artistic production". The author also touches upon the problems that require further research: features of successful and questionable modernizations and differences between various types of cultures (Romanticism, Modernism, Postmodernism, Post-culture, etc.) and the nature of generalizations. The second part of the book is devoted to the analysis and intepretation of classical operas based on the proposed terms and differences. Shapinskaya analyzes both foreign and Russian sources and shares her own impressions regarding the matter. The methodological basis for Shapinskaya's research includes problematisation, comparative analysis of cultures, critics, creation of new terms and interpretations and implementation of the interdisciplinary approach based on philosophy of art. Rozin has used very similar methodology but applied these research methods to Shapinskaya's research. The research has allowed to define new concepts and problems described by Ekaterina Shapinskaya in her book. The author of the present article has emphasized the following two groups of such concepts and problems. The first group refers to a new understanding (picture) of art and the second group deals with particular reconstructions and commentaries of classical operas. The other result of the research is the statement of problems that require further research. 

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