«Музыка звучит, как эмоция чувствуется». Принцип внутреннего сходства в музыкально- эстетической теории

Панаиотиди Эльвира Георгиевна

doi:10.7256/2454-0625.2013.6.10427


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Culture and Art

Reference:

Panaiotidi E.G. // Culture and Art. 2013. № 6. P. 673-686. DOI: 10.7256/2454-0625.2013.6.10427 URL: https://en.nbpublish.com/library_read_article.php?id=10427

«Музыка звучит, как эмоция чувствуется». Принцип внутреннего сходства в музыкально- эстетической теории

Panaiotidi El'vira Georgievna

Doctor of Philosophy

Professor, the department of General Humanitarian and Historical Sciences, North Ossetian State Pedagogical Institute

362003, Russia, Vladikavkaz, Marksa Street 36

eidos5@yandex.ru

Other publications by this author

Article was published in rubric "Music and music culture"

DOI:

10.7256/2454-0625.2013.6.10427

Received:

18-12-1969

Published:

1-6.54545454545-2013

References

1. Panaiotidi, E. G. Muzykal'nye emotsii „ponaroshku“ // Vestnik Samarskoi gumanitarnoi akademii. Seriya: Filosofiya. Filologiya 2, 2011, 81-99. http://www.phil63.ru/muzykalnye-emotsii-ponaroshku Budd, Malcolm. Music and the Emotions. The Philosophical Theories. London: Routledge, 1985.
2. Budd, Malcolm. Music and the Expression of Emotion // Journal of Aesthetic Education 23 (3), 1989. P. 19-29.
3. Budd, Malcolm. Music and Communication of Emotion // Journal of Aesthetics and Art Criticism 47 (2), 1989. P. 129-137.
4. Budd, Malcolm. Values of Art. Pictures, Poetry and Music. London: Allen Lane, 1995.
5. Budd, Malcolm. Review of Geoffrey Madell’s Philosophy, Music and Emotion // European Journal of Philosophy 11 (1), 2003. P. 108-111.
6. Budd, Malcolm. Aesthetic Realism and Emotional Qualities of Music // British Journal of Aesthetics 45 (2), 2005. P. 111-122.
7. Ellis, Fiona. Scruton and Budd on Musical Meaning // British Journal of Aesthetics 41 (1), 2001. P. 39-58.
8. Scruton, Roger. The Aesthetics of Music. Oxford: Oxford University Press, 1997.
9. Sparshott, Francis. Music and Feeling // Journal of A,sthetics and Art Criticism 52 (1), 1994. P. 23-35.
10. Trivedi, Saam. Expressiveness as a Property of the Music Itself // Journal of Aesthetics and Art Criticism 59 (4), 2001. P. 411-420.
11. Walton, Kendall. Pictures and Make-Believe // Philosophical Review 82 (3), 1973. P. 283-319;
12. Walton, Kendall. Fearing Fictions // Journal of Philosophy 75 (1), 1978. P. 5-27

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